Theatre Tickets: London

Debate between Baroness McIntosh of Hudnall and Lord Ashton of Hyde

Thursday 28th February 2019 Lords Chamber

[Lord Ashton of Hyde]

The Government spend just under £0.5 billion a year on the arts, along with providing £860 million of tax relief for the creative industries, so we are doing a fairly large amount already. My figures are slightly different. UK Theatre has advised that in real terms—thus taking inflation into account—the overall average price being paid for a ticket has risen by 2% since 2013.

[Baroness McIntosh of Hudnall (Lab)]

My Lords, I remind the House of my interests as in the register. I wonder if the Minister agrees with me—I think he does, because he has virtually said it—that it is very misleading to look just at headline ticket prices. It is true that London theatres are expensive if you want the best seats in the stalls on a Saturday night, but it is possible to go to the theatre in London for quite modest sums. I also ask him to confirm that putting on a live performance of any kind, particularly at scale, is extremely expensive and very difficult to achieve, requiring a great variety of skills and talents. The more we support it, the more likely we are to find homes for all our young people who might be looking to those industries for jobs in the future.

[Lord Ashton of Hyde]

I completely agree with the noble Baroness. As I said, the Arts Council specifically is looking at trying to increase the diversity not only of audiences but of people who work in the industry. For example, we will imminently announce the Youth Performance Partnerships, a scheme for five regional hubs for performance and drama. It will reach up to 10,000 young people over the next three academic years.

Television Licences: Over 75s

Debate between Baroness McIntosh of Hudnall and Lord Ashton of Hyde

Monday 21st January 2019 Lords Chamber

[Lord Ashton of Hyde]

I do not know whether the noble Lord was listening to the Answer I gave to my noble friend. I said that the BBC should not take advertising.

[Baroness McIntosh of Hudnall (Lab)]

My Lords, following on from the question asked by my noble friend Lord Dubs, does the Minister agree, on reflection, that the way the agreement—which we all have to concede was an agreement—was arrived at was, to say the least, not very transparent and did not take very long to be sorted out? It appeared to come upon everybody very suddenly and without much discussion, which suggests a bit of a shotgun arrangement.

[Lord Ashton of Hyde]

The BBC is not a small organisation; it is a very sophisticated organisation. Up until the 2015 settlement, there was an almost permanent state of crisis because the licence fee was funded on an annual basis, so as soon as it was agreed one year, negotiations started for the next year. Partly for the benefit of transparency, the Government agreed a five-year index-linked deal to give the BBC time to organise itself so that it knew what was coming and was able to deal with the concession that it knew would come in in 2020. As a result, the Government agreed to phase in the support from DWP, which comes to an end in 2020. I think it was a reasonable deal that was agreed by both sides.

Television Licences: Over 75s

Debate between Baroness McIntosh of Hudnall and Lord Ashton of Hyde

Tuesday 27th November 2018 Lords Chamber

[Lord Ashton of Hyde]

I am not sure that that would be helpful—for a number of reasons but mainly because it is very important that the BBC’s director-general, who is the editor-in-chief of the BBC, stays clear of politics as much as he can.

[Baroness McIntosh of Hudnall (Lab)]

My Lords, I do not think I am alone in struggling to understand exactly what the Minister is telling us. Can he confirm that, when the settlement with the BBC was made, it was made clear to it by the Government that it would receive the five-year funding uplift on condition that it continued to maintain the free licence for over-75s? If that is the case, effectively the BBC’s licence fee income was cut. Can he confirm that that is the case? If it is not, presumably the BBC has the autonomy to do as it pleases and determine the outcome of the licence for the over-75s.

[Lord Ashton of Hyde]

The noble Baroness is quite right: the BBC has the autonomy to do as it pleases. Responsibility in this area was handed over to it in the Digital Economy Act with Parliament’s agreement. So far as the first part of her question is concerned, it is true that that was agreed in the settlement, and that is why the director-general of the BBC said:

“The government’s decision here to put the cost of the over-75s on us has been more than matched by the deal coming back for the BBC”.

Personal Data

Debate between Baroness McIntosh of Hudnall and Lord Ashton of Hyde

Tuesday 17th April 2018 Lords Chamber

[Lord Ashton of Hyde]

My noble friend makes a good point. I have not read the report yet, of course—it has been out only a day—but I know that it makes the point that data is essential if we are to ensure adequate competition. Data itself is of the greatest use and we have world-beating companies able to take advantage of it. We have to balance the protection of individuals’ data with the use that can be made of it. That is one reason why we are setting up the centre for data ethics and innovation—to look at exactly those points.

[Baroness McIntosh of Hudnall (Lab)]

My Lords, I shall build on the noble Viscount’s question. Does the Minister agree that one of the most difficult things for most people who are trying to understand how their data might be used—even perfectly legitimately—is that terms and conditions and other kinds of regulation are extremely opaque? What more do the Government intend to do to encourage companies who require us to give them our data to do so in a way which we can understand?

[Lord Ashton of Hyde]

One of the requirements of the GDPR, which will come into force on 25 May, is that you have to give informed consent. That means, for example, that there cannot be a pre-ticked box; you have to make an active and sensible decision on whether you give your consent. Companies are required to make it understandable and cannot just put a consent box at the bottom of page 25. Secondly, the amendment of the noble Baroness, Lady Kidron, made age-appropriate design a feature, which I am sure will be developed, so when people produce apps and other things they have to take account of the age of the people who are likely to use them.

Data Protection and Privacy

Debate between Baroness McIntosh of Hudnall and Lord Ashton of Hyde

Monday 5th February 2018 Lords Chamber

[Baroness McIntosh of Hudnall (Lab)]

Further to the previous two questions about young people, does the Minister accept that many children are being given access to mobile devices well before their 13th birthday, which is the point at which most websites and providers are supposed to limit the availability of certain kinds of content? While there is a certain amount that legislation can do about this, it is really an issue of public information, particularly as many of these young people are being enabled by their own parents, who need to understand the dangers. What are the Government doing to further the public education that would help that?

[Lord Ashton of Hyde]

The new general data protection regulation specifies that children are a special case and have to be protected more than adults. I completely agree with the noble Baroness that education is important, and that is education for parents and not just for young people. Across all age groups, a lot of people have things to learn about the dangers of the internet. One thing that the Centre for Data Ethics and Innovation will do is show that it is not just Government who are involved in this but the industry, education, regulators and charities. All sectors in society have to come together to make sure that this tremendous opportunity is used safely by everyone.

Youth Orchestras

Debate between Baroness McIntosh of Hudnall and Lord Ashton of Hyde

Thursday 7th December 2017 Lords Chamber

[Lord Ashton of Hyde]

I agree with my noble friend.

[Baroness McIntosh of Hudnall (Lab)]

I am sure the Minister is aware that youth orchestras in this country, and indeed elsewhere, perform to an extremely high standard, and that the young people who participate put in hours and hours of work although not all—fewer than half of them—actually anticipate having a career as a professional musician. What we need in order to keep those standards up is a good supply of young people who have the skills to take part. What proportion of children and young people in the maintained sector have affordable access to music tuition for long enough to bed in the skills that they need to perform to that standard?

[Lord Ashton of Hyde]

I cannot give exactly the proportions that the noble Baroness has asked for. I can say that we have music education hubs, which were established after the Henley review into music education in 2011. There are 120 music education hubs in place, and they are funded by the Department for Education and overseen by Arts Council England. They create joined-up, high-quality music opportunities for all children and young people in and out of school, and the Government spend £75 million a year on this.