EU-UK Cultural Exchange Arrangements

Debate between Baroness Wilcox of Newport and Baroness Twycross

Thursday 4th June 2026 Lords Chamber

[Baroness Twycross (Lab)]

The UK has made a number of arrangements with non-EU countries that are possible because we have been outside the EU, as part of our work on that since Brexit, so there are opportunities for broader cultural exchange. One of the successes of this Government’s work on culture is in some of the delegations that have taken place to non-EU countries. There has been huge enthusiasm from our sectors here for that, but also from the countries to which UK delegations have travelled.

[Baroness Wilcox of Newport (Lab)]

My Lords, I declare an interest as the chair of trustees of the Council for Dance, Drama and Musical Theatre. Following on from the noble Lord’s question, can my noble friend give a slightly wider view? What are we going to do to support Ukraine from a cultural perspective, after it has had so many years of dealing with a dreadful war?

[Baroness Twycross (Lab)]

My noble friend makes a valid and topical point, because in the past week there has been some publicity around some of the destruction wrought on Ukraine’s cultural landmarks. Recently, the UK and the European Commission each committed £250,000 to support cultural heritage protection in Ukraine, aimed at protecting and restoring Ukraine’s cultural landmarks. We have also discussed collaborating on the impact of artificial intelligence in the creative industries with Ukraine, facilitating international cultural collaboration and improving working conditions for creative and cultural professionals. I met the Ukrainian Culture Minister recently and discussed with her how we could work more closely to support them in their cultural recovery.

Creative Industries: Freelance Champion

Debate between Baroness Wilcox of Newport and Baroness Twycross

Thursday 22nd January 2026 Lords Chamber

[Baroness Wilcox of Newport (Lab)]

Please could my noble friend the Minister update us on the progress of implementing the creative industries sector plan? How is DCMS addressing problems of social mobility as part of the “arts for everyone, everywhere” vision?

[Baroness Twycross (Lab)]

Delivery of our ambitious vision is on track. Key achievements include the £150 million creative places growth fund allocated to six mayoral strategic authorities; we have secured agreement to boost music creator streaming income; we have announced the price cap to ban for-profit resale of live event tickets; and we have secured investment for three Bollywood films in the UK, which are expected to create over 3,000 jobs. We also have an increase in innovation funding of £369 million from UKRI and over £4 billion for scaling creative businesses through the British Business Bank. I am delighted to say that the Culture Secretary announced today that £1.5 billion will be invested to save more than 1,000 arts venues—museums, libraries and heritage buildings—across England from closure. These are just a few of the actions that we have taken so far.

Arts and Creative Industries: Social Mobility

Debate between Baroness Wilcox of Newport and Baroness Twycross

Wednesday 3rd December 2025 Lords Chamber

[Baroness Twycross (Lab)]

High-quality arts education cannot be for the privileged few. To provide certainty over future funding, we are increasing tuition fee caps by forecast inflation next year and the year after. Alongside this, we continue to invest in creative arts through the strategic priorities grant, which includes support for world-leading creative institutions. We will also revitalise arts education in schools through a reformed curriculum and support for teachers.

[Baroness Wilcox of Newport (Lab)]

My Lords, does my noble friend the Minister agree that the millions of pounds of investment announced by Cardiff-based company Bad Wolf at the summit in Newport will create thousands of creative industry jobs and support local business and talent development? The projects will include investment in trainee placements and work shadowing opportunities, which is a great example of social mobility in practice.

UK and EU Trade: Arts and Creative Industries

Debate between Baroness Wilcox of Newport and Baroness Twycross

Thursday 11th September 2025 Lords Chamber

[Baroness Wilcox of Newport (Lab)]

My Lords, the Welsh Government promote creative arts and education through the creative learning through the arts programme. Its aim is to integrate arts and creativity into the core of the education system, ensuring that all learners have access to creative experiences, regardless of their background. Does my noble friend agree that this is something that the UK Government could explore for young people in England?

[Baroness Twycross (Lab)]

There are a number of ways in which the UK Government are working towards ensuring youth mobility and exchange. We are working towards association with Erasmus+ on mutually agreed financial terms with the EU. We want to ensure that any agreement reflects a fair balance between the UK financial contribution and the number of UK participants. I am aware of the work that the Government in Wales have done on this and that many young people have benefited from that programme.

National Youth Strategy

Debate between Baroness Wilcox of Newport and Baroness Twycross

Tuesday 10th December 2024 Lords Chamber

[Baroness Twycross (Lab)]

The noble Baroness makes a really valuable point about the role of citizenship. It is essential that pupils develop an understanding of their place in a democratic society so that they can become responsible citizens in modern Britain. As noble Lords will be aware, the DfE has launched an independent curriculum and assessment review, which will look at exactly the type of issues the noble Baroness raises.

[Baroness Wilcox of Newport (Lab)]

My Lords, a range of youth services were cut by the last Government. Policies were axed directly in Whitehall or because of severe cuts to local authority budgets. It will not be possible to reverse the damage overnight, but does my noble friend have any timescales relating to the strategy she outlined earlier?

[Baroness Twycross (Lab)]

We intend to develop the strategy over the next year and to publish it in 2025. The key issue around how we are developing it is coproduction; it will be a coproduced strategy that is cocreated with young people in the youth sector who know best what young people now require.