Edinburgh Festivals: Cultural and Economic Contribution
Debate between Clive Efford and Scott Arthur(2 months, 2 weeks ago)
Westminster HallRead Full debate Read Hansard Text Read Debate Ministerial Extracts
Westminster Hall is an alternative Chamber for MPs to hold debates, named after the adjoining Westminster Hall.
Each debate is chaired by an MP from the Panel of Chairs, rather than the Speaker or Deputy Speaker. A Government Minister will give the final speech, and no votes may be called on the debate topic.
This information is provided by Parallel Parliament and does not comprise part of the offical record
Dr Scott Arthur (Edinburgh South West) (Lab)
It is a pleasure to serve under you as Chair, Mr Efford.
I congratulate my hon. Friend the Member for Edinburgh East and Musselburgh (Chris Murray) on securing time for this important debate. Edinburgh—Scotland’s beloved capital and my home—is renowned worldwide not just for its historic beauty and ancient heritage but for its vibrant cultural scene. This goes beyond grand shows with expensive tickets. It includes things like Big Noise Wester Hailes, Forget Me Notes, Edinburgh Printmakers and the Filmhouse, which I hope will reopen soon. All four of those organisations operate in my constituency. Edinburgh’s festivals are a beacon of cultural expression, showcasing the very best of literature and all varieties of performing and creative arts. But more than that, the festivals serve as a cornerstone of the city’s economy and underpin the wellbeing of its citizens.
I welcome the progress made by the Dunard Centre and the redevelopment of the Royal High School. These venues will extend the tourist season in Edinburgh and enable it to compete with the great European cultural centres—places like Hamburg, Vienna and Paris. I have no doubt that the Dunard Centre will be world-class. That will be not just because it is a fantastic building but because of its values. I not only expect people from the most deprived parts of my constituency to be working in the Dunard Centre; I expect them to have places in the audience, and I also expect Big Noise Wester Hailes to be on the stage. This reflects the Edinburgh International Festival’s mission statement, which is
“to provide the deepest experience of the highest quality art for the broadest possible audience.”
For countless businesses across Edinburgh, the festival season throws a lifeline of increased footfall, which provides income that sustains them right through the year. The associated demand for staff is invaluable in providing local young people and students with the opportunity for summer work. The festivals provide many people in Edinburgh with their first paying job. We in this place have a responsibility to ensure that staff are supported by legislation and that they are well treated at work. That is why I will support the Deputy Prime Minister’s new deal for working people, which will help to enable that.
Investing in the breadth and depth of the festival offering in Edinburgh also helps to spread the tourist economy to the quieter parts of the year. It will help Edinburgh to move upmarket, with visitors staying for longer and spending more. This will mean that working in the tourist economy will be a career for more people—rather than just a summer job—with better pay and better conditions.
The economic contributions of the festivals do not stop at employment opportunities and turnover for local businesses. They also provide a wholly unique opportunity to show off and sell not just Brand Scotland but Brand Edinburgh to the world. Culture lets us connect with our international partners on an emotional level that no sales pitch can compete with. We should not forget that Rudolf Bing, a Jew who escaped Nazi Germany, established the Edinburgh international festival in 1947 as a way of bringing people together in post-war Europe.
I am proud that people come to Edinburgh from all over the world, but too often I am ashamed of what they see. Edinburgh’s position as Scotland’s worst-funded local authority comes with consequences, not least where homelessness is concerned. To address the point about why Airbnb is being regulated, it is a key driver for that in Edinburgh. The indifference that our capital is shown means that hardly a year goes by without a council-owned cultural venue being put at risk. Last year it was the King’s Theatre; this year it is the People’s Story Museum. Edinburgh needs fair funding, and the importance of its ecosystem—
