BBC

Gloria De Piero Excerpts

Monday 15th July 2019 Westminster Hall

[Helen Jones]

I will come in a moment to that very good point. Let us consider how else the Government have dealt with these issues. All people of pension age are entitled to a free bus pass, which was brought in by the Labour Government in 2001 and extended to cover the whole of England in 2008. The scheme is currently underfunded to the tune of about £652 million, because the Government keep reimbursing people based on 2005-06 fares. How long before it disappears?

[Gloria De Piero (Ashfield) (Lab)]

A manifesto promise broken by this Government reads:

“We will maintain all other pensioner benefits, including free bus passes, eye tests, prescriptions and TV licences, for the duration of this parliament.”

Does my hon. Friend agree that this broken promise is letting down not just older people, but trust in politics?

[Helen Jones]

I absolutely agree. We can see a pattern in the agreement with the BBC. The BBC was to take on the funding of free TV licences as the Government gradually withdrew their contribution, and then it would take on all such funding from 2020-21. In 2017-18, the cost of those licences was about £655 million. Last year the Government paid £468 million from the Department for Work and Pensions, and this year they will pay £247 million. That is an unsustainable funding model, and the Government knew that, or at least they ought to have known that—if they did not, then they are even more incompetent than I thought— when they entered into the agreement with the BBC.

To fund the licences, the BBC would need to close down channels or radio stations. A number of columnists have written about the money paid to the BBC’s top earners. Some are grossly overpaid, and in my view—this is entirely subjective—some of the so-called talent are not very talented. However, restricting the top rate of pay to £100,000 would not meet the cost of the licences. Again, the Government must have known that, but they want to deflect the blame. They knew there would have been an outcry had they tried to amend or abolish the scheme, so they sent it off to the BBC. When the changes were made, they said, “Nothing to do with us, mate.” They are the “not me, guv” Government—the Arthur Daleys of public administration.

It is the Government who made the decision on TV licences, and it will be really damaging to older people in this country. If someone cannot get out and about, and no one visits them, the TV is their companion. If someone cannot afford to go out and socialise, the TV is their entertainment, their window on the world and a way of keeping their mind active. Unfortunately, that is the lot of many older people in this country. We do not respect or value our older people as we should. I declare an interest, because I am heading that way myself.

Town of Culture Award

Gloria De Piero Excerpts

Wednesday 23rd January 2019 Westminster Hall

[David Hanson]

I look forward to hearing my hon. Friends’ contributions in due course. They know that culture is an economic generator for towns. It provides individuals with an opportunity to promote themselves and their skills, it can bring towns together to celebrate their history, and it can be a catalyst for change, confidence and support for economic regeneration.

[Gloria De Piero (Ashfield) (Lab)]

D. H. Lawrence, the internationally famous writer, was born and raised in the town of Eastwood in my constituency. We have a fantastic birthplace museum there. It is run by the local authority, which is obviously under financial pressure. We could do so much more to celebrate and promote our most famous son. Does my right hon. Friend agree that we could do a lot more to enable our towns to reach their full potential if there were equitable distribution of lottery funding?

[David Hanson]

Indeed. There is a separate debate, albeit relevant to this one, about whether towns, which contribute to the lottery pot, receive a fair share of lottery funding. In effect, there is a transfer of wealth from poorer towns to cities. That enables the promotion of important cultural projects, but I think my hon. Friends would agree that we should look at how we can invest that money to promote culture in our towns.

Local Museums

Gloria De Piero Excerpts

Wednesday 7th March 2018 Westminster Hall

[Stephen Kerr]

I am grateful to the hon. Lady for her intervention and if she will bear with me, I shall come to that very subject later in my speech.

I believe that it is time for the House to consider the impact that local museums have on our country and our local communities. A lot of major issues affect our museums and I will speak about a number of them today. I also look forward to hearing other Members from across the United Kingdom talk about their local museums; in Stirling, we have a number.

[Gloria De Piero (Ashfield) (Lab)]

May I pay tribute to the D. H. Lawrence Birthplace Museum in Eastwood, which is in my constituency? We are fortunate that such a famous literary figure was born in Eastwood and I would like us to be able to do more to celebrate him. However, does the hon. Gentleman not agree that, given local authority cuts have been so drastic, lottery funding needs shaking up? Cities have got all this funding, but lottery cash needs to go to towns as well, so that we can do more to protect and promote our local museums.

[Mrs Anne Main (in the Chair)]

Before I ask Mr Kerr to respond to that, I will point out that we are having mini-speeches. If hon. Members desire to speak, there are plenty of opportunities for them to do so, if they try to catch my eye. Mr Kerr, can we keep interventions brief? Thank you.

The Arts: Health Effects

Gloria De Piero Excerpts

Wednesday 11th October 2017 Westminster Hall

[Mr Vaizey]

Health and wellbeing is much on our minds at the moment, and I am co-chair of the all-party group on arts, health and wellbeing, so this is a great opportunity to debate the significant role that arts-based interventions can play in addressing a wide variety of health and social care issues.

In July the all-party group published an inquiry into that important issue—I am holding it up to get the appropriate screengrab, which can go viral on social media. I can see that the Minister is holding it up as well. If someone could pass it to the Opposition spokesman to hold up, we could get a full house. The report was the result of two years of research and discussions with individuals and organisations from the worlds of health, arts, academia and politics. I assure the House, because I had nothing to do with it, that it is of the highest quality. The people who can take credit are Rebecca Gordon-Nesbitt, who effectively wrote it, Alexandra Coulter, who runs the all-party group with such effectiveness, and my colleague Lord Alan Howarth, the chairman, who invited me to become the co-chairman.

The inquiry and report provide considerable evidence to support the idea that arts-based approaches can help people to stay well, recover faster, manage long-term conditions and experience better quality of life. It is important to stress that arts engagement and participation can have a positive impact at every stage of a person’s life. I was struck, for example, when reading the report—I should have known this fact—that one in five mothers suffers from a mental health condition at the time of, or in the first year after, childbirth. The report shows some of the interventions that can help. In Stockport an arts on prescription pilot offered visual art and music projects to women who had or were at risk of postnatal depression. Every woman who participated experienced improvements in their general health, and all but one experienced a reduction in their level of depression. Funding for that service was lost, but similar programmes have been replicated around the UK, with comparable results.

Childhood is another important area where the arts can have a huge impact. I leave aside the effect that music and arts education in schools can have on children’s wellbeing, as well as their educational attainment, although no doubt it is a subject that we will return to in future debates, but it is estimated that possibly 850,000 children suffer from mental health and related physical health problems. Some of the most serious mental health problems can manifest before the age of 24—indeed, in half of cases they manifest before the age of 14.

Such mental health problems can be prevented or mitigated through early intervention. The Alchemy Project, which uses dance as an early intervention in psychosis, had a remarkable effect on mental health. Two groups of young participants with no experience of dance were pushed to work with professional artists. At the end of the pilot both cohorts demonstrated clinically significant improvements in wellbeing, communication, quality of life and many other variants.

[Gloria De Piero (Ashfield) (Lab)]

A 44-year-old woman in my constituency suffered from depression and anxiety, and she tells me she is not yet recovered from her illness but is now strong enough to go every day to an amazing place called the Huthwaite Hub, which relies in large part on lottery funding. Does the right hon. Gentleman agree that former coalfield communities do not get their fair share of funding from the lottery, which would enable more projects like that to help many more people?

[Mr Vaizey]

The hon. Lady is a very distinguished former arts spokesman, and I know that when she was the Labour party’s spokesman for the arts she highlighted the fairness of lottery funding distribution. Again, without wishing to dodge the question, that is another debate. I am pleased that the Arts Council, for example, is now much more focused on ensuring that more money goes outside London than it has in the past. She makes a fair point that, fundamentally, there is a project in her constituency making a real difference to one of her constituents, and that is to be applauded without any quibbles from me at all.

Let me run through a few brief examples, because I know that many Members want to speak. An arts on prescription programme run by Arts and Health in Cambridgeshire found that three quarters of participants saw a decrease in anxiety. There is clear and growing evidence that with illness and long-term conditions, arts engagement can alter the morphology of the brain and help speed recovery from neural damage. The Royal Philharmonic Orchestra and Humber NHS Foundation Trust have run Strokestra, a pilot collaboration where, through music-based active sessions, almost every single participant who had suffered from a stroke saw a reduction in their symptoms and experienced great social benefits such as enhanced communication. A range of other studies have shown similarly positive effects. Group singing and dance has been shown to improve the voice and movement of people with Parkinson’s disease, and singing enhances lung function and the quality of life for people with chronic respiratory disorders. Arts-based interventions such as listening to music have also been shown to reduce the physiological effects of cancer and coronary heart disease.