Education: Social Mobility Debate
Full Debate: Read Full DebateEarl of Clancarty
Main Page: Earl of Clancarty (Crossbench - Excepted Hereditary)Department Debates - View all Earl of Clancarty's debates with the Department for Education
(10 years, 8 months ago)
Lords ChamberMy Lords, I am grateful to the Minister for giving us the opportunity to participate in this debate. I thank the House of Lords Library for an excellent briefing paper. I want to talk about two things: social mobility generally and, secondly, the area of education that is my specific concern: arts education. I declare an interest as a vice-chair of the All-Party Parliamentary Group on Art, Craft and Design Education.
A number of your Lordships have carefully called social mobility “tricky”. I intend to be more critical about the term, which is today widely accepted as a social policy and, indeed, perhaps even as a goal in itself for many individuals. However, I read carefully the speech made by the noble Lord, Lord Giddens, in the debate initiated by the noble Lord, Lord McFall, on social mobility on 6 February, which challenges social mobility as a major social policy, and indeed questions whether social mobility, in the sense in which it is usually meant, operates in anything other than a limited manner.
The noble Lord, Lord Giddens, gave an education example which is worth citing. He said that,
“you might introduce a policy to help kids from an inner-city school to get into a higher level of the system, but middle-class parents can easily mobilise to negate that because they are not stupid and they know what is going on, too”.—[Official Report, 6/2/14; col. GC 166.]
In other words, they are more powerful and school education is today a significant site of competition in itself.
That is an important point about the intransigence of the system as it stands, but it also seems to me that social mobility in the sense that it is commonly understood is necessarily predicated not only on the existence of but the acceptance of a hierarchical society, because the journey taken from A to B of those who in theory become socially mobile involves moving up rungs, including rungs perceived to exist within the educational system itself, which of course will leave people behind. That is the assumption that has to be made—otherwise there will be no journey.
To me, one of the big problems with social mobility as a policy is that it is too narrow; it is not ambitious enough; it is too piecemeal. Social mobility is not about society, it is specifically about individuals. There is nothing wrong with wanting all people to do better at the thing that they enjoy or are good at—alongside knowledge of the opportunities possible, as the noble Lord, Lord Shipley, pointed out—but a policy that highlights material gain, makes money the god and its accumulation the only worthy pursuit, which social mobility also does, is inevitably flawed and ethically questionable.
What of the people who are left behind: for instance, the children in those schools at the bottom of the league tables? Do we really want “getting on”, to use the old colloquial expression, to be the overarching social policy of our time, when perhaps we should be fundamentally challenging the structure of society itself—the extreme income differences that now exist and the shaming food banks? I would say that social mobility, because it makes unacceptable assumptions about our society, is not a solution to the problem but, unfortunately, part of it.
That is of relevance to school education not least because all sectors impinge on each other. Families that are poor, struggling to survive and feel disfranchised from or neglected by society—I believe that social mobility as an underlying social principle will further promote that sense—will have school-aged children who will grow up within that culture, so the job of good education, particularly in the early years, will be made harder at those levels within society, as the noble Lord, Lord Storey, and the noble Baroness, Lady Massey, made abundantly clear.
The 2012 Institute for Public Policy Research report, A Long Division, by Jonathan Clifton and others states that,
“the problem is not just that a group of the poorest pupils fail to reach a basic level of education … Rather, there is a clear and consistent link between deprivation and academic achievement wherever you are on the scale”.
The overriding problem, then, is not bad education in itself, but greater and greater deprivation, which is something that league tables by themselves will not analyse but will in many cases reconfirm.
The comments in his blog of Peter Brant, head of policy at the Social Mobility and Child Poverty Commission, about bright working-class children believing that they will not fit in at university, which were reported last week in the Daily Telegraph, made me feel how much social mobility has become an end justifying the means, and how badly we need an education system that is understood to be geared to all individual needs, rather than trying to create a normalising effect within society. It is not the gap between educational outcomes that we should primarily be attempting to close but the gap between rich and poor.
More specifically, I believe that good education should be broad-based education for all students, particularly up to age 16, and also—this may be a high ideal but it is worth fighting for—that every pupil deserves an education that is beneficial to them individually, which, ideally, means as much choice as possible, particularly at secondary school level, including vocational training, which, as the noble Lord, Lord Baker, pointed out, has been so successful in Germany.
On the point about a properly broad-based education, it is for that reason that I would support STEM becoming STEAM. This is one of the major recommendations of last year’s Culture, Media and Sport Committee report, Supporting the Creative Economy, and is supported by Maria Miller, who made this clear in her speech at the British Library in January. Is the message getting through to the DfE that art and design subjects should have the same level of support in the core curriculum as STEM subjects, and is the department giving this serious thought? Having said that, though, and having listened earlier to the passionate and convincing arguments from the noble Baroness, Lady Coussins, in favour of greater take-up of foreign languages, I wonder if there is not an excellent case to be made on strong cultural and economic grounds for extending STEM to STELAM, where L could stand for languages and A for art and design.
Choice, however, is also important. I want to take the opportunity to expand a little on the issue of discount codes, which I raised with the Minister in an Oral Question last month. The arts education community is very pleased with the decision to separate dance from drama at GCSE level so that they do not now count together as a single unit towards the performance tables. However, the GCSE art and design subjects, many of which carry the same code, JA2, need to be looked at as well. The Council for Subject Associations states that it is,
“unreasonable and illogical to assume that the differences between an endorsed Photography GCSE and Fine Art GCSE are of little significance”.
It seems fundamentally unfair that these two subjects, alongside others including textile design, should have the same code when the perhaps more closely related mathematics and statistics have different ones.
The National Society for Education in Art and Design says—the Minister may be particularly interested in this as the evidence that he is seeking—that:
“We have had teachers telling us that some art courses will no longer run in their schools, or that different art courses are put in one option block so that students can only pick one when previously they could pick two”.
It seems entirely logical that because of the enormous influence of performance tables, there will be a tendency for schools quite quickly to seek to mirror the performance criteria themselves to achieve the best outcomes in those tables. I hope that the Minister will review the GCSE codes for art and design subjects, and perhaps agree to meeting with interested parties on this issue.