All 1 Lord Vaizey of Didcot contributions to the Cultural Property (Armed Conflicts) Act 2017

Mon 31st Oct 2016
Cultural Property (Armed Conflicts) Bill [Lords]
Commons Chamber

2nd reading: House of Commons & Programme motion: House of Commons

Cultural Property (Armed Conflicts) Bill [Lords] Debate

Full Debate: Read Full Debate

Lord Vaizey of Didcot

Main Page: Lord Vaizey of Didcot (Conservative - Life peer)

Cultural Property (Armed Conflicts) Bill [Lords]

Lord Vaizey of Didcot Excerpts
2nd reading: House of Commons & Programme motion: House of Commons
Monday 31st October 2016

(8 years ago)

Commons Chamber
Read Full debate Cultural Property (Armed Conflicts) Act 2017 Read Hansard Text Amendment Paper: HL Bill 3-R-I Marshalled list for Report (PDF, 65KB) - (2 Sep 2016)
Lord Vaizey of Didcot Portrait Mr Edward Vaizey (Wantage) (Con)
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I am grateful for the opportunity to speak briefly in the debate. As I have mentioned, I may not be able to observe all our conventions, as I will shortly host an event for the Holocaust Educational Trust. That may be pertinent, as it is worth reminding the House that the UK has been in advance of many other nations in dealing with spoliation—the unlawful taking of goods from the Jewish community during the second world war. That issue has been handled well in this country, which bodes well for how we will handle aspects of The Hague convention in the future.

One waits six years for a DCMS Bill and then, like buses, two come along at once. I am pleased that I have been able to speak in debates on the Digital Economy Bill and this Bill. I wanted this Bill for a long time as Minister. When I was an Opposition spokesman, I remember looking forward to its introduction by the Labour Government, but it fell by the wayside as the election approached. I argued vociferously for six years for the Bill, but for some reason the Government’s business managers did not see its importance. I am glad that, under the new Government, they do understand how important it is. Many officials have brought it to fruition, but I wish to mention Hillary Bauer, who originally brought the Bill forward. So long has the process been that she has now retired. Of all hon. Members who have an interest, I wish to pick out in particular my hon. Friend the Member for Newark (Robert Jenrick), who has been vociferous about cultural protection. He has engaged with me and my right hon. Friend the Member for Maldon (Mr Whittingdale) about the issue.

I wish to draw the Minister’s attention to three issues for when she sums up. Having watched the video of her playing keepy-uppy last week, I know that her summing up will be something to behold. First, I hope that she will make it clear that our own troops will not be at risk under the convention. The convention and the Bill make it clear that it is the intentional destruction of cultural property that comes within their scope—something that our British troops could never be accused of doing. They already act within the terms of the convention, and indeed it is wonderful to hear that the Ministry of Defence is working with DCMS to set up a 21st-century version of the monuments men, made up of people from the Army reserves. I would welcome any information the Minister has on progress regarding that point.

Secondly, on the vexed question of clause 17, my understanding is that the convention has been in place in Germany for the past 10 years and I know of no cases in which art dealers have unwittingly been brought within its scope. The legislation is clear: there must be some degree of suspicion on the part of any dealer before they could possibly be brought within scope. Given the noble profession of art and antiquities dealers in this country, any dealer who had a suspicion that something had been looted or trafficked would immediately alert the authorities, so dealers have nothing to fear from the Bill.

My third point is about the cultural protection fund, which is close to my heart and something for which I campaigned as a Minister—wholly unsuccessfully—on the back of Neil MacGregor, the then director of the British Museum. He said to me early in my time as a Minister that the museum, and many of our other national museums, do extraordinary work in many jurisdictions to support the work of archaeologists and the preservation of antiquities. My campaign was unsuccessful until my hon. Friend the Member for Newark raised the issue. I think the situation in Palmyra also changed the Chancellor’s mind.

I am glad that the Department for International Development has, I gather, stumped up most of the money for the cultural protection fund. It is deeply frustrating that the terms under which DFID operates—the alleviation of poverty—seem to preclude it from helping out in these areas. The fact remains that our national museums do this work all over the world, and it seems to me wholly legitimate that international development funds should supporting the skilling up of people in developing countries in archaeological expertise, as well as the preservation of their culture. We should, without doubt, support that.

I urge the Minister and the Secretary of State to take the cultural protection fund as a starting point for the UK to become an international centre for the preservation of antiquities and the skilling up of archaeological schools around the world. Members in the other place have suggested that we could become a repository—a digital archive—for some of the great treasures around the world, as well as the centre for the blue shields. I urge the Secretary of State to take that up.

Finally, I cannot resist the bait from the Scottish National party spokesman, the hon. Member for Argyll and Bute (Brendan O'Hara). He talks about the Elgin marbles. I am afraid he does this great convention and the Bill a disservice by bringing up the Elgin marbles. They were, of course, purchased legitimately in the 19th century. Not only that, they have been preserved to the very highest standards possible in the greatest museum in the world which, as my hon. Friend the Member for East Worthing and Shoreham (Tim Loughton) pointed out, is a world museum that is open to all, free of charge. The Elgin marbles are seen in pristine condition by millions of people. Indeed, they were recently loaned to Russia for even more people to see, which goes to show that the British Museum preserves the Elgin marbles not for any national self-interest, but for the world.