Creative Industries

Siân Berry Excerpts

Monday 27th January 2025 Commons Chamber

[Siân Berry (Brighton Pavilion) (Green)]

I am late in the debate, and we have a bit of a time limit already, so I will struggle to make all the points I would like to make. I will write to the Minister with any I fail to make—I think he knows what I will be chasing him up on.

I want to follow the hon. Members for Cheltenham (Max Wilkinson) and for Bury North (Mr Frith) in being a little philosophical with my points today. I believe that participation and enjoyment of the arts is a human right, as article 27 of the universal declaration of human rights says. It forms part of our post-Holocaust legacy of putting together a strong framework to recognise and protect the purpose and value of humanity after we saw just how bad things can get. As a Green, I spend a lot of time working hard to ensure the continuation of our ecological and physical environment which is necessary for our civilisation, but the reasons for our civilisation are just as much what gets me out of bed in the morning to come and do this job. I would argue for the arts and creativity, regardless of their impact on our GDP, any day of the week.

Last week, I had the very great honour of speaking at the Music Venue Trust’s annual report launch here on the parliamentary estate. I was absolutely delighted to do so because my constituency is home to so many amazing grassroots music and performance venues. We have the Green Door Store, Alphabet, Rossi Bar, the Prince Albert, Hope and Ruin, the Folklore Rooms, Komedia—I could go on and on. Since I was elected, I have been shocked at the amount of work venues and their allies still have to do to fight off damaging developments. In 2023, as other Members have mentioned, the Music Venue Trust reported that we lost 125 trading grassroots music venues. That trend has now reduced, but it is still not zero. The Music Venue Trust’s emergency response service—it has a huge caseload, with more than 200 cases last year—has a very good success rate in fighting off terrible planning applications, but it does so alongside music venues that are putting a lot of time and effort into that work. We are still seeing far too many appeals taken forward, some of which are successful.

I recognise that the adoption of the agent of change principle guidance in the NPPF has made a difference, but we need to go further. What remains to be done is to put the agent of change principle into a statutory framework. I raised that in this House with the Minister in November. As well as being excited that the Secretary of State and Ed Sheeran had a chat last week, the Minister told me that that chat involved talking about that precise issue. I have chased it up since, but I am still looking for a timetable, so I hope the Minister can today provide more details.

It is not just music that is fantastic in Brighton and Hove. We have a huge number of artisans, artists, makers, designers, restorers and creative businesses too. They depend on an infrastructure of studios, workshops and gallery spaces to not only make their work, but to show it and sell it to Brighton Pavilion residents and visitors alike. Those spaces are facing threats, including the need for refurbishment. The amazing Phoenix Art Space needs to refurbish. It is looking for space to move into and expand into later, but it is really struggling to find it. New England House, the first ever high-rise industrial business centre, is a light industrial space that many makers use. It needs urgent fire safety work. People are facing either refurbishment over an incredibly long time or possibly moving out in the meantime. We need the Government to support those kinds of venues.

My constituency is also packed full of inspiring theatre, comedy, dance and cabaret, and people working as writers and in media production and digital creativity. Many of those creatives have written to me with their serious concerns about the Government’s consultation on AI and copyright. I was pleased that the hon. Member for Perth and Kinross-shire (Pete Wishart) mentioned the Digital Economy Act. Although not in this place, I was a campaigner on those issues at that time. In my last minute, I want to reflect very briefly on whether we as a society failed at that time, in those debates on digital impacts on creativity and copyright, to look at copyright terms—the amount of time for which copyright extends. It is very, very long, and we find now that copyright is being held in many older works not by the original creators but by rights holders.

I wrote something for a national magazine which, ironically, is now behind a paywall, so I cannot see exactly what I wrote, but I remember that I suggested that a copyright term of 10 or 20 years might be reasonable so that the young man who sat down and wrote “Yesterday” yesterday is protected for a reasonable period. Then we could start to build up public domain works and provide useful AI tools to train in ways that do not rip off creators. If we had thought about that earlier, there would probably be a simpler answer to the knotty question with which Ministers are grappling today.

I welcome the debate, and hope that we can continue to discuss this subject in the interesting way in which Members have discussed it today—Members who are genuine experts in their fields, and genuinely creative as well. However, it worries me that we are facing a bit of a watershed whereby today’s creators will not be rewarded, and we may get the law very slightly wrong once again when we look at the interaction of the modern world with the oldest part of our civilisation that exists, which is art.