All 1 Debates between Nick Gibb and Frank Doran

Education System (Dance)

Debate between Nick Gibb and Frank Doran
Tuesday 11th October 2011

(13 years, 1 month ago)

Westminster Hall
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Nick Gibb Portrait Mr Gibb
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The hon. Lady makes a good point, and I do not disagree with anything that she has said. At the moment, about 2.5% of the cohort are taking GCSE dance. I do not see why those figures will not continue, even with the popularity of the E-bac as a concept. I do not believe that the introduction of the new performance measure will have dire consequences for those selecting dance GCSE, any more than it will for those choosing other subjects that are not included in the E-bac combination.

When young people choose their GCSE subjects at key stage 4, it is important that they base their choices on what they need to progress. We recognise the wider benefits that studying subjects such as dance can bring. All pupils should be encouraged to study non-E-bac subjects alongside the core English baccalaureate to benefit from a well-rounded education.

To encourage talented young dancers, I am pleased to say that the Government maintain their support for low-income families through the music and dance scheme. The scheme represents the top of the pyramid for performing arts education and training and is the Government’s main vehicle for funding the training needs of exceptionally talented young dancers and musicians. Although small—the scheme is funded at £29.5 million this year—the scheme, its beneficiaries, its participating organisations and its patrons have a significant impact on the performing arts world. Although we have not made a formal evaluation, we know that MDS-aided pupils go on to become leading members of their profession in ballet and dance companies at home and abroad, some as soloists with international recognition and renown, such as prima ballerinas Darcey Bussell and Lauren Cuthbertson. Royal Ballet School students regularly win major competitions such as young British dancer of the year and the Lausanne international ballet competition in Switzerland.

In September, when I visited White Lodge, the Royal Ballet school, I could see that the standard of our young dancers is world class.

Frank Doran Portrait Mr Doran
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Before the Minister finishes his speech, I would be grateful if he addressed the main thrust of my contribution: why do the Secretary of State and the Minister for Universities and Science suggest that the status of a dance A-level will not be the same as other A-levels? Why do they suggest that it should be downgraded and seen as a soft subject when it comes to university admission?

Nick Gibb Portrait Mr Gibb
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As I have heard the Secretary of State and the Minister for Universities and Science say on numerous occasions, it depends what the young person intends to study and what they want to go on to do. The tragedy is that there are young people who wish to go to a university to study a particular subject, but they have the wrong combination of subjects to help them to obtain a place at that university to study that subject. That is what the Minister is seeking to address. He wants to ensure that young people have the right advice on the right combination of subjects. That was alluded to not only by the Minister, but by organisations such as the Sutton Trust, which is concerned that too many able children from poorer backgrounds are choosing the wrong combination of A-levels, thus narrowing their range of options for universities and beyond.

Frank Doran Portrait Mr Doran
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That sounds like the Minister is suggesting a disincentive to study dance.

Nick Gibb Portrait Mr Gibb
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A dance A-level may well be right, and probably is right, for students who wish to take an arts-related subject at university, but it could be wrong for someone who wishes to study a science at university. Two science A-levels and dance may not be the right combination for many universities offering science degrees. There are examples of young people taking the wrong combination to enhance their chances of getting on those competitive courses.

We remain committed to supporting talented young people and adults in accessing specialist dance and drama provision, with national grants also being available for out-of-school-hours training through 21 designated centres for advanced training.