Creative Sector

Lord McNally Excerpts

Thursday 4th November 2021 Lords Chamber

[Lord McNally (LD)]

My Lords, this has been a very constructive debate, thanks in no little part to how my noble friend Lady Featherstone introduced it, and I congratulate her on that. I also congratulate the noble Lord, Lord Spencer, on his maiden speech. I was interested to hear about his interest in exotic animals. The noble Lord, Lord Berkeley, referred to the elephants in this House—I think he will quickly find that a number of species he thought were extinct are still on these Benches. Later, I shall ask the noble Lord, Lord Spencer, for some specific help on the issue that I want to talk about, which has already been introduced by the noble Baroness, Lady McIntosh—namely, the future of the BBC.

Next year, on 18 October, we will celebrate the formation of the British Broadcasting Company in 1922 by a group of leading wireless manufacturers, led by Marconi. On 14 November 1922, the BBC began daily broadcasting from the Marconi studio in the Strand. In the last 100 years, it has been Conservative Governments who have quite often made the right calls in broadcasting, not least by establishing the BBC as the British Broadcasting Corporation in 1927, protected by royal charter. Its first director-general, John Reith, gave it the guiding mantra which has served it so well for nearly 100 years: to educate, inform and entertain. In so doing, we have been able to talk to each other and to the world in a way which has won trust and respect.

In the last 12 months, more than 90% of adults used BBC services each week. It is an established fact that whenever there is a national or international crisis, as the Covid pandemic has proved, the nation and the world tune in to the BBC. In its educational output, the BBC provides support for students, parents and teachers while helping the next generation to connect with our culture, arts and the creative industries, as the noble Lords, Lord Cashman and Lord Vaizey, and my noble friend Lord Storey, emphasised in their speeches.

All this should be a cause of great celebration. One of our major contributors to soft power and the promotion of excellence in every part of our national life is approaching a major milestone. Yet in recent years it has come under constant attack from political and financial interests, which would like to see it undermined and marginalised. I have said before in this House that it would greatly contribute to public understanding if our newspapers, when covering stories about the BBC, followed the example of their financial pages and carried a short note setting out the financial interests of their owners. As my noble friend Lord Clement-Jones pointed out, we now see the BBC and other public service broadcasters having to compete with international streaming services whose inward investment, welcome as it is—and their very deep pockets—have only a glancing commitment to our creative industries or cultural identity, as they promote their international products.

Over the past decade, the BBC’s UK services have seen a 30% real-terms reduction in income while being obliged to maintain their commitment to quality and relevance across all our nations and regions. During a similar contraction in public service broadcasting in the USA in the 1980s, one commentator famously said, “We will only realise what we have lost once we have lost it”. The same will be said of the BBC if we continue to allow it to be crippled by the malice of those who wish to see it diminished and destroyed.

In the months ahead, government and Parliament will have to make some fundamental decisions about the future of broadcasting in this country, from the chair of Ofcom to the future of Channel 4, from regulation of online harms to the funding of the BBC. The changes in technology and the power of the tech giants and their streaming services could mean that our creative industries become merely the sub-contractors to an international, US-dominated market, setting its own cultural and creative agenda. The distinctively British cultural content and the values that underpin them will be diluted and lost.

Her Majesty the Queen, when addressing COP 26 earlier this week, urged the participants to move beyond the short-term political and become states men and women. The same challenge should now be made to the Government in respect of our cultural and creative industries, and in that we need the support of the Conservatives on their Benches in drilling some sense into the Government about their responsibilities. Let us celebrate the success of the past century but, more important still, put in place the legislation and funding which will allow the BBC to be the iron pole of excellence around which we can foster and encourage our creative industries in the decades to come.