Asked by: Baroness Bennett of Manor Castle (Green Party - Life peer)
Question to the Department for Digital, Culture, Media & Sport:
To ask His Majesty's Government, following the decision to fly ancient hominid remains into space, what assessment they have made of the case for strengthening protections for ancient hominid and human remains; and what discussions they have had, and intend to have, about reinforcing such protections internationally.
Answered by Lord Parkinson of Whitley Bay - Parliamentary Under Secretary of State (Department for Culture, Media and Sport)
Human remains less than 1,000 years old in UK museum collections are protected under the Human Remains Act 2004. The Act regulates the acquisition, storage, use and disposal of human bodies, organs and tissue. It also requires a licence for organisations holding and displaying human remains. This Act ensures that there is strong protection in place for human remains in UK museums.
Museums are independent of HM Government and it is for the trustees of each museum to make decisions about their collections. However, we expect museums to exercise appropriate care for their collections including ancient hominid and human remains which are outwith the scope of the Human Remains Act 2004.
Asked by: Earl of Clancarty (Crossbench - Excepted Hereditary)
Question to the Department for Education:
To ask His Majesty's Government what is their definition of "cultural education" as referred to in the published terms of reference for the Cultural Education Plan Expert Advisory Panel.
Answered by Baroness Barran - Parliamentary Under-Secretary (Department for Education)
The published terms of reference for the cultural education plan expert advisory panel, sets out that cultural education sits at the heart of an enriching and fulfilling curriculum for pupils. A broad and balanced curriculum includes arts and heritage in the range of subjects taught, and in wider co and extracurricular activities.
The breadth and depth of cultural education is demonstrated by, but not exclusive to, the following: visual arts, music, craft, dance, design, digital arts and gaming, drama and theatre, film and cinema, galleries, heritage, libraries, literature and poetry, live performance, museums, and archaeology, architecture and the built environment, and archives.
This plan will focus on how the department can support access and participation in a wide range of arts subjects and activities, particularly for children and young people from disadvantaged backgrounds and in underrepresented groups. It will also further support young people who wish to pursue careers in our creative, cultural, and heritage industries.
Asked by: Rachael Maskell (Labour (Co-op) - York Central)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, what steps she is taking to support arts and music organisations following the UK's departure from Creative Europe.
Answered by John Whittingdale
His Majesty’s Government recognises the great value of the UK’s world-leading creative sectors. The creative industries continue to thrive and are a key high-growth sector of our economy, as well as bringing great joy and wellbeing to people’s lives. The sector contributed £108 billion to the economy in 2021, accounting for 6% of UK GVA, and employed 2.3 million people – 7% of the total UK workforce – with employment growth increasing at almost five times the rate of the economy more widely since 2011.
Since leaving the EU, the UK is no longer part of the Creative Europe programme. The Government decided not to seek continued participation in the Creative Europe programme, but to look at other, more targeted ways of supporting the UK’s cultural and creative sectors.
The UK Shared Prosperity Fund delivers on a commitment to match EU funding across all four nations of the UK and gives local people control of how their money is spent, removing unnecessary bureaucracy and enabling them to invest in the cultural organisations that particularly matter to them.
Similarly, the £4.8bn Levelling Up Fund invests in local infrastructure projects which improve life for people across the UK, focusing on regeneration, local transport, and supporting cultural, creative and heritage assets. The second round of the Fund was announced in January 2023, and included more than £16 million for a new Production Village in Hartlepool, for instance, providing new jobs and opportunities in the creative industries and boosting the local economy.
Arts Council England supports the Four Nations International Fund, launched in 2021. This supports people working in the arts and creative industries across the UK, together with their counterparts in Europe and beyond.
This is in addition to support given through the Government's extension of the higher rates of theatre and orchestra tax relief for a further two years, as announced at the last Budget. This extension will continue to offset ongoing pressures and boost investment in our cultural sectors. Collectively, the two-year extension to the higher rates of theatre, orchestra and museums tax reliefs is estimated to be worth £350m over the five-year forecast period.
To support independent screen content – including film – to grow internationally, the Government launched the UK Global Screen Fund in April 2021 with initial funding of £7 million. We have committed a further £21 million to this Fund over the period 2022–25 to develop, distribute, and promote independent UK screen content in international markets.
Asked by: Rachael Maskell (Labour (Co-op) - York Central)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, what assessment she has of the potential merits of the UK participating in Creative Europe.
Answered by John Whittingdale
His Majesty’s Government recognises the great value of the UK’s world-leading creative sectors. The creative industries continue to thrive and are a key high-growth sector of our economy, as well as bringing great joy and wellbeing to people’s lives. The sector contributed £108 billion to the economy in 2021, accounting for 6% of UK GVA, and employed 2.3 million people – 7% of the total UK workforce – with employment growth increasing at almost five times the rate of the economy more widely since 2011.
Since leaving the EU, the UK is no longer part of the Creative Europe programme. The Government decided not to seek continued participation in the Creative Europe programme, but to look at other, more targeted ways of supporting the UK’s cultural and creative sectors.
The UK Shared Prosperity Fund delivers on a commitment to match EU funding across all four nations of the UK and gives local people control of how their money is spent, removing unnecessary bureaucracy and enabling them to invest in the cultural organisations that particularly matter to them.
Similarly, the £4.8bn Levelling Up Fund invests in local infrastructure projects which improve life for people across the UK, focusing on regeneration, local transport, and supporting cultural, creative and heritage assets. The second round of the Fund was announced in January 2023, and included more than £16 million for a new Production Village in Hartlepool, for instance, providing new jobs and opportunities in the creative industries and boosting the local economy.
Arts Council England supports the Four Nations International Fund, launched in 2021. This supports people working in the arts and creative industries across the UK, together with their counterparts in Europe and beyond.
This is in addition to support given through the Government's extension of the higher rates of theatre and orchestra tax relief for a further two years, as announced at the last Budget. This extension will continue to offset ongoing pressures and boost investment in our cultural sectors. Collectively, the two-year extension to the higher rates of theatre, orchestra and museums tax reliefs is estimated to be worth £350m over the five-year forecast period.
To support independent screen content – including film – to grow internationally, the Government launched the UK Global Screen Fund in April 2021 with initial funding of £7 million. We have committed a further £21 million to this Fund over the period 2022–25 to develop, distribute, and promote independent UK screen content in international markets.
Asked by: Stephen Timms (Labour - East Ham)
Question to the HM Treasury:
To ask the Chancellor of the Exchequer, what recent assessment he has made of the effectiveness of tax relief for national heritage assets as a contribution to public enjoyment of such assets.
Answered by Victoria Atkins - Secretary of State for Health and Social Care
Land, buildings and objects of outstanding scenic, architectural, historic or artistic interest form an integral part of the cultural life of this country. The capital taxes conditional exemption encourages the nation’s heritage to be preserved and displayed for the enjoyment of the public.
Following a detailed review, these rules were updated in the Finance Act 1998. All elements of the tax system remain under continuous review.
The majority of objects that benefit from exemption are displayed in public museums or galleries. Owners of land and buildings report visitor numbers as part of the regular monitoring undertaken by HMRC in collaboration with heritage advisory bodies. HMRC does not collate these numbers and they could only be provided reliably at disproportionate cost.
Estimates of the cost of the conditional exemption are published as part of HMRC’s ‘non-structural tax reliefs’ publication: https://www.gov.uk/government/statistics/main-tax-expenditures-and-structural-reliefs.
Asked by: Stephen Timms (Labour - East Ham)
Question to the HM Treasury:
To ask the Chancellor of the Exchequer, what information his Department holds on the number of people that visited tax exemption scheme heritage assets in each of the last 10 years.
Answered by Victoria Atkins - Secretary of State for Health and Social Care
Land, buildings and objects of outstanding scenic, architectural, historic or artistic interest form an integral part of the cultural life of this country. The capital taxes conditional exemption encourages the nation’s heritage to be preserved and displayed for the enjoyment of the public.
Following a detailed review, these rules were updated in the Finance Act 1998. All elements of the tax system remain under continuous review.
The majority of objects that benefit from exemption are displayed in public museums or galleries. Owners of land and buildings report visitor numbers as part of the regular monitoring undertaken by HMRC in collaboration with heritage advisory bodies. HMRC does not collate these numbers and they could only be provided reliably at disproportionate cost.
Estimates of the cost of the conditional exemption are published as part of HMRC’s ‘non-structural tax reliefs’ publication: https://www.gov.uk/government/statistics/main-tax-expenditures-and-structural-reliefs.
Asked by: Stephen Timms (Labour - East Ham)
Question to the HM Treasury:
To ask the Chancellor of the Exchequer, what his estimate he has made of the annual cost of offering tax relief for national heritage assets.
Answered by Victoria Atkins - Secretary of State for Health and Social Care
Land, buildings and objects of outstanding scenic, architectural, historic or artistic interest form an integral part of the cultural life of this country. The capital taxes conditional exemption encourages the nation’s heritage to be preserved and displayed for the enjoyment of the public.
Following a detailed review, these rules were updated in the Finance Act 1998. All elements of the tax system remain under continuous review.
The majority of objects that benefit from exemption are displayed in public museums or galleries. Owners of land and buildings report visitor numbers as part of the regular monitoring undertaken by HMRC in collaboration with heritage advisory bodies. HMRC does not collate these numbers and they could only be provided reliably at disproportionate cost.
Estimates of the cost of the conditional exemption are published as part of HMRC’s ‘non-structural tax reliefs’ publication: https://www.gov.uk/government/statistics/main-tax-expenditures-and-structural-reliefs.
Asked by: Stephen Timms (Labour - East Ham)
Question to the HM Treasury:
To ask the Chancellor of the Exchequer, when the terms of the tax exemption scheme for heritage assets were last reviewed.
Answered by Victoria Atkins - Secretary of State for Health and Social Care
Land, buildings and objects of outstanding scenic, architectural, historic or artistic interest form an integral part of the cultural life of this country. The capital taxes conditional exemption encourages the nation’s heritage to be preserved and displayed for the enjoyment of the public.
Following a detailed review, these rules were updated in the Finance Act 1998. All elements of the tax system remain under continuous review.
The majority of objects that benefit from exemption are displayed in public museums or galleries. Owners of land and buildings report visitor numbers as part of the regular monitoring undertaken by HMRC in collaboration with heritage advisory bodies. HMRC does not collate these numbers and they could only be provided reliably at disproportionate cost.
Estimates of the cost of the conditional exemption are published as part of HMRC’s ‘non-structural tax reliefs’ publication: https://www.gov.uk/government/statistics/main-tax-expenditures-and-structural-reliefs.
Asked by: Julian Knight (Independent - Solihull)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, what steps she is taking to identify (a) stolen and (b) confiscated (i) treasures, (ii) art and (iii) other cultural assets that were lost during the Second World War.
Answered by John Whittingdale
The UK has endorsed the Washington Principles on Nazi-confiscated art, which include identifying looted art and establishing mechanisms to consider claims for its return. Our national museums have undertaken detailed research of their collections to identify objects with uncertain provenance between the years 1933–45. The results have been published in a fully searchable spoliation database which is regularly updated.
HM Government has also established the Spoliation Advisory Panel which advises on claims for the return of cultural objects lost during the German Third Reich and which are now in UK collections. The Panel currently holds the Presidency of the Network of Restitution Committees on Nazi-looted art which works to increase the effectiveness of provenance research and the sharing of information on Nazi-looted art, in the spirit of the Washington Declaration.
Asked by: Julian Knight (Independent - Solihull)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, how much National Museums Liverpool spent on equality and diversity training in the 2022-23 financial year.
Answered by John Whittingdale
On 2 October, the Chancellor of the Exchequer announced a value for money audit of all equality, diversity and inclusion expenditure in the Civil Service. The audit will dovetail with the public sector productivity review, aiming to deliver a leaner, more efficient Government. The audit forms part of our drive to improve productivity across the public sector by driving down waste and improving performance. The findings and actions of the audit will be announced by the Chancellor in the autumn.