Creative Industries Debate

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Creative Industries

Deidre Brock Excerpts
Thursday 7th July 2016

(8 years, 4 months ago)

Commons Chamber
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Deidre Brock Portrait Deidre Brock (Edinburgh North and Leith) (SNP)
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I congratulate the Members involved on bringing this very important debate to the House. I want to highlight the creative industries for which the city of Edinburgh, the world’s first UNESCO City of Literature, is renowned: writing and publishing.

Books might be changing as the electronic world takes over, but one thing will remain constant: the creation of new works will always need writers. However, writing is a less viable occupation now, with average incomes down to about £11,000 in 2014. We can romanticise the image of the artist in the garret reheating gruel—or porridge—for sustenance, but that is no way for someone to live in the 21st century, and we should be concerned.

The Authors’ Licensing and Collecting Society highlights the economic contribution of writers. In 2014, it was £84 billion of gross value added, which is a year-on-year increase of 8.9%. The Publishers Association tells me that published material earned £4.4 billion last year, three quarters of that in books, and boosted the balance of payments, with 43% of publishers’ sales being exports. Those are serious economic benefits. Last year, 254 million books were exported; a stack 13,000 miles high. If laid down with their spines up, those books would go more than halfway round the world. There are also online journals, e-books and other digital content. Where would the games industry be without talented storytellers? We must support our writers and publishers; together they make a massive economic contribution.

There is another, even more important reason to support them: we need writers. We need artists of all trades, because art is what makes life, but writers are special. Without them there would be no new books, plays, short stories or poetry. There would be no great speeches for party leaders, no new films at the cinema and no new dramas on television. “Coronation Street”, “Eastenders” and “River City” would judder to a halt, and time would be up for “Dr Who” and “Outlander”—

Deidre Brock Portrait Deidre Brock
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Indeed. Both those shows make welcome contributions to the local economy and tourism, which would be lost.

Writers fill the space around us with art. They create our environment and enhance our lives. They should at least get the chance of earning a living. Some make it big, such as Irvine Welsh, who hails from my constituency and who has had substantial success. He did it the hard way, learning his trade while working other jobs. He was helped by Kevin Williamson, who still lives in Leith and who was a one-man dynamo in the early 1990s. Williamson’s publishing efforts changed the face of Scottish literature. Without him, we might not have had Welsh, Laura Hird, Alan Warner or Toni Davidson. Rebel Inc. altered the direction of Scottish writing, and Kevin Williamson’s contribution should be marked.

Irvine Welsh is an exception, however. Most writers make only a very modest income from their trade. Writers are vital, but we do not support them enough. As the hon. Member for Bristol East (Kerry McCarthy) has helpfully mentioned, we have created a less helpful environment for the creative industries by voting to leave the EU. This was not discussed during the campaigns, but as is the case for other industries, cutting the creative industries off from a potential workforce and potential clients must be damaging, and, as has been mentioned, those are not the only things that will be lost. For example, Creative Edinburgh, in my constituency, is engaged in a two-year project funded by the European Commission partnering creative hubs around Europe with the European Business Network to promote and support the creative economy. That two-year project may be safe from the storms of Brexit, but what will replace such projects in the little Britain of the future?

My constituency is full of extraordinarily talented people, such as novelist Val McDermid, artists Ruth Nicol and Joyce Gunn Cairns, the creatives behind LeithLate and Citizen Curator, people in successful software, digital and advertising companies and more than 11,000 people employed in design. The computer gaming industry, which was mentioned by my hon. Friend the Member for Dundee West (Chris Law) and which is already a major part of the Dundee economy, is becoming a serious and growing part of Edinburgh’s economy. These creative hubs attract people from all over these islands and from abroad.

Creative businesses flourish in my constituency: independent art galleries, shops such as Flux that sell handmade and unique products, and Kalypso Collective working in the fields of conceptual art, scenography and visual art. Will their viability survive Brexit? When the melting pot, which so many Members have referred to, cools and the exchange of ideas slows, creativity is stunted and output shrinks. Artistic viability becomes strained and economic benefits are reduced and perhaps extinguished. We need to stimulate the creative industries, and I look forward to hearing the Minister’s comments about how exactly the Government propose to do that in the current situation.

The Chancellor could start, for example, with greater and better-targeted tax breaks for the creative industry. As my hon. Friend the Member for Dundee West mentioned, devolving control of those to Scotland would be extremely helpful. Then the Chancellor could loosen the austerity noose that is strangling public services, to see whether the support that central and local government offered the arts could be restored.

Since we are heading down the EU exit ramp, we must secure the flow of people who make our creative industries viable. We need immigration policies that will bring people here and let them study, work and make their homes here. We need easier immigration, and more of it. The creative industries need more Government support for exports and help to open markets and guarantee payments. If the arms exporters can get it, why not creatives? We need creatives to be high up the agenda on overseas missions, with Government selling the ideas and products. These creatives are making a damn fine fist of it, and it is about time they got much more recognition and assistance.