Regional Theatre
Debate between Will Quince and Andrew Bingham(8 years, 11 months ago)
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Will Quince
No, my hon. Friend does not need to intervene. It is very kind of her. The thought is there.
Investment in our regional theatre is not just a sunk cost; it has real economic benefit in our towns and cities. The latest research from the Mercury theatre shows that every £1 of grant aid that the theatre receives generates £3 locally in Colchester. The economic impact of the Mercury theatre on our local area was £3.6 million —a not insignificant sum.
Andrew Bingham (High Peak) (Con)
I congratulate my hon. Friend on securing this debate. In my constituency we have Buxton opera house, which is fabulous and well worthy of a visit by any Member. We also have the Buxton festival, which is an opera and literary festival that was graced by the Prime Minister a few years ago. The benefit that the theatre brings to the local economy is huge. It is not just the people coming to see the productions, but the people coming to see the theatre and the whole cultural aspect on offer in the High Peak. That is another benefit that regional theatres bring to rural communities such as mine.
Will Quince
My hon. Friend makes a valuable point about a trend that can be seen nationally. Recent research for the Arts Council in August showed that theatre subsidy helps support more than £2.2 billion of private sector activity. Although theatres are becoming better at sourcing their own moneys—regularly funded theatres are now earning 62% of their total income, which is six percentage points more than four years ago—the report said that very few regional venues could justify a claim to be profitable were all subsidies removed.
Investment in our theatres not only has a strong economic impact, but is critical to the health of the acting professions and the creative arts. Research from 2013 on the effect of publicly funded arts on creative industries found that 62% of those working in subsidised theatre believed working in the sector to be highly important to a successful career in theatre. Respondents were more likely to say that publicly funded theatre gave greater opportunities for presenting challenging work and new work and for providing sufficient time to experiment than big commercial theatre.