Stoke-on-Trent City of Culture 2021

Debate between Chris Elmore and Baroness Anderson of Stoke-on-Trent

Tuesday 21st March 2017 Westminster Hall

[Ruth Smeeth (Stoke-on-Trent North) (Lab)]

I beg to move,

That this House has considered Stoke on Trent City of Culture 2021.

It is a great pleasure to serve under your chairmanship, Mr Hollobone, and it is an honour to have this opportunity to discuss the extraordinary heritage and culture of my great city of Stoke-on-Trent: the centre of our country, the centre of my universe, and the centre of a cultural renaissance that is breathing new life into an industrial heartland that has been overlooked by too many for too long. An oft-forgotten jewel nestled between the larger, gaudier baubles of Birmingham and Manchester, Stoke-on-Trent is a friendly, welcoming city with a rich heritage and an attitude and outlook all of its own. With its upcoming bid for city of culture 2021, Stoke-on-Trent is finally stepping out of the long shadow of its neighbours and showing the world what it is capable of. We are a hidden gem that will be hidden no more.

Our city was one of the launch pads of the industrial revolution and, from the opening of Josiah Wedgwood’s factory in Etruria in 1769 to the present day, the Potteries has quite literally made its name as the birthplace of the modern ceramics industry. Wherever we may be, whether in the furthest corners of the world, in the Minister’s Department, or even in our Tea Room, we are likely to find ourselves dining from tableware made in Stoke-on-Trent—made, in fact, in my constituency.

I was privileged to be present at the maiden speech by my hon. Friend the Member for Stoke-on-Trent Central (Gareth Snell) only last week, during which he told the House about the turnover club—those loyal ceramic enthusiasts who flip their plate, wherever they might be, to discover its origins. As a proud member of that club, I can tell hon. Members that our excitement upon discovering that all-important back stamp is entirely understandable, because the undeniable truth is that Stoke-on-Trent produces the finest ceramics in the world; we always have and we always will.

Ceramics is not just our history, it is our heritage. It continues to shape our culture and drive our economy in the most creative and innovative ways. Nowhere is that better demonstrated than in Middleport, in the heart of my constituency. The original home of the iconic Burleigh Ware pottery, opened in 1888, the factory has been fully restored thanks to the dedicated work of the Prince’s Regeneration Trust and now stands as a tribute to our industrial past and a driving force for our economic future. Today, it is best known as the location of the BBC’s “Great Pottery Throw Down”; a fabulous showcase for Stoke-on-Trent and the ceramics industry, it is now in its second season, and I am delighted to announce that it is about to be commissioned for a third.

It is wonderful that our city’s extraordinary heritage is being recognised in shows such as that, but let us be clear: as proud as we are of our ceramics industry, there is so much more to us than that. As well as being a fully operational pot bank, Middleport serves as a gallery and exhibition space for local artists, as a community hub and as a development centre for a host of bespoke ceramic and design businesses. From the Clarice Cliff-inspired works of Emma Bailey to the textural experiments of Libby Ward and the photography of Richard Howle—whose Potteries-themed railway posters I have proudly displayed in my living room—Middleport is an incubator for the talent and creativity of Stoke-on-Trent. Elsewhere, we are home to Staffordshire University, a respected higher education institute with an admirable record in art and design.

[Chris Elmore (Ogmore) (Lab/Co-op)]

Thank you for allowing me to speak, Mr Hollobone. My hon. Friend will be aware that there are multiple bids to be the city of culture, including some from Wales. On my two recent visits to her great city of Stoke-on-Trent, I was particularly impressed by the city’s commitment to education—specifically around the infrastructure and investment in both the further and higher education sectors. Does she agree that that reinforces the strength of Stoke-on-Trent’s bid to become the city of culture?

[Ruth Smeeth]

Of course there are other bids, but none so great as that from Stoke-on-Trent; no one will match my constituency. However, I agree that education is at the forefront of our bid, which is to ensure that not only my own constituents, but the entire country are educated about how much Stoke-on-Trent has to offer. We will lead that role from Staffordshire University.

My city is the birthplace of Reginald Mitchell, the inventor of the Spitfire, and Arnold Bennett, the great literary icon of the Potteries. Captain Smith of the Titanic was also born in Stoke-on-Trent, and while his ship’s maiden voyage may not have gone quite according to plan, its name lives on in the form of the award-winning Titanic Brewery. Its plum porter is particularly good; I am not just saying that because they occasionally let me brew it—they also let me taste it.

Our musical heritage is also long and varied. Connoisseurs of northern soul made pilgrimage to the Golden Torch in Tunstall in the early ’70s, while Shelley’s Astrodome was a national hotspot for the acid house scene in the ’80s and ’90s, helping to launch the careers of DJs such as Sasha. Stoke-on-Trent can also lay claim to two rock and roll legends: Slash from Guns N’ Roses was born in Burslem—the mother town of the Potteries—before moving to LA, while Lemmy from Motörhead also hailed from the area. A bronze bust of the bourbon-swilling frontman can be found in our wonderful Potteries Museum and Art Gallery in Hanley.