Regional Theatre

Jo Churchill Excerpts

Tuesday 5th January 2016 Westminster Hall

[Will Quince]

My hon. Friend makes a valuable point. Regional theatres are the very best at collaboration, at working with local partners and, in particular, at getting young people involved in arts and culture locally, so I totally agree with her.

It was a great pleasure to be invited to speak on the stage at the opening of the studio. I am unlikely to make the west end after that performance, but I have instead fortunately found a calling in Westminster. They do say that politics is show business for ugly people.

[Jo Churchill (Bury St Edmunds) (Con)]

Never mind. [Interruption.] Sorry, would my hon. Friend like me to intervene?

[Will Quince]

No, my hon. Friend does not need to intervene. It is very kind of her. The thought is there.

Investment in our regional theatre is not just a sunk cost; it has real economic benefit in our towns and cities. The latest research from the Mercury theatre shows that every £1 of grant aid that the theatre receives generates £3 locally in Colchester. The economic impact of the Mercury theatre on our local area was £3.6 million —a not insignificant sum.

--- Later in debate ---

[Will Quince]

My hon. Friend makes a valid point. The more locally skills can be developed and enhanced, the better. It is important that regional theatres offer those skills, particularly to young people locally. I totally support that.

Theatres are more focused on reflecting the local communities in which they operate, creating benefits for social cohesion and integration as well as for education, health and wellbeing. In 2015, Arts Council England published an excellent evidence review, which evidences the total benefit of the arts to society and the economy.

[Jo Churchill]

I thank my hon. Friend for securing this debate. I have in my constituency the only example of a regency playhouse in the country. We have the historic value of the building—it is 87% self-funded—and, as it reaches out, it is very hard to put a price on its social value. We reach out to Women’s Aid and work with them. We reach out to children with physical and mental disabilities and to Suffolk Age Concern. We also work with the YMCA, and young people who are homeless and without work have come to work in the theatre. Does my hon. Friend agree that a price cannot be put on that?

--- Later in debate ---

[The Minister for Culture and the Digital Economy (Mr Edward Vaizey)]

It is a pleasure to serve under your chairmanship, Mr Evans. As we are talking about all things artistic, may I say that I thought you produced the most artistic Christmas card of 2015? The picture of you with a hot steaming mug of tea gazing over the Thames from the House of Commons Terrace took prominent place on my mantelpiece over the Christmas period.

Before I move on to the main debate, may I also pay tribute to the former shadow Secretary of State for Culture, the hon. Member for Barnsley East (Michael Dugher), who was sacked this morning by his leader, much to the annoyance of many Labour Members, which is perhaps why we do not see a single Labour Member here to take note of this important debate? I have lost count of the number of shadow Secretaries of State and shadow arts spokesmen that I have seen in my more than 2,000 days in this office. No doubt we will see another one shortly. However, at the moment cultural policy in the Labour party remains leaderless—not that it matters much, because cultural policy has strong leadership in the Government. It is a pleasure to see five of our most prominent Back Benchers showing that that leadership extends throughout our party.

I begin on an embarrassing note: I have not yet visited many of the fine theatres mentioned in the debate. That is extraordinarily embarrassing.

[Jo Churchill]

Will the Minister give way?

[Mr Vaizey]

I wonder whether an invitation is on its way.

[Jo Churchill]

Among his many attributes, the Minister is a mind reader. An invitation is flying across the room towards him. He is more than welcome to visit either the regency theatre that I mentioned or the John Peel Centre in Stowmarket, which is a modern version of somebody really reaching out into my local community and giving good service.

[Mr Vaizey]

I would be delighted to find the time to visit. I am embarrassed because I spend a lot of time visiting theatres in the regions. Equally embarrassing is the fact that the Mercury theatre is run by somebody I know well, Steve Mannix, who I bumped into at a round table that we held recently to discuss our forthcoming White Paper. Stephen Barlow, who runs the Buxton festival, is also a friend of mine.

All the different theatres cited by my hon. Friends the Members for Portsmouth South (Mrs Drummond), for High Peak (Andrew Bingham), for Bury St Edmunds and for Bath (Ben Howlett) deserve our recognition and congratulations. The debate was secured by my hon. Friend the Member for Colchester (Will Quince), who, as he pointed out in his maiden speech, represents the true capital of our country: it was Colchester long before Londinium. He is using this debate to highlight that Colchester is one of the cultural capitals of our country. The remarks made by him and my other hon. Friends chimed well with me, because I have returned fresh-faced after our two-week break to complete work on our forthcoming White Paper on culture.

I want to bring out two themes. First, culture does not begin and end in London. There is a lively debate about the amount of funding that goes to London’s arts institutions as opposed to institutions that exist outside the capital. It is good that my hon. Friend the Member for Colchester has highlighted the thriving artistic scene in Colchester. Also, my hon. Friend the Member for Bury St Edmunds talked about the work that her theatre does with Women’s Aid, children with special needs and Age Concern.

The other theme relates to how important culture is to so many different aspects of our lives. A thriving cultural scene not only brings great economic benefits to an area in terms of tourism and inward investment; it also brings immense social benefits in terms of being able to use culture to reach out to different communities.

On the national picture, it is true that although my hon. Friend the Member for Colchester was right to point out concerns about regional theatres, on the whole they continue to thrive. Box office takings in 2014, the last year for which we have figures, were worth more than £400 million, and 18 million tickets were sold. As a whole, theatre made a contribution of almost £5.5 billion to our economy. Interestingly, despite the debates over arts funding, that is a significant increase of more than 7.5% since 2008. The sector employs almost a quarter of a million people, and almost 3 million tourism visits a year include a trip to the theatre, musicals or the opera—twice as many as the number of tourists who visit a sporting event.

As I said earlier, theatres contribute massively to our regional cultural life, and the Government obviously play an important role in supporting regional theatre. My hon. Friend the Member for Colchester was quite right to point out that although many such theatres thrive and survive in terms of the audiences they attract, they also receive Government support. Last year, the Arts Council provided more than £150 million to theatres throughout the country through a range of funding programmes. About £100 million of that money went to theatres in the Arts Council’s national portfolio, including the Mercury theatre, which, as my hon. Friend pointed out, has recently benefited from a refurbishment of its studio that was partly funded by the Arts Council. I welcome my hon. Friend’s remarks about the Chancellor’s settlement for the arts. It was great to hear that he is prepared to maintain arts funding and, judging by the response from the artistic community, the words he uttered during the spending review were almost as valuable as the money he has given. He said it is a false economy to cut the arts and recognised the significant contribution that they make to our lives compared with the amount of funding they get.

The Mercury theatre receives more than £750,000 a year in public funding from the Arts Council and, as I said, it has also received a capital grant for its refurbishment. It is a significant local employer and a major driver of the restaurant and hospitality economy in Colchester. I was particularly pleased to see how the Mercury theatre and other artistic organisations in Colchester are now working together, which is perhaps the third theme of the White Paper. Artists, makers and designers are working together under the “Made in Colchester” banner, which is a fantastic idea that should inspire other towns and cities. The artistic organisations in Colchester have worked out that by working together they make a more effective contribution than they do working individually. The Mercury puts theatre at the heart of the cultural life of the community it serves and makes work in Colchester that reaches local audiences and its community while also generating critical attention regionally and nationally.

I congratulate the three theatres that have been nominated for The Stage’s regional theatre of the year award: the Royal & Derngate theatre, the Royal Exchange theatre in Manchester and the Chichester Festival theatre, which my hon. Friend the Member for Colchester mentioned. Of course, it was at the Chichester Festival theatre that “Gypsy” started its life. If you have not yet seen Imelda Staunton in “Gypsy”, Mr Evans, I urge you to find one spare evening to see that absolutely stunning show. That theatre is another good example of an organisation funded and supported by the Arts Council, including by its £12 million capital investment programme. Such investments help local theatres to develop resilience by giving them the right buildings and equipment to both deliver their work and become sustainable businesses.

It is important to point out that the regional theatre of the year for 2015, the Nuffield theatre in Southampton, also has strong ties to the local university. It is important that we recognise the contribution that universities make. For example, Derby theatre is supported by its local university. Sheffield Theatres is the only theatre to have won the regional theatre of the year award twice, in 2013 and 2014. It is the UK’s largest regional theatre complex, with 2,500 seats across three theatres, producing incredible theatre in Sheffield. I hope I have shown that there is a rich and diverse theatrical life all across the UK of which we should all be proud. It is also important to note that, as my hon. Friend the Member for Colchester said, touring plays an incredibly important part in the theatre landscape. A lot of great productions start life in our regional theatres, and many of those theatres host great productions that start their life in London. The Arts Council continues to support that work through its strategic touring funding programme, the funding for which has been maintained.

An important and relatively recent innovation is the introduction of theatres tax relief, which has been available at 25% for qualifying touring productions and 20% for other qualifying productions since September 2014. It encourages theatre production throughout the UK and provides a strong incentive for touring productions. Her Majesty’s Revenue and Customs has worked with UK theatres to undertake a number of workshops throughout the country to discuss the relief and how it operates, and they have been well attended, including by many regional theatres. It is too soon to say precisely in pounds, shillings and pence what contribution theatre tax relief is making to theatre production in this country, but I know anecdotally that many theatre producers are grateful for the tax relief, which is pushing their productions into profit. It is important that occasionally theatre productions do make a profit, because that encourages theatre producers to take the next risk and put on the next production.

I mentioned in my opening remarks that there is a lively debate about the amount of funding that goes into London and to other areas outside London. My hon. Friend the Member for Colchester made that point very effectively in his speech. It is important to say that when we came into office around 60% of lottery funding went outside London. That has now risen to 70%, and the Arts Council has an ambition to go further to reach 75% by the end of 2018. It is also following the same strategy with its national portfolio organisations. In 2012, 49% of funding went to London and 51% went outside London. By 2015, that had changed to 45% in London and 55% outside London, so there is good change there. It is also important to acknowledge the Chancellor’s work with the northern powerhouse, because that gives an indication of how culture is moving into the mainstream of policy. As part of the northern powerhouse strategy, culture has been put front and centre. For example, there has been a £78 million investment in the new Factory theatre and exhibition complex in Manchester.

This year I suspect there will be an ongoing debate about local authority funding for theatre and, indeed, other arts organisations. I reiterate how pleased I am to see so many of my hon. Friends talking about the success of their local theatres and other arts organisations. As I said earlier, they highlight the wide contribution made to local communities beyond simply artistic productions, important though they obviously are. I am very clear that any local authority that sees itself as having to make some Faustian trade-off between investing in one part of its activities and investing in culture is, to echo the Chancellor’s words, making a false economy. Investing in local theatre and arts organisations brings enormous dividends for a relatively small amount of funding compared with a local authority’s overall budget. To see a local theatre or arts organisation close is not simply to see a building close its doors; it potentially cuts off many different communities from the benefits that that organisation brings.

I conclude by thanking my hon. Friend the Member for Colchester for securing this debate. It has been a terrific start to 2016 for me to take part in this Westminster Hall debate, and I will be responding to the first Adjournment debate of 2016 as well. Now that the Chamber is filled with Opposition Members, I repeat my tribute to the former shadow Secretary of State for Culture, Media and Sport, the hon. Member for Barnsley East, who will be sadly missed on the Front Benches because he was effective and passionate. My five hon. Friends who have participated in this debate show that there are many effective and passionate spokesmen for the arts in the House, and I welcome their remarks.

Question put and agreed to.

Resolved,

That this House has considered regional theatre.