Dangerous Driving

Debate between Gareth Johnson and Helen Jones

Monday 8th July 2019 Westminster Hall

[Helen Jones]

My hon. Friend makes a very good point. We need to do many things to reform the law. We have had numerous petitions on increasing sentences for death by dangerous driving, and on imposing lifetime bans for people convicted of dangerous driving.

I had a letter from Amy O’Connor, whose brother, Andy, was killed on his way to the gym one morning. It took 15 days to find the van and the perpetrator because the van had been hidden. By that time, it was impossible to do drug or alcohol tests, and the only thing the driver could be charged with—she understands why—was leaving the scene of an accident. She very reasonably asks why do we not increase the sentence for people leaving the scene of an accident when they have caused death or serious injury.

[Gareth Johnson (Dartford) (Con)]

I congratulate the hon. Lady on her speech. Although we need a change in the law to make life sentences available for death by dangerous driving, I cannot understand why, in the worst cases of death by dangerous driving, the Crown Prosecution Service does not bring a charge of manslaughter, thereby giving the court the option of a life sentence for the worst types of offending.

TV Licence Fee

Debate between Gareth Johnson and Helen Jones

Monday 20th November 2017 Westminster Hall

[Helen Jones]

My hon. Friend, who I am pleased to say is now a member of the Petitions Committee, is quite right. The BBC has to meet obligations that commercial broadcasters do not, which is very important.

Those who argue against the licence fee find it quite difficult to come up with an alternative, or at least a viable alternative. The then Culture, Media and Sport Committee suggested in a previous Parliament that over time we might move to the German model by having a broadcasting levy on every household. That has the merit of being simple and relatively easy to collect, and it would also ensure that those who use only, say, BBC radio or its online services contribute something to their cost. However, it does not get away from the regressive argument.

Finland funds its public sector broadcasting through personal taxation, which allows it not to be regressive. However, I do not feel that would work in this country, since the Treasury is notoriously resistant to hypothecation; it would be far too easy for any Chancellor to raid that budget. It would also be very damaging to the BBC’s independence, which I think many of us feel is worth preserving.

[Gareth Johnson (Dartford) (Con)]

The point that the hon. Lady makes is exactly the issue. Looking at the current licence fee system, we realise that there are obvious flaws. However, when we go on to consider all the alternatives, we realise that what we have now is probably best described as the least worst option.

[Helen Jones]

The hon. Gentleman is right. It is a bit like Churchill’s saying that democracy is the worst possible system we could have—until we look at all the others.

Some people say that the BBC should become a streaming service, but that would not allow it to fund the programmes it is required to—for minority interests, for the regions, for different language services and so on. There is also advertising, which I will come to in a moment, but I make the point now that funding programmes through advertising is not free, as many people seem to think; it is actually added to the cost of everything we buy. As such, it is the most regressive tax possible. I do not watch much ITV, for example, but I am willing to pay for it because I believe in diversity in the media. I pay for it when I purchase goods in the shops.

I think that the difficulty of finding an alternative to the licence fee has actually helped to increase support for it over the years. A recent BBC consultation showed that 75% of people were in favour of retaining the licence fee. Of course, that is from a self-selecting group—people who are interested in the BBC and respond to its consultations—but other polls have also shown a majority in favour. A recent Ipsos MORI poll from this year showed that 49% of people are in favour of funding the BBC through the licence fee, compared with 27% who want it funded by advertising and 23% who want it to be a subscription service.

It is true that a poll in The Daily Telegraph a few years ago—in 2013, I think—showed 70% in favour of either abolishing or reducing the licence fee, but that conflates two things and is not a reasonable guide. If asked, most of us would like the cost of anything we pay for to be reduced, and would say so. In fact, other polls show support for the licence fee actually rising over time—it was at 28% in 1989, 32% in 2004, and 49% this year.

The problem with suggesting that the BBC should be funded by advertising is that it would be fishing in the same pool as the commercial broadcasters. There is only a limited amount of money available, especially as more advertising moves online, and I very much doubt that the revenue would be there to fund the kinds of programmes we have now. Another important point is that advertisers—quite reasonably, from their point of view—want spots during shows that are guaranteed to be popular, but a public sector broadcaster such as the BBC has to do more than that; it has to be free to experiment and to produce programmes for minority interests. That broad sweep of BBC programmes is probably the reason why 95% of people in this country watch it at some point or another. Indeed, despite the competition, it is still the largest media provider for adults, including, very surprisingly, young adults.

There are many programmes that I do not think would even be made without public service broadcasting. I cannot see a commercial company producing, for instance, a cycle of Shakespeare’s history plays, as the BBC did, or providing broadcasts of opera or ballet. I am reluctant to offend the Opposition Chief Whip, my right hon. Friend the Member for Newcastle upon Tyne East (Mr Brown), who is a noted opera buff, but opera is still a minority interest. No commercial broadcaster would organise and broadcast the Proms, which is the largest classical music festival in the world.

The BBC has to be able to innovate, whether in developing the iPlayer or producing different kinds of programmes. Some of those programmes will fail, and I and other Members here will not like some others, but they are an important part of maintaining diversity in the media. Indeed, if we do not want bland uniformity, an organisation that can encompass Radio 4 and Radio 6 Music and make programmes varying from “EastEnders” to “The Sky at Night” is an important thing to preserve.

Another important point about the licence fee is that it helps to preserve BBC independence. It protects the BBC—most of the time, at least—from political interference and stops it being subject to the demands of advertisers or of an overweening proprietor; colleagues can name their own media mogul.

That is particularly important when it comes to news. The BBC is the most watched news provider in the country, with 77% of adults watching BBC News at least once a week. In a time when trust in institutions is declining, it is still the most trusted news provider— 57% of people trust it, and the nearest rival is on 11%. It maintains a network of correspondents all around the world and is trusted not just in this country but abroad. Many people trust BBC News. The BBC World Service, which is largely funded by the licence fee, does an enormous amount to bolster the prestige of this country abroad.

People ask whether I have criticisms of BBC News. Of course I do. I think far too much time is spent on interviewers repeating things. We hear something from someone in the studio, then they go to someone standing outside in the cold, and the handover of, “What more can you tell us?” is usually met in my house by a shout of, “Nothing at all!” It is far too London-centric. It still operates as if a problem on a London rail line is of interest to the whole country, or a few flakes of snow falling on the capital constitutes a national disaster. More importantly, it has gone to believing that balance means just interviewing two people of different views. There is not enough probing of those people to try to get at the facts.

Having said that, at least I know when I am watching BBC News that they are trying to get to the truth, however imperfectly. In an age of Fox News and alternative facts, that is worth having. Moreover, in the times in which we live, when there are attempts to intervene in and influence votes—a lot of it coming from Russia and other providers—having an independent news provider is essential to a functioning democracy. I would pay my licence fee for that alone, frankly. At 40p a day, which is what it works out at, I do not think it can be considered onerous.

The BBC is now doing an enormous amount to boost creative industries in the regions. Cardiff has the Drama Village, and Media City in Salford has been a great success.