Victims and Courts Bill

Debate between Lord Arbuthnot of Edrom and Baroness Levitt

Committee stage
Wednesday 11th February 2026 Lords Chamber

[Lord Arbuthnot of Edrom (Con)]

Before the Minister moves on to Amendment 62, would she please comment on the point made by the noble Lord, Lord Russell, about the Law Society’s contribution to the consultation about a system of assurances? That may be a way forward that might allow her to bring forward her own amendment on Report.

[Baroness Levitt (Lab)]

That is exactly what the Government are evaluating. I cannot go any further than that today, but those are all the things that are being considered. I cannot go any further than to say that I am listening.

I turn to Amendment 62, in the names of my noble friends Lady Chakrabarti and Lady Lawrence. I am very aware of these issues, particularly in relation to rap and drill. I knew about this amendment, but in the course of my practice and when I was a judge I have been to a number of lectures on the subject and read a number of articles, including some by Keir Monteith, King’s Counsel, who I see is sitting below the Bar today.

The question here, on the use of this material, is one of relevance. Like the noble and learned Lord, Lord Thomas, I do not want to go into a boring exegesis of when evidence is admissible and when it is not. The real concern here is to make sure that if—and it is a big if—this evidence is to be used then it has proper probative value, on the basis that it goes further than either that this defendant is a bad person because they like rap and drill music or, even worse, some spurious and crude racial stereotypes. Judges have a duty to ensure that only evidence meeting these standards is adduced and they should exclude any evidence that does not meet the required threshold—that is not a matter of discretion. However, I understand the concerns about the fact that that has not happened in all cases.

It is axiomatic to say that creative and artistic expression is of itself not a crime, and it is rare that it would feature in the evidence of a prosecution unless it inherently involved criminal activity, such as damaging another person’s property with graffiti or drawing sexual images of children. As for musical expression, the Crown Prosecution Service is clear that creating or listening to music is not a crime, but it says that, on occasion, it has encountered cases where, upon investigation into a violent offence, it became clear that drill and rap music had been used in the build-up to encourage or incite violence or to reveal information about a crime that only the attackers would know. These instances are rare and, importantly, are already subject to rigorous scrutiny under existing evidential rules. However, I am aware of the disquiet, and we understand the community concerns.

I take the point made by my noble friend Lady Lawrence. I am a lover of crime fiction but I do not think anyone is ever going to use that in a prosecution against me—well, I hope they do not. She makes a valid point.

The Crown Prosecution Service is actively consulting on this matter through a public consultation, seeking views on whether formal prosecution guidance should be issued regarding the use of musical expression evidence. We want to ensure that any future approach is clear and informed by a wide range of perspectives.

It is the Government’s view that, as currently drafted, the amendment would be unduly restrictive and would, in effect, frustrate the ability of the Crown to adduce relevant and probative evidence before the court, with the potential consequences of frustrating justice for victims in some serious cases. The Government intend to await the outcome of the CPS consultation and announce next steps in due course. I invite all noble Lords not to press their amendments.