Planning and Infrastructure Bill

Lord Addington Excerpts

Report stage
Wednesday 22nd October 2025 Lords Chamber

[The Earl of Clancarty (CB)]

My Lords, I support Amendment 71 in the name of the noble Baroness, Lady McIntosh of Pickering, to which I have added my name. I support Amendment 82 as well.

First, I briefly pay tribute to those who have argued for the agent of change principle for much longer than I have, including the noble Baroness, Lady McIntosh, the noble Lords, Lord Clement-Jones, Lord Foster of Bath and Lord Spellar, among others—some of whom, as the noble Baroness pointed out in Committee, are sadly no longer with us. I am not going to repeat the arguments for the agent of change principle that I made then. Suffice it to say, as I have been making clear, it has been widely supported on a cross-party basis across the whole of Parliament. It has the backing of the music industry, in particular many household names including Paul McCartney. I thank UK Music and the Music Venue Trust among others for their briefings.

As the noble Lord, Lord Foster of Bath, said in Committee, the committee led by the noble Baroness looking at the 2003 licensing legislation was delighted—that was the word it used—that the then Government agreed with it. However, experience has since then proved—and it is now widely understood—that the guidance that has been in place is simply not enough. It is not working.

My main point is to take issue with the Minister’s statement in Committee that embedding these principles in law

“risks increasing the number of legal challenges to developments”.—[Official Report, 4/9/25; col. 1031.]

In disagreeing with this conclusion, it is worth quoting fully what the Music Venue Trust says in response to that statement by the Minister. It states:

“In terms of legal challenges, we believe the opposite. The Music Venue Trust mostly makes planning objections because developers do not have to abide by agent of change, and therefore do not. If they had to abide from the off, we think this would greatly reduce the number of objections we would put in … in cases where objections did have to be placed, they would be resolved much more quickly because the objector would have legislation to point to, which would empower the local authority to respond emphatically”.


The Music Venue Trust points in particular to the significant distinction between Scotland, where the agent of change is statutory, and England, where it is not. In comparative terms, the process in Scotland is straightforward and open; in England, it is characterised by avoidance and prevarication.

I want to make just a couple of other points. First, the Government’s consultation that is currently out on pubs, many of which are also live music venues, makes it even more imperative that the agent of change is legislated for to create the certainty which is now required. Secondly, we are awaiting the imminent publication of the London Nightlife Taskforce report, which my noble friend Lord Freyberg referenced earlier today and which will certainly address planning regulations in relation to the current concerns and live music venues. Whatever happens to this amendment, I hope the Minister will look carefully at the recommendations contained within that report, which will have relevance also to the country as a whole.

Finally, this is an important amendment. If the noble Baroness, Lady McIntosh, wished to take it to a vote, I would certainly support her.

[Lord Addington (LD)]

My Lords, live music events and things like that improve people’s lives and the quality of life. You are going down there. You may annoy one or two people, but most people will benefit from them. They are an important part of community involvement, and making sure that they remain is something that this House should be taking seriously.

[Lord Parkinson of Whitley Bay (Con)]

My Lords, I am very grateful to my noble friend Lady McIntosh of Pickering, the noble Earl, Lord Clancarty, the noble Lord, Lord Addington, and others who have expressed their support for this amendment as well as to colleagues in another place who raised similar arguments when the Bill was considered there, not least Dame Caroline Dinenage, the chairman of the Culture, Media and Sport Select Committee in another place.

As noble Lords have said, these venues are vital parts of our cultural infrastructure. They are the reason that we can look forward with excitement to the musicians, artists and talented cultural figures of the future. They are also vital components in building not just houses and housing estates but communities where people want to live with things to do, things that bring joy to their lives. If the Government want the communities that are being built, with the commendable focus on new building that they have, to be vital living and attractive places, it is important that we encourage space for those who are going to brighten our lives with cultural output. We have also seen in the regeneration of coastal communities and many other places how important it is to have those important bits of cultural infrastructure to help revitalise local areas.

Like others, I commend the work of the Music Venue Trust in this regard. It has campaigned long and hard about the plight of live music venues at grass-roots level. My noble friend mentioned Ed Sheeran and Oasis, whose careers were built on these grass-roots venues. I would like to mention Sam Fender, who, like me, hails from North Shields and last week won the Mercury Music Prize and was spotted in the Low Lights Tavern in North Shields. So many of the artists that we like and enjoy today would not be here were it not for those grass-roots venues.

The Music Venue Trust has pointed out how many venues we are losing through all the many challenges. Some 43% of live music grass-roots venues did not make a profit last year. They operate on very tiny margins. There are obviously contending with the rise in national insurance contributions that the Government have set, and last year’s Budget cut rate relief from 75% to 40%, adding a £7 million tax burden on them. Anything we can do to make it easier for the number of grass-roots music venues and bits of cultural infrastructure to grow rather than diminish is worth supporting, and I add my voice in support of those who have spoken up for this amendment.