Debates between Lord Wigley and Baroness Randerson during the 2017-2019 Parliament

Wed 14th Mar 2018
European Union (Withdrawal) Bill
Lords Chamber

Committee: 7th sitting (Hansard): House of Lords
Mon 12th Mar 2018
European Union (Withdrawal) Bill
Lords Chamber

Committee: 6th sitting (Hansard - continued): House of Lords

European Union (Withdrawal) Bill

Debate between Lord Wigley and Baroness Randerson
Lord Wigley Portrait Lord Wigley (PC)
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My Lords, my Amendment 147B is in this rather diverse group of amendments. I declare an interest in that most of my close family are involved in the creative industries in Wales. My amendment is very similar to Amendment 146, spoken to by the noble Lord, Lord Stevenson, on behalf of the noble Lord, Lord Puttnam, who cannot be here, unfortunately. I support that amendment. My wording makes reference to the creative industries in all parts of the United Kingdom.

By their very nature the creative industries are international. Nothing that emerges from the negotiations that the Government are undertaking with the EU should in any way serve as a disincentive to all elements of the creative industries to engage as fully as they do now with counterparts throughout the European Union, or for those engaged in creative industries in the other 27 member states of the EU to maintain their engagement with colleagues in the UK and, indeed, with the general public.

The creative industries are the fastest-growing sector of the Welsh economy, having increased by way of employment by 58% between 2005 and 2014. Film and television account for a significant part of this, and the Welsh Government have had creative industries as a growth target since 2006. Our Welsh universities generate 5,000 creative industry graduates each year in such subjects as animation, visual effects and digital and mobile technology.

The creative industries are a key component of the UK economy, worth more than £35 billion per annum, with almost half their exports going to the EU. The audio-visual sector alone contributes £16 billion to UK GVA, with £7 billion of exports—more than £3 billion of them to EU countries.

The Creative Industries Federation published its Global Trade Report in January, based on evidence from 130 leading creative businesses. Of these, more than 80% were not confident that the UK’s creative industries could maintain their global reputation after Brexit. Forty per cent said that a no deal outcome would harm their ability to export, with 21% saying that it would lead to them moving their business abroad. They desperately want the UK to continue to have an active role in future EU legislation, as that can have a far-reaching impact on their work. The sector urgently needs to know how alignment with the EU will be managed post Brexit. Who will make the rules and regulations that will affect their ability to export to the EU countries? They also need clarity on the movement of self-employed performers and are calling for a labour movement framework that enables individuals and businesses to travel unhindered throughout the EU in order to provide their services.

The federation is calling for ongoing participation for UK citizens and businesses in EU cultural and educational programmes. It wants mutual recognition of qualifications—as has been mentioned already—and an agreement that covers the key dimension of intellectual property. It also wants clarification about the future of the digital single market.

One very important function is provided by UK-based broadcasters which broadcast programmes and services to European Union audiences. It is a significant sector; I believe that a staggering 700 such services are generated from the UK. Will they be allowed after Brexit to broadcast without barriers? They need to know the likely position relating to intellectual property. In particular, there is a strong feeling in the sector that we must be able to bring in labour from the EU as we do not have enough home-grown skills to satisfy demand.

Last November, the Welsh Government hosted in Cardiff a conference of EU peripheral maritime regions on European co-operation beyond Brexit. Their final declaration emphasised the need for continued participation in Creative Europe. Will we still have access to Creative Europe, which supports transnational co-operation projects involving cultural and creative organisations from different countries? If we lose access to this resource, it will be a very great loss to Wales and many other parts of the United Kingdom. Will the Minister clarify the position on that point when he responds?

Baroness Randerson Portrait Baroness Randerson (LD)
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My Lords, I shall speak to Amendment 147C. In this rather pick-and-mix debate, as we go from one important topic to another, my amendment refers to transport. Our transport systems operate on a system of ongoing reciprocal arrangements and there is no WTO fallback position—indeed, I spoke about this in the early hours of yesterday morning. It is essential that we remain part of the arrangements that already exist, because our whole economy and society stand on the shoulders of our transport systems.

European Union (Withdrawal) Bill

Debate between Lord Wigley and Baroness Randerson
Baroness Randerson Portrait Baroness Randerson
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I have spoken for a total of three minutes on this Bill. I think we have a right to be heard.

Lord Wigley Portrait Lord Wigley
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The point I wish to make, if I may, is that Amendment 104 is very significant for Wales because of the implications that it has for the ports of Holyhead, Fishguard and Pembroke Dock—an angle that has not yet been covered in this debate. These are vital trading links between Wales and the Republic of Ireland. Holyhead is the UK’s second-largest port. In excess of 400,000 trucks pass through it each year, and a hard maritime border between Wales and the Republic of Ireland will inevitably hit it hard.

I ask noble Lords to read the excellent article by Professor Richard Wyn Jones in the Irish Times on the specific issues facing Holyhead and his native Ynys Môn, or Anglesey. Almost 80% of the Irish-registered HGVs heading for the continent pass through these Welsh ports, the vast majority via Holyhead. There is simply no space in or around the port for the kind of infrastructure that will be required to process the number of lorries and trailers that currently pass through it. A hard border in Holyhead will yield only chaos, and the same problems apply to Pembroke Dock and Fishguard on a lesser level.

The inevitable consequence of physical constraints in and around the ports is that freight will need to find ways to bypass Holyhead and Wales, especially if there is a soft border between the British state and the European Union in Northern Ireland. Without trade arrangements that mirror the outcome of what we already have, Welsh ports will be in danger of becoming uncompetitive. In practice, the border for freight at the Welsh ports must be as frictionless as it will be between the north and south of Ireland. That is why I support the amendment.

Baroness Randerson Portrait Baroness Randerson
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My Lords, these amendments are designed to concentrate the Government’s mind and to get some answers. I share the concerns of the noble Lord, Lord Wigley, about Holyhead. The situation is very similar to that at Dover. When the Government try to close down the debate, I remind them that the areas expressing extreme concern to us about the lack of preparedness are the ones that have loyally voted Conservative over a long period, and they will be particularly worried that their concerns are not being heard with due seriousness in this Chamber.

The sort of Brexit that we get will of course have a major impact on our ports. They might have to change the way that they process goods twice: once possibly for the transition period and once for the end game, whatever that is.