Creative Industries
Debate between Earl of Glasgow and Baroness Benjamin
The Earl of Glasgow
My Lords, I too congratulate my noble friend Lady Bonham-Carter on not only setting up the debate but also her important speech, which I hope will be followed up or taken very seriously by the Government. I also congratulate the noble Viscount, Lord Colville, who is not in his seat at the moment, on his maiden speech. It looks as if he is going to be a great credit to we rather sad number of beleaguered hereditary peers—there are not many of us.
I want to say a few words about the British film industry, particularly because I bring tidings of good news at a time when there seems to be a diet of bad news. The British film industry is bucking the trend. In fact, 2011 could be the British film industry’s most successful year of all time. Already this year, $3.3 million of foreign sales have been achieved, and £311 million in domestic sales. This has been caused by a certain number of films that have come out this year. Practically everybody has seen “The King’s Speech”, which was very successful: it won 65 awards, including four Oscars and seven BAFTAs. It was only beaten by another British film three years ago, “Slumdog Millionaire”, which got eight Oscars and 104 awards. Rather surprisingly to some of us, “Tinker Tailor Solider Spy” is becoming a very successful film. It is surprising to me because I thought that people under 40 would not understand or be interested in the Cold War, but apparently it is appealing to them.
The most successful British film in Britain this year is something that I doubt any of us here will have seen, called “The Inbetweeners Movie”. It is about a whole lot of young people behaving very badly. It is what is sometimes called—oh dear, I have forgotten the name now, but there is a certain type of word for that particular type of film. It tends to be all about people behaving badly. What is the word for it? I cannot remember now.
The Earl of Glasgow
No. There is a word for it. Damn it; I should have written it down on my bit of paper but I did not.
Anyway, “The Inbetweeners Movie” has made £45 million at the British box office, which is an extraordinary achievement. Another film, which got very bad reviews and has been running for two weeks—I doubt whether any of your Lordships have seen it—is called “Johnny English Reborn” and, of course, stars Rowan Atkinson, who is incredibly popular. That may be one of the reasons it has already got £17.5 million in two weeks. These are quite extraordinary amounts. It is rare that the British film industry does as well as this.
There is also what they call an art film, which is very depressing and gloomy but very good, called “We Need to Talk About Kevin”, which came out two weeks ago. That has already taken £1.5 million in Britain. It is strange and surprising for an art film to achieve that.
The most extraordinary film this year is the documentary “Senna”. I am told that it has made more money than any other feature documentary in British history. It has already made $3 million, which is amazing for a documentary.
Noble Lords have already heard, so I am not going to talk much about it, that British film studios have never been busier; they are doing very well indeed. Also, of course, a lot of foreign companies are coming over to Britain to make films in this country. An interesting one with Brad Pitt was happening up in Glasgow, which for one weekend suddenly was made into Detroit, which was very strange. Glasgow was completely closed down. In 2012, £935 million will be spent in Britain.
Film can be judged in three different ways. It can be judged as an art form, it can be judged as entertainment, and it can be judged as an industry. As an art form is how I judge it most, as the French have always done. As an entertainment is probably how most noble Lords will think of film. As an industry, of course, it is very important to our economy, which is one reason that we are talking about these things at the moment. It employs many people. British technicians are widely regarded as the best in the word. However, can this present success really be maintained? That is the important thing. There have been many false dawns. There was a time when Colin Welland announced that, “The British are coming!” after the success of “Gandhi” and one or two other very good films. But then it all went pear-shaped with Goldcrest Films, which was once thought of as the flagship of British cinema.
This time, the BFI believes that a successful British film industry is sustainable. After the Olympics, more lottery money will be invested in British films. Traditionally and historically, the film industry always does better in a time of recession. It is currently a success story. When there are so few other silver linings on the horizon, the Government should get behind the film industry, as the French Government have always done with theirs.