Mike Weatherley
Main Page: Mike Weatherley (Conservative - Hove)(13 years, 11 months ago)
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I congratulate my colleague, the hon. Member for Leeds North West (Greg Mulholland), on securing the debate. It is with some trepidation that I follow the eloquent speech made by my hon. Friend the Member for Burton (Andrew Griffiths). We have heard that the problems facing the pub sector are of great concern to the House. Pubs play important roles as community hubs in many constituencies throughout the country. Accordingly, we need to consider how they can be protected and helped to flourish in future.
I want to draw attention to the way in which live music, in particular, can contribute very positively towards supporting pubs and their future earnings. Last year, PRS for Music worked with the British Beer and Pub Association to conduct research, which showed that pubs with featured music take 44% more money than pubs without featured music; more than 80% of pub managers thought that music would help them to survive the recession; and, on average, pubs without featured music are three times more likely to close than pubs with featured music. In response to those findings, PRS for Music worked in partnership with the BBPA and the Musicians Union to launch a music makeover campaign to encourage pubs to use more music to benefit their businesses and help bring communities together. We should applaud the efforts of PRS for Music, which will be sending advice to 45,000 pubs on how to use music to maintain and grow their business.
We should not lose sight of the fact that the relationship between pubs and music is broadly symbiotic. The music industry is well aware that pubs can provide a platform for new musical talent to develop. Small or secondary venues are very important to the long-term health of the music industry and play an important part in the development of new artists and minority genres of music, adding to the general diversity of cultural entertainment available to the public.
In Hove and Portslade, which I represent, and in the wider Brighton area, we are fortunate that we are reasonably well served by music venues. That adds greatly to the local economy and area. We need to ensure that we can maintain that great asset for the city, which encourages the local music scene and helps musical talent to develop. Music is integral to my area, as is witnessed by: the success of colleges such as the Brighton Institute of Modern Music, which is in my constituency; industry events such as the Great Escape conference; Brighton and Hove being a destination on the touring and gigging circuit; and, of course, the success and future success of home-grown talent. Pubs such as The Prince Albert, in Brighton, offer a venue to unsigned and up-and-coming bands. The excellent Neptune Inn, in Hove, is a key small venue and a marvellous pub. Similar venues include the Latest Music Bar, which offers young songwriters and performers a chance to perform. We jeopardise these pubs and essential music venues at our peril.
The Government have an important role to play in removing unnecessary regulation. The previous Government brought in the Licensing Act 2003, along with a big promise that live music would flourish as a result of the change in the law. In truth, the Act has made it difficult, costly and administratively time-consuming to make live music a part of the licence for premises whose main business is not to provide music.
The 2003 Act had four fundamental objectives: the prevention of crime and disorder; public safety; the protection of children from harm; and the prevention of public nuisance. None of the primary objectives, and in particular the objective on crime and disorder, has ever been substantiated as a concern with regard to live music. Furthermore, there is no evidence that high levels of background music—live or otherwise—in pubs and bars can lead to customers drinking faster or being disorderly.
One of the major challenges of the 2003 Act is that although a majority of local authority licensing committees have adopted a professional and sensitive attitude to requests to promote live music, unfortunately too many have paid too much attention to the views of a vocal minority. Unfortunately, residents are encouraged to object to, but not to support, applications to promote live music. Licensing committees should give live music the benefit of the doubt. The Licensing Act 2003 allows for conditions relating to live music to be added to a premises licence, where necessary, at a review, but the Environmental Protection Act 1990 is also used to prevent noise nuisance. Sometimes an authority’s interpretation could be said to be a little draconian. I salute the work of the Noise Abatement Society, based in Hove, and its “Sound Approach” scheme, which helps to facilitate good relationships between responsible venues and those living nearby.
We have a commitment in the coalition agreement to reduce red tape and promote live music, which I very much welcome. I urge the Minister to bring forward the necessary changes to the Licensing Act 2003 at the earliest possible opportunity. We should be able to exempt venues with a capacity of 200 persons or fewer from the need to obtain a licence for live music. An exemption enabling venues of any size to put on a performance of non-amplified music would also be welcome.
I would like to highlight a problem that may be on the horizon. The Police Reform and Social Responsibility Bill is due to have its Second Reading next week. Although I appreciate the need for licensing authorities to be able to impose specific conditions on premises licences and temporary event notices in limited circumstances, we should enable the application system to be as quick, easy and cheap as possible, with limitations on rejections unless there are very good grounds for preventing an event. We should not make it easier to stifle live music performances; rather, we need to find ways to allow live music to flourish. If we do that, we can, in an incremental way, help our pubs to remain open and at the heart of our communities.