Musicians and Creative Professionals: Working in the European Union Debate
Full Debate: Read Full DebateLord Strasburger
Main Page: Lord Strasburger (Liberal Democrat - Life peer)Department Debates - View all Lord Strasburger's debates with the Department for Digital, Culture, Media & Sport
(2 years, 5 months ago)
Grand CommitteeMy Lords, I thank the noble Earl for giving us the opportunity to debate this important subject. I am not in the habit of beating around the bush or avoiding the difficult topics, so I have no hesitation in speaking truth to power by saying that there is just one reason why British musicians, dancers and actors, our fashion industry, and all the people who support them, are condemned to climbing a new mountain of red tape, enduring months of stress and diverting earning time to chase around for paperwork, just for one gig in Europe. There is only one reason why all our creative arts industries are going to plunge from their genuinely world-leading position. There is only one reason why many of the millions of skilled workers who worked in the arts are finding other jobs and probably will not return to the industry. There is one reason why a whole generation of talented young performers and back-up staff will be lost for ever. There is one reason why the economy of this country is suffering yet another major blow through the self-inflicted damage being done to its second-largest sector. There is one reason why one of the main instruments of our country’s soft power—our highly respected creative arts—has been casually tossed away by this shambles of a Government.
That one reason is not inflation, although runaway costs are a serious problem for the arts, as they are in all sectors of the economy, with some haulage costs quadrupling; nor is it Covid, which devastated the performance industries for two years but which they have somehow survived through a combination of hardship, hard work, ingenuity and government support. The hard truth is that it all comes down to Brexit; to the complete omission of the creative industries from the trade and co-operation agreement and to this Government’s gleeful destruction of freedom of movement—a wonderful freedom for all our citizens, and which used to enable our performers to go and work in Europe without a hint of hassle.
The trite notion of taking back control is the only excuse the Government give for rejecting the EU’s generous offer of a cultural exemption from all the new impediments to our creative arts doing business in Europe. The Government would have us believe that allowing European performers to enter the UK for a few days or weeks to do some shows and then leave again presents a threat of untrammelled immigration. No doubt we will hear this nonsense again when the Minister responds, if he has not belatedly resigned before we finish this debate.
If I had time, I could provide countless examples of how the masses of new red tape that the Government have inflicted on individual musicians, bands and orchestras is suffocating the industry and its economically essential work in Europe. I will mention just one: a couple who have travelled to work in opera, in Denmark, every summer for the last 20 years. This year they only just managed to retain this vital engagement, but not without two months of huge stress and chasing around this country to get all the paperwork ducks in a row. They even produced a manual to help others thinking of trying to do the same thing, but it would probably deter people from even considering going through what must be heaven for officials but red tape hell for anyone trying to earn a living in the arts.
DCMS’s attempts to mitigate the many new and unnecessary obstacles to touring and working in Europe are having only a marginal effect. There is consensus in the industry that the only real solution is for the Government to negotiate the cultural exemptions on visas, work permits, cabotage, CITES and carnets that were on the table during the bungled negotiations on the trade deal and wantonly rejected by the Government. Whether this crumbling Administration, or whatever follows them, will have the gumption to recognise these massive problems and fix them remains to be seen. We will need to see an end to the current confrontational approach towards the EU exhibited by this Government.