Queen’s Speech

Earl of Clancarty Excerpts

Thursday 19th May 2016 Lords Chamber

[The Earl of Clancarty (CB)]

My Lords, I want to make a few observations on the arts, culture, education and the media. I would like to start on a high note, so first, I very much congratulate the Government on introducing a Bill finally to ratify the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict. This is great news. There should also be a special mention of the UK’s Peter Stone of Newcastle University, who since the beginning of the year has held the first ever UNESCO chair in Cultural Property Protection and Peace and has campaigned for this legislation for the past 13 years.

Bringing broadband to every household that wishes to have it is an excellent idea and I hope that project works well. I echo what others have said about speeds. In other areas I have some concerns. I am anxious about how the intention to allow local councils to retain 100% of business rates will affect charitable bodies, including art centres, orchestras and theatres large and small, which currently are allowed 80% mandatory relief, on which many organisations depend. If this is to be left up to already cash-strapped councils, it simply will not work. Can the Minister allay my fears on this?

In a wider cultural sense, there should be some concern about the neighbourhood planning and infrastructure Bill. I am probably one of the few in this House who are a little sceptical about housing-led development, and who feel that we may be in danger of sacrificing what ought to be a sensitive, balanced and inclusive approach to urban design. One of the crises in the arts is the shortage of studio work spaces. Of course, this is only one kind of demand among many others. Nevertheless, this and other uses to which space might or should be put are increasingly likely to be shut out, not just by spiralling rents but by the not unrelated issue of the increased muscle of developers.

A different topic—arts education—was not in the Queen’s Speech. However, I want to make this point because it is timely. The petition to include arts subjects in the EBacc reached well over 100,000 signatures last month. Consequently, there will be a debate on this in the Commons on 4 July, as the Minister will be aware. I hope the Government will take into consideration the views expressed in this debate before they respond to the EBacc consultation.

I want to say a couple of things about the BBC. The way I think about the BBC—as do others—is as a public space. Public space is under threat in this country at present. Indeed, in the geographical sense of buildings and land, too much is being sold off. In respect of arts and cultural services, libraries and museums, particularly in the north, are under increasing threat from continuing cuts to local government funding—cuts which many now believe are unnecessary.

The BBC is a special kind of public space and, in this sense, the distinction that some have recently drawn between a state broadcaster and a public broadcaster is apposite. A public space should contain within it, by definition, a range of public interests, from the most popular to the specialist, but all accessible within this one space. That is why the term “distinctiveness”, as used by the Secretary of State, is the wrong language. In this context, it is about distinctiveness of product: that is to say—I think wrongly—about programme content. It is the language of the marketplace. This term is being used to do down the BBC at the same time as misrepresenting it. The BBC’s distinctiveness is already determined by its inherent shape, not primarily—and I emphasise the word primarily—by its programme content. Its shape, therefore, as a non-commercial broadcaster with programmes uninterrupted by commercials, is part of its character which should not be underestimated. If you remove the popular, the BBC would be destroyed as a public space, which would be a great tragedy.

My second point concerns the constant pressure to prove both independence and impartiality. Again, the BBC is, by definition, already both independent and impartial, because it is a public broadcaster and a public space. But with appointees to the new board accountable only to the Government, the BBC would—again, by definition alone—lose that independence. As an illustration of the current pressures, last month in the Guardian, Timothy Garton Ash, in the context of the EU debate, said that by,

“bending over backwards to be impartial … The danger … is that it reduces everything to claim and counterclaim”.

Facts then become hard to come by, and it becomes too easy to exclude other, more nuanced voices. Given the current uncertainties and the pressures on the BBC —some obvious, some less so—the terms of the charter review need to be scrutinised, and I would support this being debated and voted upon in Parliament.