Film

(asked on 23rd October 2024) - View Source

Question to the Department for Digital, Culture, Media & Sport:

To ask the Secretary of State for Culture, Media and Sport, what steps her Department is taking to ensure that growth in the British film industry is shared across the UK.


Answered by
Chris Bryant Portrait
Chris Bryant
Minister of State (Department for Culture, Media and Sport)
This question was answered on 31st October 2024

The government is firmly committed to supporting the growth of the film industry across every nation and region. Through our UK-wide funding programmes, investment in infrastructure, tax reliefs and support for independent British content, we want the UK to be the best place in the world to make films.

We fund the British Film Institute (BFI) to support the film sector through nationwide funding and initiatives. The BFI’s ten year strategy, Screen Culture 2033, sets out its core principle to reach across the full breadth of our nation. The BFI have sought to devolve funding, share power, and support networks across regions, in particular through their Film Audience Network (BFI FAN) which is a collaboration of 8 film hubs, managed by leading film organisations and venues around the UK. Film Hub North covers Liverpool.

The BFI is also tackling skills shortages in the sector to underpin growth across the UK. Under the BFI’s National Lottery Skills Clusters Fund, £8.1 million has been awarded to enable six Skills Clusters across the UK to identify skills gaps, coordinate local skills training, and develop clearer pathways to long-term employment in the sector. This programme includes £2.3m awarded to Screen Alliance North - created by the Liverpool Film Office, North East Screen, Screen Manchester, and Screen Yorkshire - over 2023-2026.

We support the British Film Commission (BFC) work, with £6 million in funding, to support the growth of seven geographic production hubs across the UK, by investing in infrastructure and attracting global film productions that bring inward investment into the local and national economy. This includes support for Liverpool, most recently supporting and advising on the Liverpool Littlewoods film studio development.

We also want to support independent British content, to ensure stories from across the UK are told on screen. We recently brought in the Independent Film Tax Credit to support homegrown talent, and we support indie content to grow internationally through the £28 million UK Global Screen Fund (UKGSF). Daliland and The Almond and The Seahorse, both of which were shot in Liverpool, received international distribution awards from UKGSF.

In addition, to boost the contribution of film tourism to local economies, DCMS Arm’s-Length Body VisitBritain uses high profile filming locations as part of its international tourism marketing activity.


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