National Arts Bank

Lord Parkinson of Whitley Bay Excerpts

Thursday 4th June 2026 Grand Committee

[Lord Parkinson of Whitley Bay (Con)]

My Lords, I thank the noble Lord, Lord John of Southwark, for securing this debate and for outlining it so powerfully. I congratulate him too on the impressive record that he and his colleagues in Southwark were able to rely on. I am a Southwark resident myself—in fact, it was the strong cultural offering of the borough that attracted me to the area—so I have the benefit of seeing some of the fruits of his hard labour.

The noble Lord mentioned Mountview, the Central School of Ballet and the Old Vic in his opening speech. There are too many cultural venues in the borough to mention, but I will single out two that are celebrating significant anniversaries this year: the Southbank Centre, Europe’s, largest arts centre, which turns 75 this year, and Theatre Peckham, closer to where I live, which turns 40. I congratulate him on the pioneering work that he did and agree that other parts of the country could look to Southwark as a model.

I am glad that they will be able to think about culture much more proactively because of the concession the Government made during the passage of the then English Devolution and Community Empowerment Bill. In your Lordships’ House, we added culture as an area of strategic competence, which I hope will encourage more local authorities, particularly the metro mayoralties, to look seriously at this area.

The noble Baroness, Lady Warwick of Undercliffe, mentioned the work of the Theatres Trust as an arm’s-length body. The Government are looking at the planning system and the role that bodies such as the Theatres Trust have. Is the Minister able to say any more at this point on the powers they have on planning? I hope that they will be able to continue their work in encouraging local authorities to think about theatres and other cultural venues.

I am proud of the record of the previous Conservative Government. I had the pleasure of serving in the final three years as Arts Minister. In addition to securing a modest increase in the last Arts Council investment programme, I am proud that we expanded, and then made permanent, the tax reliefs available to theatres, orchestras, museums and galleries, which support them in innovative work and particularly in touring them around the country. However, the noble Lord is right that the capital needs of our cultural sector are pressing. As the noble Baroness, Lady Bonham-Carter, and others said, our cultural infrastructure is creaking. The noble Baroness, Lady Hyde of Bemerton, mentioned the figures by SOLT and UK Theatre for theatres alone.

A game-changer for our cultural life in this country was of course the creation of the National Lottery by the Conservative Government of John Major. That brought a huge influx of investment into our culture and heritage. We saw that first wave of lottery investment at the turn of the last century: everybody’s boiler, roof and building are now leaking and need fixing at the same time. There is a pressing backlog of work for our cultural sector. These are the unsexy things to fundraise for. It is much easier to get a new wing of something built than it is to replace a boiler, to improve the lavatories, and so on. Our cultural sector wants to take a lead in being more environmentally sustainable, and brilliant organisations such as the Theatre Green Book are helping them to do that. They want to be proactive in the changes that they make to their buildings.

The previous Government had a series of funds—the museum estate and development fund, the cultural development fund, the towns fund, the UK shared prosperity fund and the levelling-up fund—all of which gave grants to cultural organisations around the country to help them do some of that work. I had the pleasure of visiting some of the beneficiaries, including one in Southwark—the Old Operating Theatre, near London Bridge—where a grant of £157,000 helped it replace the Georgian skylight that looks down on the old operating table at St Thomas’ Church, part of what is now St Thomas’ Hospital.

The noble Lord and other noble Lords who have spoken today are right: we need to look at innovative ideas in the round. The noble Baroness, Lady Wheatcroft, singled out the success stories of @sohoplace and the Bridge Theatre. As I understand it, the Bridge Theatre benefited, in part, from Section 106 money. Part of the development done in that part of London allowed the creation of a brilliant new theatre, thanks to the brilliant pioneering work of people such as Nick Hytner, Nick Starr and Nica Burns in the case of @sohoplace. We should be looking at organisations such as Figurative, which are looking at new funding models for arts and culture, and cultural leaders such as Sir Vernon Ellis, who is looking in great detail at how we can encourage more place-based giving.

As noble Lords have said, we should all be reading very well-thumbed copies of the report by the noble Baroness, Lady Hodge of Barking. I am very glad the Government have accepted all her recommendations. There are many good ideas in there. We have heard some of them. On the idea that the Arts Council could be given more powers to have a trading arm to benefit from some of the investment that it gives, would that require a change in its royal charter? If so, I do not know whether the Minister can say anything on how the Government might implement these recommendations, but we hope to see these ideas bearing fruit soon.

I was struck in the noble Baroness’s report by the French example of the loi Aillagon, brought in by Jean-Jacques Aillagon, who was the Culture Minister of France in 2003, which gives generous tax deductions of up to 60% for French corporations that make donations. When I was Arts Minister here, we saw a work by Gustave Caillebotte saved for the French nation—a £43 million painting going to the Musée d’Orsay—thanks to a donation from LVMH, a corporation. It was able to claim 90% of that back in tax relief, a very generous allowance that unlocks philanthropy.

I agree with the noble Baroness, Lady Wheatcroft, that we need to be much bolder in the face of boycotts. Like many, I regret the departure of Baillie Gifford from literary festivals. At the Hay Festival, I am afraid to say, two Labour politicians from both Houses were among those who pulled out. We all need to be strong in the face of boycotts and stand up and thank those companies that are generous with their money in support of arts and culture in our country.

The noble Baroness, Lady Bonham-Carter, was right: we benefit here from a mixed model of funding. It is not quite the subsidised model of the European continent and not quite the philanthropy of the United States, but a blend of both. When I was Arts Minister, people were very clear with me that individuals and businesses will give, but only if the Government are seen to be doing their part as well. Does the Minister agree that we benefit from that mixed model? Clearly, the innovative thinking in Southwark has done so, and I am very glad that we have been able to have this debate to look at new ideas to encourage people in other parts of the country, too.