Copyright and Artificial Intelligence

Julian Lewis Excerpts

Wednesday 18th December 2024 Commons Chamber

[Chris Bryant]

I think my hon. Friend, who is on the Culture, Media and Sport Committee, took advantage of the change in the Chair to get away with asking a question that has absolutely nothing to do with this consultation. On live ticketing, I am absolutely certain that the Government will have something to say soon—the word “soon” means precisely what I choose it to mean.

On publicity rights, my hon. Friend is quite right that that is a significant question that we will ask during the consultation. There is an argument for bringing in legislation in the UK. California, as I said, has a digital replicas law and Tennessee has the ELVIS Act, which stands for eliminating limits on the voice’s intrinsic sovereignty. I think that was an attempt to cram that into the word “Elvis”. She is right that the US Copyright Office is arguing for a federal digital replica law, and we might want to go down that route as well. I urge my hon. Friend and, perhaps, the Select Committee to consider that matter. They might like to provide some advice in response to the consultation as well.

[Sir Julian Lewis (New Forest East) (Con)]

I am tempted to invite the Minister to consult the magnificent Taylor Swift who, apart from all her many other talents, has shown herself pretty shrewd when it comes to preserving the copyright of her material. He puts his finger on the key weakness in all this: no matter what sort of regime we set up, and no matter how many countries we try to get involved in this, surely it will only take one rogue jurisdiction to allow a machine to scrape from everybody else’s material? Then, the internet’s ability for everyone to access it will undermine the regime and, in that way, we face the danger that “Shake It Off” becomes “Rip It Off”.

[Chris Bryant]

I disagree. I saw the right hon. Gentleman nodding earlier when I was talking about not wanting to pull the rug from under the feet of UK AI adopters. The UK is in a very specific position. We have probably the best copyright laws of any country because of the specific way in which they developed. It is partly thanks to Hogarth, Dickens and many others over the years that we have ended up with strong copyright legislation. We also have a strong body of intellectual property in this country, which is enormously valuable, potentially, to AI operators. We stand in a very specific position. There is an argument that AI can be trained elsewhere, in another jurisdiction, but the moment it is brought into the UK, it still falls under UK legislation.

The right hon. Gentleman is also right about this. I did not consult Taylor Swift, but I did ask an AI company to come up with a song in the manner of Adele.

“Oh, I still feel you deep in my soul,

Even though you left me out here on my own.

The love we had it’s slipping through my hands,

But I can’t forget, I still don’t understand.

You’re gone, but your memory’s all I see,

And in the silence, it’s you haunting me”—

Madam Deputy Speaker. [Laughter.] It is sort of Adele, but it is not Adele. Does Adele know that her material has been used? Does her record label know that her lyrics have been used to create that? It is sort of in the territory, but it is not right. I think we can get this right in the UK and provide leadership to the world. That is what we should strive for.