Zurbaran Paintings (Auckland Castle) Debate

Full Debate: Read Full Debate

Tony Baldry

Main Page: Tony Baldry (Conservative - Banbury)

Zurbaran Paintings (Auckland Castle)

Tony Baldry Excerpts
Thursday 31st March 2011

(13 years, 7 months ago)

Commons Chamber
Read Full debate Read Hansard Text
Tony Baldry Portrait The Second Church Estates Commissioner (Tony Baldry)
- Hansard - -

I congratulate the hon. Member for Bishop Auckland (Helen Goodman) on securing this timely debate, and thank her for her kind personal comments. She has been a tireless and dedicated campaigner on this issue on behalf of those who live close to Auckland castle and those who come to enjoy it, its grounds and, especially, its paintings. As she made clear, both she and the people of Bishop Auckland, along with those in the wider region, are delighted about today’s announcement by the Church Commissioners that they are working to keep the Zurbaran paintings in Auckland Castle.

As Second Church Estates Commissioner, I am well aware of the strength and intensity of feeling that the castle and its paintings inspire in the hon. Lady and her constituents, and indeed in the diocese and the wider Church. It has been my pleasure to work with the hon. Lady on this issue in recent months. I was privileged to visit her constituency last November to view the paintings, along with other representatives of the Church Commissioners.

As the hon. Lady said, it is proposed that the 13 paintings by the Spanish artist Francisco de Zurbaran that currently hang in the Long Dining Room of Bishop Auckland castle should stay there, thanks to—I do not think that we can underline this too much—an extraordinary act of generosity by Jonathan Ruffer, chief executive of Ruffer. The paintings will be sold to a new trust, which will have a specific obligation to ensure their preservation and continued public display at Auckland castle. We are immensely grateful to him for an act of generosity that will ensure continued public access to those works of art in their natural home.

While I am giving credit where it is due, let me take the opportunity to thank Sir Paul Nicholson, Lord Lieutenant of Durham, for his chairmanship of the working party; Christopher Higgins, Vice-Chancellor and warden of Durham university; the Right Rev. Mark Bryant, Bishop of Jarrow; and all the others whose help, advice and assistance in recent months have proved invaluable in securing this resolution. I also thank my fellow Church Commissioners who have engaged so actively in the matter.

Although the Church Commissioners are significant owners of land and property, they are not, by and large, in the business of owning, maintaining and displaying paintings. I have made that point in the House before during questions on this issue, and I will return to it in a moment. However, I should first make a short detour. The Church Commissioners as we know them today came about in 1948 as the result of the merger of two bodies: Queen Anne’s Bounty and the Ecclesiastical Commissioners. The older of these, Queen Anne’s Bounty, was created in 1704 out of concern for the poverty of the clergy and the disrepair of their parsonages. Over a century later, Parliament created the Ecclesiastical Commissioners to manage the historic assets in order to make financial provision for the Church’s mission in areas of need and opportunity as well as to fund bishops and some cathedral costs, and in order to oversee a reorganisation of dioceses and cathedrals. Financing clergy pensions came much later.

The theme running throughout our 300-year history, which is very much alive today, is of supporting the Church’s mission throughout England. Today, the commissioners are responsible for all clergy pensions earned up to 1998, the stipends and working costs of all the Church of England’s bishops, the housing costs of all diocesan bishops and support of their local and national ministries, cathedral grants, stipends to cathedral deans and canons—and the list goes on. Currently, the Church Commissioners manage an investment portfolio of about £5 billion, largely in property and shares, which is derived from the Church’s historic resources. From this sum, they are able to contribute about 16p in every pound to the cost of the Church of England’s mission, with most of the balance coming from the generous giving of today’s parishioners. The majority of the commissioners’ other assets are in land and property, and as such they are not readily available to fund the day-to-day running of the Church of England. As a result of their investment performance, the Church Commissioners have distributed £31 million more each year to the Church for the past 10 years than if they had performed as an average fund. The point I would make in connection with all of this is that, although the Church of England owns and maintains about 16,000 places of worship and is responsible for 45% of this country’s grade I listed buildings—and so is arguably the nation’s leading heritage organisation, a point my hon. Friend the Minister and colleagues in the Department for Culture, Media and Sport well understand—the holding of heritage assets, of which the Zurbaran paintings are a prime example, has never been central to the commissioners’ asset portfolio.

The hon. Lady described very well the history of how the Zurbarans came to Auckland castle. The £125 spent by Bishop Trevor in 1756 was clearly a very worthwhile investment, because what it bought is now worth £15 million. With the moneys released by the sale of the Zurbaran paintings to the proposed trust, it will be possible to fund 10 additional clergy in perpetuity and to offer ministry to deprived areas of the nation. Doubtless some of the benefit of this arrangement will be enjoyed by communities in the north-east.

It is a matter of public record that the Church Commissioners have been reviewing the suitability of Auckland castle as the home of the Bishop of Durham and as the base for his local and national ministry. As part of this, the commissioners have been in discussions with representatives of the diocese and other local people. With the question of the Zurbaran paintings settled, the Church Commissioners now intend to work towards a future for the castle that not only maintains the strong and historic working link between it, the Bishop and the diocese, but that helps the site become, in the words of the hon. Lady herself,

“the focus for the development of tourism and an engine of regeneration.”

I look forward to working with her as future plans develop, and with heritage bodies, the county council, the people of Bishop Auckland and the Heritage Lottery Fund. The hon. Lady mentioned other organisations, and, indeed, other heritage organisations wish to be involved with this regeneration project, which I am sure would be welcomed.

I should stress that Auckland castle will remain the base for the Bishop of Durham’s ministry; he will continue to work there and pray in the chapel there, so it will be the centre of his work. I should also stress that what happens at Auckland castle sets no precedent in respect of the continued assessments and feasibility studies of all bishops’ residences. The commissioners continue to have a responsibility to ensure that the Church’s diocesan bishops are housed appropriately so as to enable them to fulfil their ministry locally and nationally. They are subject to a regular review process, and that process will continue, with decisions made on an individual basis.

I conclude by quoting from a letter that appeared in the Church Times on 25 March 2011 from the Rev. Richard Deimel, a local vicar in Bishop Auckland. Having been unhelpfully misquoted by a different newspaper—we might all sympathise with that—he wanted to set the record straight. Given that he makes some insightful and eminently sensible points, they are worth repeating. He said:

“The question of the sale of the Zurbarán paintings from Auckland Castle is complex and sensitive. I am a Vicar of five parishes from the edge of Bishop Auckland to Hamsterley forest. People here feel that they have very little significant heritage or art or architecture in their community. Many are very proud of the paintings and the castle. They find meaning and identity in their story. It would be incredibly damaging, indeed a bit like a kick in the teeth from the church and the state, if these left the North East or went into private hands.

I fully support attempts to build a partnership to retain them in some kind of shared ownership. This would be a real boost to the local community and economy. It would, also release the Church from the responsibility of being a custodian of heritage, because that is not the purpose of the Church.”

I agree with all those sentiments and I hope that those in the north-east will feel that that is what we have managed to deliver on. I have confidence that what the commissioners have announced today will reassure not only Rev. Richard Deimel, but the hon. Lady and her constituents, and all those petitioners in the region and beyond who have made their concerns known. What has been achieved is, I hope, in the best interests of the north-east, the Church and the Church in the north-east.