Children’s Wellbeing and Schools Bill

Baroness Fraser of Craigmaddie Excerpts

Thursday 19th June 2025 Lords Chamber

[Baroness Benjamin (LD)]

My Lords, Amendments 168, 228, 376 and 377 concern child performances and sporting activities. I declare my interest as per the register.

On Amendment 168, there is no system in place to safeguard and protect children’s earnings from financial abuse when they are engaged in performances, paid sport or modelling activities. Other countries, such as the US and numerous EU territories, have legislation in place to ensure that employers pay a percentage of the child’s earnings into a trust account where earnings are protected by the state until the child reaches the age of 18. We lag behind the times with this provision, and safeguarding and protection are long overdue.

Local authorities can add stipulations to licences—for example, that 80% must be paid into a child’s savings account or 50% used for the child’s benefit. However, these conditions differ throughout Great Britain and are sadly ineffective, as a parent can access and use the child’s money and not necessarily for the child’s benefit or in their interest. Local authorities themselves are concerned about how best to protect these earnings but, sadly, there is no system or law in place to support this.

My amendment would ensure that a small percentage of the child’s earnings is held in trust until the child reaches adulthood and is not accessible by a parent, guardian or the child themselves. If this amendment becomes law, trust accounts will protect the child’s earnings until they reach the age of 18. Income will be protected and any tax liabilities more easily calculated. As we enter a world of streaming platforms, social influencers and headline child stars, these earnings can be in the millions of pounds and we have a responsibility to ensure that all children, regardless of which local authority they reside in, have effective means to safeguard their future and their earnings.

Amendment 228 deals with a child not appearing on the school register. The Bill as it stands fails to recognise the unique needs of children working within the entertainment industry, where many are educated in flexi-alternative provisions. The safeguarding elements of this pre-approval to be absent from school have already been scrutinised by the licensing authority and the education provisions are accounted for in the conditions of the licence period.

What is proposed in the Bill is the opposite of what should be a positive. This life-changing experience for a child is regarded as a negative absence, not only for the child but for the school. It will not record the beneficial reason for their absence—merely another day missed from school, which negatively affects both the child and the school’s record and could affect its Ofsted standing. This unique opportunity should be celebrated, not penalised.

When the child is granted a licence to perform within Great Britain, the Children and Young Persons Act 1963, combined with the Children (Performances and Activities) (England) Regulations 2014, make provision for the approval of education to be shared with local authorities. Requiring this information not only to be carefully considered and shared but then duplicated and, as often happens, amended at the last minute due to the requirements of the production, would divert valuable resources away from the safeguarding of young people and the most vulnerable children.

The Bill’s current requirement to include children within the register with pre-approved flexi-education from licensing authorities would divert attention from the very children the register is intending to capture. It will slow down the process of licensing children to perform. Local authorities will require information not available at the time of a licence application to add children to the register. The licensing process, in reality, is evolving and live; it is where industry collaborates with licensing authorities. It is imperative that the process works for all parties involved.

Amendment 376 concerns a body of persons approval, or BOPA, which is in the wrong place. It currently sits within Part 6 of the regulations, which targets only performance abroad rather than performance in the UK. My amendment highlights the need for a licensing authority that approves a performance abroad or exempts a performance within the UK to notify the local authority in which the child lives. This will ensure that the local authorities are fully aware of the children who are performing, to finally join up the dots and offer a working solution using the technological advances of 2025. This in turn will help safeguard a child from overperforming and not receiving the regulated overnight rest breaks, and give consideration for meaningful education.

At present, local authorities are aware of performances by children in their area only if they have granted the licence. Exemptions granted under a body of persons approval, or licences granted by a magistrate’s court for children to perform abroad, are not shared with the local authority where the child resides. However, under the Bill, they are expected to note on the register information that is not being shared. There is currently no legal requirement or process for a magistrate’s court to inform the child’s local authority that they are missing school under the child employment abroad order, so it will not be aware of the child’s involvement in a performance.

Amendment 376 requires licensing authorities that approve a licence, or authorise a performance under a body of persons approval, to notify the local authority in which the child resides. We have a duty to protect our children, regardless of where they perform, and the current system requires urgent consideration of we license children for paid and unpaid performances, to ensure that we have an effective, joined-up approach.

Finally, Amendment 377 calls for a review of the child performance regulations 2014. Since the regulations were revised in 2014, we have seen a substantial change to the entertainment industry, with streaming platforms, new film studios and diverse opportunities for children to be involved and perform. The industry is fast-paced and must adapt to new technologies. The very interpretation of the performance regulations across each local authority makes it hard to take a balanced approach when multiple children from different areas are involved in the same production. Children performing in the UK from other countries, which have their own regulations and union rules that must be followed alongside our laws, result in a mixture of regulations that do not always have the best interests of children at heart.

In 2014, the then Government agreed to revisit these regulations after 10 years, some of which I was instrumental in securing. It is important to acknowledge that, to move forward in the best way to support all children to partake in performance, there needs to be a period of reflection to stay current with an ever-evolving industry. Would the Government commit to review the child performance regulations to include the necessary improvements needed?

Our world has changed, and we have to adapt or face being left behind, otherwise children will miss out on potentially life-changing experiences and opportunities. We have an opportunity, by agreeing to my amendments, to make a positive change for children and young people in performing arts and sporting activities. I look forward to working with the Government to make these changes.

[Baroness Fraser of Craigmaddie (Con)]

My Lords, I will speak in support of my noble friend Lord Lucas’s Amendment 155. It is a great honour to follow the noble Baroness, Lady Benjamin, and I agree with everything that she said; I therefore also support her.

What prompted me to look at this space were the government Amendments 157 and 158 on the employment of children in England and Wales and in Scotland. I agree with the noble Baroness, Lady Benjamin, that they do not sufficiently cover the difficulties and discrepancies between what is in the Bill and the on-the-ground opportunities for children in the performing arts. I was especially concerned by the timing restrictions in proposed new Clause 2(1)(d)—as well as in the proposed new paragraphs (e), (f), (g) and (h)—which requires children not to work before 7 am or after 8 pm. The Minister is shaking her head, so clarification from her that this does not apply to children in the performing arts would be great.

I agree with the noble Baroness, Lady Benjamin, about the opportunities for children to take part in the performing arts. My first pay packet came as a performer with Scottish Ballet at the age of nine, which introduced me to all sorts of career opportunities that I would not have had in school, including becoming a choreologist. I would therefore welcome anything to clarify that children are encouraged to take up these opportunities. I would be very grateful if the Minister could clarify the licensing agreement for performing arts and children being paid as performers. I look forward to hearing her answer.