Live Events Ticketing: Resale and Pricing Practices

Emma Foody Excerpts

Monday 13th January 2025 Commons Chamber

[Chris Bryant]

It is not just about the cap—we are consulting on several elements, one of which is how many tickets an individual seller should be able to purchase. The shadow Minister, the hon. Member for Meriden and Solihull East, could have argued that some of this is already dealt with in the legislation, but I would argue that the legislation is not clear enough, which is one of the things we need to tackle. If we look at all the different bits of legislation we have accumulated over the years, every time there has been a Bill that my hon. Friend the Member for Washington and Gateshead South has been able to table an amendment to, with support from some magnificent people in the House of Lords, it has been possible to get things through. That is why we may need to do quite a bit of rationalisation of the legislation in this field, but the right hon. Gentleman makes a good point: we will always have to keep ahead of the game.

[Emma Foody (Cramlington and Killingworth) (Lab/Co-op)]

I am delighted by the Minister’s statement today. This consultation will be welcomed by the entire co-operative movement, which has been campaigning to keep fans at the heart of music. Access to culture is such an important part of our country, and our movement stands as the party of the consumer. Does the Minister agree that actions such as taking this consultation forward are the best way to extend access to culture for real fans?

[Chris Bryant]

Yes, I do. Incidentally, there is another point on which we want to make real progress. We must have not only the massive gigs that everybody loves going to—where you can celebrate with thousands—but very intimate gigs. One of the most special moments is seeing a band perform first in a tiny venue of just 100 or 150 people, and then seeing them in a massive venue, performing at Glastonbury or whatever it might be. We need to look at the whole of the music system in the UK. That means a creative education for every single child—wouldn’t it be good if every child had the opportunity to go to live music at least once a year, as well as the opportunity to learn a musical instrument or learn how to sing? Those are all parts of the whole-of-music approach that we need in this country.