Asked by: David Warburton (Independent - Somerton and Frome)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Digital, Culture, Media and Sport, what recent steps her Department has taken to help ensure that creators and performers receive a fair return from the income made from streaming music.
Answered by Julia Lopez
A key priority for this Government is ensuring the music streaming market functions well and that creators and performers are properly remunerated. In response to the DCMS Select Committee’s inquiry into the Economics of Music Streaming, the Government launched a comprehensive programme of work focusing on the key issues identified.
This includes the establishment of expert working groups, chaired by the Intellectual Property Office, to develop industry-led solutions on metadata and transparency. These aim to bring improvements for creators and performers, including quicker and more accurate payments for songwriters and enhanced confidence in creators’ dealings with labels and publishers.
The Government encouraged the Competition and Market Authority (CMA) to conduct a market study into music and streaming services, which concluded in November 2022. The CMA found no suggestion that publishing revenues are being suppressed by distorted or restricted competition and that the overall share of streaming revenues enjoyed by publishers and songwriters has increased from 8% in 2008 to 15% in 2021.
We have also commissioned independent research into the impacts on creators, performers, and the wider industry of potential changes to copyright law in the areas of equitable remuneration, contract adjustment, and rights reversion. And the Centre for Data Ethics and Innovation has completed research into playlisting algorithms used by streaming services, which will be published shortly.
The Government also notes action taken by industry to improve remuneration for creators. The major record labels have committed to disregarding unrecouped advances in older contracts, meaning many artists are being paid from streaming for the first time. Many independent labels have gone further, leading the way by setting minimum digital royalty rates across new and existing contracts.
The work of the expert working groups is advanced, as is the research. Based on this, and the action taken by industry, the Government will be taking decisions on this work in the coming months.
Asked by: David Warburton (Independent - Somerton and Frome)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Digital, Culture, Media and Sport, what estimate her Department has made of the number of EU member states that enable touring UK musicians to work visa free in cultural touring in their territories for the full Schengen Area allowance of 90 in 180 days.
Answered by Julia Lopez
The Government has engaged bilaterally with all EU Member States about the importance of touring. From these discussions, 21 out of 27 Member States have confirmed they offer visa and work permit free routes for performers for some short-term touring. More recently, following further discussions, and having sought evidence from industry, Bulgaria and Croatia have also confirmed that they offer visa and work permit free routes for some touring activity. Most of these Member States have confirmed that they offer visa and work permit free routes of at least 30 days, and many for up to 90 days, including important touring markets such as France, Germany and, following close work between our governments and industry, Spain.
Discussions are ongoing with the remaining Member States to encourage them to make touring easier, including through ministerial discussions between the Minister of State for Media, Data and Digital Infrastructure and the Greek Alternate Minister of Foreign Affairs and the Greek Ambassador in December 2021.
Asked by: David Warburton (Independent - Somerton and Frome)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Digital, Culture, Media and Sport, with which EU member states the Government has conducted formal negotiations on reducing barriers to cultural touring since January 2021.
Answered by Julia Lopez
The Government has engaged bilaterally with all EU Member States about the importance of touring. From these discussions, 21 out of 27 Member States have confirmed they offer visa and work permit free routes for performers for some short-term touring. More recently, following further discussions, and having sought evidence from industry, Bulgaria and Croatia have also confirmed that they offer visa and work permit free routes for some touring activity. Most of these Member States have confirmed that they offer visa and work permit free routes of at least 30 days, and many for up to 90 days, including important touring markets such as France, Germany and, following close work between our governments and industry, Spain.
Discussions are ongoing with the remaining Member States to encourage them to make touring easier, including through ministerial discussions between the Minister of State for Media, Data and Digital Infrastructure and the Greek Alternate Minister of Foreign Affairs and the Greek Ambassador in December 2021.
Asked by: David Warburton (Independent - Somerton and Frome)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Digital, Culture, Media and Sport, whether the Government has undertaken (a) assessments, (b) projections, (c) estimates and (d) modelling of the effect of the UK-EU Trade and Co-operation Agreement on the ability of working class musicians to tour EU member states.
Answered by Julia Lopez
The Government understands that the cultural and creative sectors rely on the ability to move people across borders quickly, simply, and with minimal cost and administration. Touring is a vital part of musicians and performers’ careers, providing not only an important income stream, but also enriching opportunities for cultural exchange across the world. We recognise that there are changes in the way creative workers can work in the EU, and the sector will need to adapt to new requirements now the UK is no longer an EU Member State.
This government engaged extensively with the sectors throughout negotiations and since the announcement of the Trade and Cooperation Agreement, including through the DCMS-led touring working group, to hear views, understand the impact of new requirements, and to support working and touring in the EU. We know that British creatives want to tour in the EU, and venues and audiences in the EU want to host them. That is why we continue to work across government, in collaboration with the sector, and directly with Member States to support the creative and cultural industries to adapt to new arrangements and resume touring with confidence.
Asked by: David Warburton (Independent - Somerton and Frome)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Digital, Culture, Media and Sport, whether the Government has undertaken (a) assessments, (b) projections, (c) estimates and (d) modelling of the effect of the UK-EU Trade and Co-operation Agreement on the (i) number and (ii) value of UK live cultural tours in EU member states.
Answered by Julia Lopez
The Government understands that the cultural and creative sectors rely on the ability to move people across borders quickly, simply, and with minimal cost and administration. Touring is a vital part of musicians and performers’ careers, providing not only an important income stream, but also enriching opportunities for cultural exchange across the world. We recognise that there are changes in the way creative workers can work in the EU, and the sector will need to adapt to new requirements now the UK is no longer an EU Member State.
This government engaged extensively with the sectors throughout negotiations and since the announcement of the Trade and Cooperation Agreement, including through the DCMS-led touring working group, to hear views, understand the impact of new requirements, and to support working and touring in the EU. We know that British creatives want to tour in the EU, and venues and audiences in the EU want to host them. That is why we continue to work across government, in collaboration with the sector, and directly with Member States to support the creative and cultural industries to adapt to new arrangements and resume touring with confidence.
Asked by: David Warburton (Independent - Somerton and Frome)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Digital, Culture, Media and Sport, what steps she is taking to accelerate the rollout of gigabit-capable broadband across Somerton and Frome.
Answered by Julia Lopez
We are backing Project Gigabit with £5 billion so hard to reach communities are not left out. The constituency of Somerton and Frome falls within Phase 3 (Lot 6) of Project Gigabit. Somerton and Frome’s designation as a ‘Future Phase’ reflects the extensive gigabit delivery now contracted to take place across Devon and Somerset, including the extensive additional delivery now confirmed by Openreach following their announcement of their target to reach 25 million premises by 2026.
The last of Project Gigabit’s Phase 2 procurements start in late 2022 and we expect Phase 3 procurements to follow directly, with all areas under contract as soon as possible. Due to the dynamic nature of the UK telecoms market we will regularly review and respond to opportunities for future procurement wherever possible.
The Connecting Devon and Somerset (CDS) programme is delivering new gigabit-capable connections in Somerton and Frome via contracts with Wessex Internet and Truespeed which were awarded in December 2020.
Somerton and Frome is covered by Wessex Internet’s full fibre network for North and South Barrow, Babcary, Woolston, Queen Camel and Marston Magna. This particular project is nearing completion, with Wessex Internet being ready to connect customers in these areas from October 2021.
If it becomes clear that any premises will miss out from the UK’s broadband upgrade, Project Gigabit will make sure that they are included in its plans.
To accelerate delivery, premises in rural areas may also be in line for funding through the Gigabit Broadband Voucher Scheme, with up to £210m allocated to the scheme over the next four years to support hard to reach communities. The voucher scheme offers up to £1,500 for homes and £3,500 for businesses to help to cover the costs of installing gigabit broadband to people’s doorsteps when used as part of a group scheme. Home and business owners can check the eligibility of their address and then look up suppliers in their area by going to https://gigabitvoucher.culture.gov.uk/.
Somerton and Frome has made good use of the scheme so far, seeing 698 voucher connections worth £1.1m, with a further 699 vouchers to be connected, totalling over £2.3m.
Asked by: David Warburton (Independent - Somerton and Frome)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Digital, Culture, Media and Sport, whether recording studios are eligible for Government support for businesses affected by the covid-19 outbreak.
Answered by Caroline Dinenage
The Government has provided 100% business rates relief for retail, hospitality and leisure businesses, extensions to the furlough scheme and Self-Employment Income Support Schemes, as well as the Coronavirus Business Interruption Loan and Bounce Back Loan Schemes.
The Chancellor has also announced further support for businesses with one-off top-up grants for retail, hospitality and leisure businesses worth up to £9,000 per property, plus a further £594 million discretionary fund to support other impacted businesses. That builds on the £1.1 billion discretionary fund that local authorities in England have already received to help impacted businesses.
The guidance for these additional restrictions grants encourages local authorities to develop discretionary schemes to help those businesses that are perhaps not legally forced to close but are nonetheless severely impacted by the restrictions put in place to control the spread of covid.
On this point, I have received reports that some businesses such as recording and rehearsal studios, which might not be ratepayers and which are not explicitly mentioned in the guidance on these grant schemes, are being deemed ineligible by some local authorities.
To be clear to local authorities and businesses, although the ultimate decision is at the local authority’s discretion, the fund can, and in my opinion should, be used to provide grants to businesses like recording and rehearsal studios. Supporting these businesses is vital to preserve the UK’s talent pipeline, even if they do not sell to consumers directly on a specific premise.
I therefore encourage and expect local authorities to be sympathetic to applications from these types of businesses that have been impacted by covid-19 restrictions but are ineligible for other grant schemes.
Asked by: David Warburton (Independent - Somerton and Frome)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, what assessment he has made of the implications for his policies of Ofcom's review of the future regulatory framework of the independent television production sector; and if he will make a statement.
Answered by Lord Vaizey of Didcot
Ofcom reported on the operation of the television production sector on 23 December. I am now considering that report, and will make a decision in due course.
Asked by: David Warburton (Independent - Somerton and Frome)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, what his policy is on the digital single market.
Answered by Lord Vaizey of Didcot
The Department for Business and the Cabinet Office have overall policy responsibility for the Digital Single Market. The Department for Culture Media and Sport leads on telecoms, audio visual policy, IT Security and now Data Protection. The Digital Single Market is a key priority for the UK Government and we welcome its ambition. It offers huge potential for jobs and growth and could increase UK GDP by up to 2%, and it can also benefit citizens, as shown by our recent deal within the European Council on roaming.