Education: English Baccalaureate

Lord Aberdare Excerpts

Thursday 4th February 2016 Grand Committee

[Lord Aberdare (CB)]

If the noble Baroness, Lady Pinnock, had the problem that some of her best points had already been made, mine is even worse. While I, too, congratulate the noble Earl on obtaining this debate, I am sorry that he should have had to do so. When the EBacc was first proposed in 2010, there was widespread concern over its omission of arts and cultural subjects. In 2012, as we have heard, the Bacc for the Future campaign was launched to argue for the inclusion of a sixth pillar of creative subjects, including music. As we have heard, most of the EBacc proposals were subsequently dropped in favour of new progress 8 and attainment 8 measures which allow room for creative subjects to be included and were rightly described by Michael Gove as more balanced and meaningful.

Therefore, it was disappointing that last year the Government changed tack once more and announced their intention that the EBacc should be made virtually compulsory for all pupils and be used as the basis of two of the five headline key stage 4 performance measures for schools. Bacc for the Future is indeed back again. With more than 170 supporting organisations, it has had to gear up all over again.

The Government’s motives are excellent. They claim that a compulsory EBacc will enhance the prospects of pupils, particularly disadvantaged pupils, by ensuring that they receive a core academic curriculum that allows them to retain options in subsequent education and in the employment market. I heartily endorse this aim, but I am concerned that the proposals will not work for pupils or for the wider economy.

They will not work for pupils because the curriculum is too limited. The message, although unsupported by the evidence, seems to be that, although all pupils should have opportunities to study the arts and creative subjects, they are less important, less rigorous or less valuable than the EBacc subjects—as the noble Baroness, Lady Morris, said—whatever the particular abilities, interests and skills of individual pupils. As a result, many may be left with much-reduced choice and with their potential talents largely untapped.

The Government claim that the EBacc leaves room for other subjects, but it requires at least seven GCSEs against the average number taken of just over eight, and fewer than that taken by low attainment pupils. Other subjects are likely to be frozen out for more disadvantaged pupils, and that will widen the gap between their schools and the highest performing schools which give proper focus to the arts and creative subjects. I share the view of the noble Lord, Lord Young, that, if anything, schools seem to be too focused on an academic rather than all-round education. For example, hardly any of the many talented apprentices I have met were steered into the apprenticeship route by their schools.

Nor do I think the current proposals will work for the economy by better meeting the UK’s skills needs. Employers increasingly say they want and cannot get enough of skills such as creativity, innovation, entrepreneurship, teamwork, communication, self-discipline, problem solving and the ability to cope with uncertainty. To quote the headmaster of Rugby School:

“We know that, in the world of work, creative vision, entrepreneurial skills and artistic flair are key transformational advantages that derive from studying the arts”.

I am also struck by the lack of focus on digital skills in the EBacc proposals. The report published last February by the Digital Skills Committee, on which I served, argues that digital literacy should be taught as a core subject alongside numeracy and literacy and be embedded across all subjects and throughout the curriculum, but it seems to appear in the EBacc only in the guise of computing as an optional science subject.

I applaud the Minister’s clear commitment to providing a balanced and rounded education for all pupils, but I urge him to listen to the concerns expressed by the Arts Council, Bacc for the Future, the CBI, the Design Council, Edge and numerous others—I could, but will not, go on through the alphabet—and to think again about how best to achieve his laudable aims, both for pupils individually and skills in general. To meet the evolving needs and challenges of the future we need an education system that not only sets high standards and expectations but does so across a broad enough range of subjects to allow all pupils to develop their unique talents, including in the arts and creative subjects, not least music.