(3 years, 9 months ago)
Lords ChamberI reassure the noble Viscount that all these options will be considered, but we remain of the view that the support that we are offering the cultural sector through the Culture Recovery Fund, combined with following public health advice so that we can reopen our cultural venues as quickly as possible, is the best route for re-employing freelancers.
All the people to whom we are giving birthday wishes—which I join in doing—are women. I draw the Minister’s attention to the fact that women freelancers working in the arts, who constitute a very high proportion, suffer badly for two reasons. Last year, pay gap enforcement was suspended, and many women reduced their working hours to care for children who were home for school. This renders them not qualified for the Self-employment Income Support Scheme. Will the Government adjust their provision to include targeted support for women freelancers working in the arts?
As I said to other noble Lords, we are considering all the elements in detail and all the barriers to taking up the support offered. A further announcement on this will be made by the Treasury in the Budget.
(3 years, 9 months ago)
Lords ChamberThe noble Earl is right to highlight some of the challenges that now face our brilliant musicians and creative artists. As he knows, in the UK-EU trade negotiations the EU tabled a proposal for a permanent waiver for short stays covering UK and EU citizens that drew on agreements such as those with Colombia and the UAE. However, this offer would not have met the needs of touring musicians in the round, nor was it compatible with our manifesto commitment to take back control of our borders. Therefore, our starting point is to listen to and work with those in the sector to make sure that they have the information that they need, in a clear and accessible way, so that they can continue their valuable work once Covid restrictions are lifted.
My Lords, the countries cited by my friend the noble Earl have unilateral agreements with the EU, which makes these relationships possible. Will the Government now seek their own new bilateral agreements with the EU and EU member states, separate from the trade agreement, so that they can exempt touring performers and creative people from the visa and work permit regulations?
As the noble Baroness has heard me say at the Dispatch Box on several occasions, we are exploring individual options to try to ease the process for our musicians and creative artists, but there are no current plans such as the one that she suggests.
(3 years, 10 months ago)
Lords ChamberAs the noble Lord knows, it takes two people to meet though an open door. I was also very clear in my answers last week that our priority was working with the sector to understand its needs and working bilaterally with individual countries. But we still believe that our original suggestion would have benefited all parties.
Clearly, this Brexit situation is unsatisfactory for all those involved. The Secretary of State for the arts, Oliver Dowden, calls the arts sector one of our greatest calling cards. It is indeed soft power with diplomatic significance. Musicians from both pop and classical sides of the profession tell me that cultural attachés in embassies across London are concerned about this situation. Setting aside the blame game, can the Government reopen negotiations and go through this open door, as it concerns an industry worth four times the fishing industry to this country?
The Government are also concerned to make sure that our critical and creative sector—and within that, musicians—continue to thrive, which is why we are working closely with the sector to achieve that.
(3 years, 10 months ago)
Lords ChamberMy Lords, many, if not most, musicians are freelance or self-employed workers. As such, they are among the 3 million taxpayers who have fallen through the net of the Government’s financial support during the pandemic. Will the Government and the Minister please explain why they cannot at least support musicians in this way?
I understand the noble Baroness’s concerns in this area, and we definitely continue to explore routes through it. However, I reassure her that direct funding has gone from Arts Council England to freelancers and, furthermore, to some of the benevolent societies that support them.
(3 years, 11 months ago)
Lords ChamberThe noble Baroness is absolutely right. Obviously, I do not want to pre-empt the conclusions of that committee, but across our legislative programme, the importance of children and young people is pre-eminent.
I raise the issue of urgency about this Bill. There are two circumstances: first, as has already been said, the increasing abundance of fake news on the internet, with its damaging effect on public trust; and, secondly, the renewed sense of civic responsibility engendered by the pandemic. Will the Minister press the Government to seize the moment and give a date when they will introduce this timely legislation?
The Government are actively working with all the key stakeholders in this area—the TV manufacturers, the platform gatekeepers and the PSBs—but I am afraid I cannot give the noble Baroness a firm date.
(4 years, 4 months ago)
Lords ChamberMy Lords, mention has already been made of the national institutions and their international reputations, as well as the spread of small-scale institutions and enterprises around the country and the importance of freelancers in that respect. Going forward, numerous small enterprises are still at risk, so may I suggest that the Government consider underwriting insurance for theatre productions in case they are forced to pause or close?
I am happy to take the noble Baroness’s suggestion back to the department.
(4 years, 4 months ago)
Lords ChamberThe Government are well aware of the sacrifice that many people, particularly elderly people, have made during the past few months. However, the responsibility is absolutely clear and was debated extensively by this House during the passing of the Digital Economy Act in 2017: the BBC is responsible for this matter.
The Covid-19 crisis has emphasised more than ever the dependence of the over-75s on their television sets, particularly those who are isolating. The arrival of a new director-general at the BBC gives an opportunity to open up again what was an extremely controversial negotiation with the Government about the licence fee. Will the Government bear in mind during these proposed negotiations that the cohort of over-75s who watch television is very varied indeed? Some of them are extremely rich and can afford it, but many of them, the most dependent, cannot afford it at all. Therefore, there is an opportunity here, given a new negotiation, to offer some scale of payment that the Government and the BBC might consider appropriate.
There will be a very wide range of issues, I am sure, to be discussed between my right honourable friend the Secretary of State and the new director-general of the BBC when he comes into post. The Government are clear that everyone entitled to claim pension credit should do so, and we are aware that that is not the case universally, so we are also working in particular on that.