I completely support the hon. Gentleman on that. I commend in particular the Next Gen group, started by Ian Livingstone, the well-known promoter of the games industry and the founder of many successful games companies. I have also been to some fantastic courses, supported by companies such as Microsoft in further education colleges, which reach out to people from different backgrounds and give them the hands-on skills they need to go straight into employment. The great challenge the creative industries face is giving young people the skills they need. Too often, the courses in further education and universities are too far removed from the world of work in the creative industries. It is changing so fast because of the change in technology, but let me return to some of the excellent speeches in the debate.
Will the Minister, who kindly came to the agency events hosted by Battersea arts centre here in the House, reflect on the concept of using creative organisations such as Battersea arts centre to enable and provide mentoring for young people to implement creative ideas?
We are certainly going to look at that. We published a culture White Paper a couple of months ago, which I shall come on to in some detail. Let me first say that one reason why I found myself in difficulty earlier relates to what I have discovered in two debates with the hon. Member for Luton North—that he gives commendably short speeches. I see the hon. Member for Perth and North Perthshire (Pete Wishart) nodding with some understanding. I strongly commend the hon. Member for Luton North for this particular ability. Short speeches are more than welcome in this place.
Let me say how much I enjoyed hearing the speech of my hon. Friend the Member for Warwick and Leamington (Chris White), who has done so much to promote the video games industry. I thank him for talking about the arts and widening the scope of this debate. The right hon. Member for Slough spoke about the importance of arts education, to which I shall return in a few minutes. Sadly, I was not in my place to hear the entire speech of my hon. Friend the Member for Selby and Ainsty (Nigel Adams), but I heard him in yesterday’s debate, when he talked so eloquently about copyright. Today, he widened his remarks to include general support for the music industry and particularly for live music. The hon. Member for Dundee West (Chris Law), who is the other co-chair of the all-party group on video games, spoke about Dundee as one of the great homes of video games development. He made yet another valiant bid on behalf of the SNP to take yet more powers from the Westminster Government.
I was not here for the full speech of my hon. Friend the Member for Southend West (Sir David Amess). I was about to say that he was an “unlikely champion” of the arts, but that would be unfair. At Prime Minister’s Questions yesterday, he commended Southend yet again. I have worked out why. When I was drinking in a pub with Tracey Emin a few weeks ago—[Interruption.] Did I say Tracey Emin? The pub landlady came out and told me what a huge fan she was of Margaret Thatcher. On the day that we learn that we were about to get a second female Prime Minister, I recall her saying that she was a huge fan of Margaret Thatcher. She showed me a picture that featured the landlady, Margaret Thatcher and my hon. Friend the Member for Southend West. He has promised me that he will find out where that photograph was taken. We wait to hear, but I think that was the beginning of my hon. Friend’s cultural career.
I commend the hon. Member for Glasgow North (Patrick Grady), particularly for mentioning e-sports, which I passionately support. I am worried that the French are taking e-sports extremely seriously, and we need to promote them here. I was delighted to hear the hon. Gentleman mention them, particularly on a day when Manchester City have signed Kieran “Kez” Brown as its first e-sports professional football player. I also appreciated the hon. Gentleman’s point about local council support. I suspect that the sub-text was an attack on a Labour council from an SNP Member. Nevertheless, the support of local authorities is vital.
Let me thank the hon. Member for Edinburgh North and Leith (Deidre Brock) for mentioning our very successful publishing industry. We do not talk enough about it, partly because it does not receive the sort of support that the Government give to, say, film and video games. As she rightly pointed out, this is our most successful creative industry. Indeed, Scotland supplies some of our greatest authors. The hon. and learned Member for Edinburgh South West (Joanna Cherry) expanded the debate even wider, talking about the fashion industry, as well as importantly about work visas, general access to skills and immigration issues post-Brexit.
A number of themes emerged in the debate. One was the unmitigated success of the longest-serving creative industries Minister in recent history! In the last six years, we have seen the exponential growth of the creative industries. Let me try to make a serious point here. These are our most successful industries, growing at three times the rate of the economy. Having done this job in opposition and in government, I have seen an increasing number of colleagues in this place who realise the importance of the creative industries and take them so seriously, and this has been reflected in the contributions of hon. Members today.
The creative industries are affected by very specific issues—including intellectual property protection, about which the hon. Member for Perth and North Perthshire has spoken eloquently for many years, and access to skills, which has also been raised in the Chamber—but they are highly successful. They are partly turbo-charged by tax credits for film, games and animation, which also extend to the arts, supporting theatre and galleries.
The right hon. Member for Slough rightly drew attention to the importance of arts education. We will differ on the question of whether the arts are being excluded from schools, and I expect that there will be constant debate about it. I personally reject the idea. People may think that an increased focus on science and technology, which perhaps has not been as strong as it could have been over the last few years, somehow means that the arts will suffer, but no one is preventing a headteacher from focusing on the arts and culture. Indeed, I would encourage it. Certainly, working with the present Secretary of State for Education and her predecessor, I have been able to secure important funding for music education and the creation of music education hubs, as well as a number of important programmes to promote heritage and culture.
We are also working on diversity, with the aim of reaching out to more and more people to extend cultural experiences. Our Culture White Paper—the first to be published for more than 50 years—focuses on the cultural citizens programme. We hope to launch a pilot in the autumn, embedding a cohort of young people from schools around the country with arts organisations and giving them a wide experience of the arts.
(9 years, 4 months ago)
Commons Chamber5. What recent discussions he has had with the Secretary of State for Education on children’s access to creative and cultural experiences; and if he will make a statement.
Obviously, my Department works very closely with the Department for Education. In fact, the Secretary of State and I will do a joint event at the Creative Industries Federation and will talk about our massive success in music and cultural education. We might mention, for example, the £460 million that has been invested since 2012.
The problem is that that investment has not increased children’s cultural and creative experiences. The Warwick commission revealed a drastic decline in music education and that only one in 12 British people are, as it put it, culturally active. Will we continue to see this decline under the Conservative Government so that only those people who can afford to send their children to expensive public schools will be able to ensure that their children get the chance to learn music and to experience live theatre?
Our Taking Part survey shows that since 2008-09, participation by children aged between five and 10 has increased, the number of children going to our museums has increased, the number of pupils taking arts GCSEs has increased—and so on and so forth. I do not share the hon. Lady’s view.
(9 years, 8 months ago)
Commons Chamber5. What steps he plans to take to ensure that children learn about or experience the creative arts.
It is wonderful to have a question from the hon. Lady. For one terrible moment I thought she might not be here, but I am so pleased to see that she has arrived in time to hear me answer that we believe strongly that children should have every opportunity to learn about and experience the arts. At the beginning of this year, we announced another £109 million for music and cultural education. That takes the amount we have invested in music and cultural education to £400 million in this Parliament.
Perhaps the Minister would like to have a conversation with his friend the Mayor of London about the state of traffic in south London this morning.
Why has the number of children who experience the creative arts, except for film, declined every year that the hon. Gentleman has been responsible for this field? Why has the number of children studying art, drama and dance—creative subjects—at GCSE fallen so radically while he has been in charge?
At the very last Department for Culture, Media and Sport questions of this Parliament, every one of which I have attended, I think the hon. Lady makes a slightly snippy point, particularly as the Taking Part survey shows that participation by children has increased for those aged between five and 10 and stayed at the very high level of 99.4% for those aged 11 to 15. There has been an 8% increase in those taking arts GCSE subjects since 2010 and participation in music, dance, art and design continues.
T4. Earlier, the Minister for Culture and the Digital Economy dodged his way around the figures that I cited from the Warwick report about the drastic decline in children’s experience and learning in creative subjects. Perhaps he will respond more positively to another of its recommendations, which is that every publicly funded organisation that deals with cataloguing and archives on the net should be encouraged to use the same mechanisms for the cataloguing of GLAM—galleries, libraries, museums and archives—so that the archives can be more easily accessed and searched by everyone.
I was obviously premature in my last answer, Mr Speaker.
I have a lot of sympathy with that recommendation. Putting museum and archive content online and making it easily accessible to both teachers for their lesson plans and students for their learning is an important issue. I will have a number of meetings in the coming weeks to discuss some ideas about it.
(9 years, 11 months ago)
Commons Chamber15. What recent assessment he has made of the adequacy of children’s access to the creative arts; and if he will make a statement.
Between 2012 and 2015, we are going to invest £15 million in cultural education and we are investing hundreds of millions of pounds in music education.
Yet his own Department’s survey shows that a third of secondary boys and a fifth of secondary girls do not access arts activities outside schools. In a recent speech the Secretary of State for Education said that arts were not the basis for a successful career, yet the creative industries provide 6% of our national wealth. What is the Minister doing to increase children’s access to arts beyond school?
The Secretary of State for Education was not saying that. She was simply making the point that a lot of people said that doing a maths or science degree narrowed children’s career opportunities. She was correcting that impression; it was not an either/or. Both channels are good ways to get wonderful career opportunities after leaving school.
We are working with Into Film, providing film education for hundreds of thousands of children. We are working with English Heritage on the new heritage schools initiative, which has massively increased engagement with heritage already. We are funding the Sorrell Saturday clubs, and we are working with the Arts Council on arts awards and the pioneering Artsbox.
(12 years ago)
Commons ChamberAs I understand it, mitigating the impact of the wind farm is the responsibility of its operator, which is now communicating with residents and providing solutions, such as moving aerials so that they can pick up signals from the alternative transmitter. As he correctly says, interference is not caused by 4G, because of course the 4G that could interfere with digital televisions signals has not yet been deployed.
9. If she will take steps to accelerate the repayment of moneys taken from lottery good causes funds to support the London 2012 Olympic games; and if she will make a statement.
(13 years, 8 months ago)
Commons ChamberI hear what my hon. Friend says and I commend him on his work, particularly with the Croydon Art Society. I know that the London director of the Arts Council met the director of culture in Croydon in January, but I am sure that my hon. Friend will understand that the arms-length principle means that Ministers cannot interfere in the Arts Council’s funding decisions.
I went to an event that was sponsored by a number of organisations funded by the Arts Council in London, where I saw the work of a group of young people who, through the future jobs fund, were apprenticing themselves to organisations such as the Royal Opera House and other cultural bodies in London. They are coming to present what they have learned through their experience to the House of Commons in a couple of weeks and I wondered whether the Minister would come and listen to them along with the Minister for Further Education, Skills and Lifelong Learning, who has already accepted my invitation.
(14 years, 3 months ago)
Commons ChamberForgive me, Mr Speaker, but I am not quite sure what point the hon. Gentleman is making. It is a coalition Government commitment that the National Audit Office should have full access to the BBC’s accounts by November 2011 in order to ensure value for money and public accountability.
10. What plans he has for the future of Creative Partnerships.
Creative Partnerships is funded by Arts Council England and as such, decisions on its future are a matter between that and Creativity, Culture and Education.
The Minister does not sound as enthusiastic as the teachers and head teachers in my constituency are about this wonderful programme. Can he do more to publicise the achievements of Creative Partnerships? The case report that his Department semi-released a week ago without any real promotion concluded not only that Creative Partnerships improves learning and achievement, but that through research, it improves the capacity of creativity to do more to help children to learn.
As the hon. Lady may know, I am a passionate supporter of both music and cultural education in the round. We could do more to make such programmes more coherent, so that they work in a more joined-up fashion, but as I said, the future of Creative Partnerships and how it works is very much a matter between it and Arts Council England.