Arts and Creative Industries

Debate between Baroness Harman and Tristram Hunt

Wednesday 19th June 2013 Commons Chamber

[Tristram Hunt]

I thank my hon. Friend for his intervention. One had only to read Bagehot in The Economist last week to know of the great economic impact of the arts in the north-east, exactly on the template that Richard Florida has explained for urban economies.

Sadly, much of that achievement has been undermined by the current Government. Their assault on the British economy—stripping out demand and growth and fomenting unemployment—has hit the arts hard. They have cut the Arts Council budget by 35%, condemned philanthropists as tax dodgers and abolished the future jobs fund, which did so much to bring new talent into the arts. Meanwhile, their assault on local authority budgets has been passed down to the arts, libraries and galleries.

It is a question not just of funding, but of ethos. We have a Government who give a direct subsidy to local authorities to ensure that they can empty dustbins rather than keep galleries and libraries open—it is garbage not galleries under this Government. We have a Government who think libraries are only for luvvies and that those who are campaigning to save them are somehow misguided. What we also have is a dramatic and, frankly, Stalinist purge of personnel in the arts community. Sadly, we know that the Prime Minister has a terrible problem with women. We have seen the purge of Liz Forgan from the Arts Council and Baroness Andrews from English Heritage. Many of us now worry about the future of Jenny Abramsky at the Heritage Lottery Fund, who has done a great job.

[Ms Harman]

Or the Secretary of State.

[Tristram Hunt]

Indeed. We are seeing a massive loss of talent and skills from our arts sector on the back of a purge led by the Prime Minister. The lists go into Downing street and the names are struck off. Meanwhile, the poor Minister with responsibility for the arts has to trawl around the clubs and back streets of London trying to find prospective trustees for the arts community. We know that the Conservatives’ interest in the arts is a limited gene pool, and we will have deep problems in managing our arts and galleries in the future.

Another element to the philistinism of the Government has been the assault on creativity in the classroom. We in the Labour movement have always supported rigour and excellence in our classrooms, but we are a creative nation and that comes from a young age, which is why Singapore and South Korea are interested in our educational system, to foster exactly the kind of creativity that feeds into the creative arts. What we have seen from the Secretary of State for Education is an undermining of that creativity in our schools. Since the Government came to power, we have seen a fall in GCSE entries of more than 5% in design and technology, more than 6% in drama, 3.5% in music—I could go on. They have abolished the creative partnerships initiative and cut the ring-fenced school music funding by nearly 30%, and their disastrous higher education policy has seen applications for creative subjects fall by 16%.

It is not all doom and gloom, however. In north Staffordshire there is a ray of hope, and it exists in the great city republic of Stoke-on-Trent. I thank the Minister for his hard work in the past two years in trying to keep the Wedgwood museum open. We are also grateful for the support of the Victoria and Albert museum, as we try to find a way through to keep that world-class institution open. I also pay tribute to Stoke-on-Trent city council’s great achievement in winning a silver medal in the Chelsea flower show. No doubt the Communities and Local Government Secretary would regard that as a grotesque waste of money, but it was a great display of the creativity and excellence that the soil of north Staffordshire has been producing since the age of Spode and Wedgwood in the 1760s and 1770s.

Let me end with an advert. Early next year, the Potteries museum and art gallery will be opening a wonderful new exhibition on the empire of ceramics: the story of the place of Stoke-on-Tent in the history of the British empire and how its ceramics went right around the world to Melbourne, Bridgetown, Bombay and Boston, shaping global culture from north Staffordshire. That is the kind of creativity that will happen under a Labour Government.