Cultural Objects (Protection from Seizure) Bill

Jane Hunt Excerpts

Report stage
Friday 28th January 2022 Commons Chamber

[Jane Hunt (Loughborough) (Con)]

I congratulate my hon. Friend the Member for Dudley North (Marco Longhi) on inviting you to his local hostelry, Mr Speaker—but I also greatly, and gratefully, congratulate my right hon. Friend the Member for Central Devon (Mel Stride). He is the Chairman of the Treasury Committee, and today he has told us about his cultural skills. He is clearly a man who uses both sides of his brain.

The UK has some of the finest museums in the world, which play a significant role in educating and inspiring people of all ages. They are also critical to our £75 billion tourism industry, which supports 4 million jobs. In Leicester, we are proud to have the Richard III Museum. Another museum, in Charnwood, features a wide range of exhibits reflecting the history, geology, archaeology and industries of our area. Of course, our museums also have great relationships with other institutions around the world, allowing for the import and export of cultural objects for temporary exhibition to help broaden our understanding of different cultures, as well as other countries’ understanding of ours. That, I think, is vitally important. We have talked about the Tutankhamun exhibition of the 1970s. The recent Treasures of the Golden Pharoah exhibition featured 150 authentic pieces from the tomb of King Tutankhamun, 60 of which travelled outside Egypt for the first time. Such exhibitions are also an important source of revenue for museums, and help to ensure that visitors come back.

We must do everything we can to support museums, especially given the impact that the pandemic has had on them. I welcomed the nearly £2 billion that the Government provided over the course of the pandemic to support our cultural sector, along with the original £1.57 billion that the Cultural Recovery Fund announced in July 2020. I want to record my thanks for the funds that came to my constituency, including funding for Great Central Railway and the Loughborough Bellfoundry, the only working bell-foundry and bell-foundry museum in the country.

I am pleased that the Bill will support the sector by addressing another issue that has arisen from the pandemic, that of culturally significant objects being left at risk of seizure or forfeiture owing to the major unforeseen disruption to international travel. As has been pointed out, that also happened in 2010 as a result of the volcanic eruption. Although the risk of seizure or forfeiture is extremely small, we know that a number of countries ascribe great importance to having adequate protection in place—and, I imagine, their insurance would be affected. By giving the Secretary of State power to extend the period of protection from seizure and forfeiture for a further period of up to three months, we will ensure that international owners retain confidence in the system and continue to lend to our great institutions.

May I ask the Minister to clarify two points? First, might one reason for that extension be the popularity of a touring exhibition and the need for it to spend more time in the United Kingdom? Secondly, is the agreement of both parties necessary for the extension to be validated?