(3 years, 10 months ago)
Lords ChamberI cannot accept the noble Lord’s assertion that these industries were ignored. Our negotiators worked extremely hard to try to put forward a proposal that would have benefited both the EU and the UK creative sectors and we are disappointed that it was not accepted.
This issue is much wider than just musicians, although that is clearly extraordinarily important. I am amazed we were only having discussions with the industry on 20 January, because this issue has been around for a long time. On 20 December, the noble Lord, Lord True, told me that the more ambitious agreement on movement was rejected by the EU. However, in March last year the Home Office told me:
“These arrangements are not dependent on whether or not the Government concludes a Comprehensive Free Trade Agreement with the EU.”
On 5 May, I was told that it depended on both. My question, which I raised in the debate on 8 January was: does this have to be negotiated with the EU or the individual states? If it is the latter, how many of the 27 have we approached and how many are we engaged with in negotiations?
To clarify for my noble friend, our work with the industry did not start on 20 January, and I am sorry if I was not clear on that point. The Secretary of State established a new round-table group which has met for the first time, but all our work in this area has been informed by feedback from the sector. In relation to my noble friend’s wider points, I will respond in writing if I may.