Music Venues Debate

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Thursday 10th December 2015

(8 years, 4 months ago)

Grand Committee
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Lord Colwyn Portrait Lord Colwyn (Con)
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My Lords, I thank the noble Lord, Lord Clement-Jones, for securing this debate this afternoon. It provides a timely opportunity to identify the reasons behind grass roots music venue closures and address how this might be rectified. I thank UK Music and the Mayor of London for their help. My few remarks will relate to the task force report and comment on its conversations with a large number of music and night-time industry organisations.

Venues act as important centres for cultural activity in our towns and communities. Grass roots music venues act as important hubs for local music talent and offer a means by which musicians and performers can develop their performance. Problems for grass roots music venues are not unique to our capital. Other cities have been affected and have either closed or had considerable threats of closure placed on their businesses in recent years. I declare my interest as a patron of the National Youth Jazz Orchestra. I am co-chairman of the All-Party Jazz Appreciation Group, and I thank the British Phonographic Industry, the Performing Rights Society and, particularly, Phonographic Performance Ltd, which has sponsored the British Parliamentary Jazz Awards for 10 years. These awards have become one of the most important jazz award events in the UK jazz calendar. I am also grateful to Yamaha, which helps young jazz musicians at grass roots level with the loan and provision of instruments via the youth jazz and Yamaha scholarship awards.

I have been known to do some busking in local pubs, but regret that I no longer perform at the larger events. I much prefer to visit Ronnie Scott’s and ask Simon Cooke to point out the up and coming musicians and important guests or chat to Steve Rubie at the 606 as to why he gave up his career as a dentist to run a jazz club. Where did I go wrong? I am sure that my noble friend Lord Courtown and his family will have heard and danced to my band on many occasions. Looking around the Moses Room this evening, I see other customers of mine, including the noble Lords, Lord Addington and Lord Brougham and Vaux, who would have danced to my band.

Demand for live music is increasing, and music tourism is thriving. Grass roots music venues aid a vital talent developmental role that has not been replaced by television talent shows or social media. However, 35% of London’s grass roots venues have closed over the last eight years. The Mayor of London’s Music Venues Taskforce was set up to work out why so many venues have closed and what impact this is having on London’s culture and economy. It found that London’s grass roots music venues are pivotal to the ongoing success of the UK music industry and contribute to London’s desirability as a place to live, work and visit. However, planning, licensing, policing and fiscal policy is struggling to balance the needs of grass roots music venues with those of residents and businesses. An increasing population means that residential development and night-time activity are all connected. This pressure, coupled with rising property prices and increasing costs for grass roots music venues, is proving too much and venues are closing.

The task force found signs of market failure within the music industry. The research and development function that grass roots music venues undertake has not been properly supported. There is now a need to rebuild London’s grass roots venues and invest in new talent so that all parts of the industry can return to full health. Following extensive consultation with government, local authorities and the music industry, the task force has proposed a rescue package. The report also sets out an ambition to create new venues and harness the benefits of London’s tourism boom through new promotional campaigns. The task force calls for a change in how we think about music venues; it believes that grass roots music venues are cultural spaces and need to be recognised as such in policy documents. I hope that the music industry will now work with government in responding to this crisis at the grass roots level.