Tuesday 8th February 2022

(2 years, 9 months ago)

Lords Chamber
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Asked by
Lord Dubs Portrait Lord Dubs
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To ask Her Majesty’s Government what recent discussions they have had, if any, with the government of Greece about returning the Parthenon marbles to Athens.

Lord Parkinson of Whitley Bay Portrait The Parliamentary Under-Secretary of State, Department for Digital, Culture, Media and Sport (Lord Parkinson of Whitley Bay) (Con)
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My Lords, the Greek Prime Minister raised this issue with our Prime Minister when they met last November. Our Prime Minister emphasised the UK’s longstanding position that this is a matter for the trustees of the British Museum, who legally own the sculptures. Her Majesty’s ambassador in Athens has also discussed this issue with Greece’s Minister for Culture, most recently in January. The British Museum operates independently of the Government, meaning that decisions relating to the care and management of its collections are a matter for its trustees. The Government fully support the position taken by the trustees. The Prime Minister made these points clear to the Greek Prime Minister when they met. Both agreed that the issue in no way affects the strength of the UK-Greece partnership.

Lord Dubs Portrait Lord Dubs (Lab)
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My Lords, is the Minister aware that, in the British Museum, there are more than 108,000 Greek artefacts, of which 6,500 are currently on display? More importantly, will he accept that my plea that we should consider returning the marbles is based on the fact that they are a unique piece of art, they belong together and they have a proud history in terms of the Greek historical traditions? Surely we should think again.

Lord Parkinson of Whitley Bay Portrait Lord Parkinson of Whitley Bay (Con)
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My Lords, the British Museum has more than 4.5 million objects from its collection that are available to study online. It is visited by 6 million people a year, and its fantastic collection from across human history is admired by people from around the world. Sadly, half of the original sculptures on the Parthenon are no longer with us, mostly destroyed by the turn of the 19th century, not least in the appalling tragedies sustained in 1687 when the Venetian army hit the Parthenon, which was being used as an armament store by the Ottoman Empire at the time. Of the half that remain, around half are in the British Museum, where they can be admired as part of the sweep of human civilisation, and about half can be admired in the Acropolis Museum, seen alongside the building which they once adorned.