Creative Industries

Joe Morris Excerpts

Monday 27th January 2025 Commons Chamber

[Joe Morris (Hexham) (Lab)]

I should begin by declaring an interest: my constituency office is in the Queen’s Hall community arts centre, so I can not only speak about the impact of the creative economy locally, but recommend the cheese scones.

Representing, as I do, a large and sprawling rural constituency, I am frequently reminded of the value of our creative economy—not just in the arts clubs in places such as Corbridge and Haltwhistle or centres such as Allendale Forge Studios, but in the community facilities that they provide and the community spirit that they foster, and in the events put on by organisations such as Throckley Community Hall. All those play a fundamental role in building up our local communities and supporting our local creative economy, but they also support the wider economies. For instance, they support our local hospitality businesses. The Queen’s Hall hosts some of the large acts at the Hexham book festival—the now Health Secretary, my right hon. Friend the Member for Ilford North (Wes Streeting), came to plug his own book during the last general election campaign, and went down very well on the doorsteps of Elvaston—and such events provide a massive boost for our local shops and cafés, as well as putting towns such as Hexham and the Tyne valley on the map.

When I speak to young people in my constituency, they often say that they want to pursue a career in the creative economy. It concerns me that what holds them back is not just a lack of access to a specialised education, but a lack of access to the infrastructure that would offer them some job opportunities. As we are coming up to the watershed, I should say that the Tyne Valley line is often subject to some creative language from my constituents owing to the delays. I arrived late for this debate, and had not been sure that I would make it because of those delays. Ensuring that our constituents have access to job and education opportunities and experiences should be at the heart of the Government’s policy, and I urge the Minister, as he speaks to colleagues, to ensure that we look not just at the outputs of the creative economy but at the inputs, and at what those young people can get out of it.

I am also privileged to represent some of the most stunning landscapes in England, including Hadrian’s Wall and the much-missed Sycamore Gap. At present, people will be hard pressed to visit a community arts fair in Northumberland without pictures of the Sycamore Gap being thrust at them from all corners. It is a tremendous loss, and I only hope that its frequent presence on screen, in documentaries and other films, will lead to more tourists coming to Northumberland and more investment in the creative arts in our area. Once “Vera” stops running, we shall need another series to step in and take its place. Once when I was being interviewed, someone thought that there had been a flash-forward episode in the market square, which scared me no end.

As we consider what the creative economy can do for not just our urban centres but our more rural constituencies, let me urge the Minister to consider the investments in infrastructure that could be fundamental to giving young people access to the highly paid, high-skill jobs that they need. I have badgered him about broadband connectivity before, in Westminster Hall, but those jobs do not necessarily have to be based in the urban centres; they can be based in the Hexhams, the Riding Mills and the Stocksfields of the world. If there is one thing that I like to speak about in this place more than anything, it is the need for younger people to be able to live where they grew up, should they wish to do so. It is a tremendous privilege to be the MP for where I grew up, but sadly on the street I am much more likely to bump into not those I grew up with, but their parents or grandparents.

As I finish, I return to the community halls, community theatres, parish halls and church halls. Those community assets are usually the places where I hold my surgeries. They define our communities, and they are the first to step up during major crises and major events that require the community to come together. In a rural environment, the creative industry is not just an industry; it is about the entirety of the community and what defines Northumberland and the north-east.