City of Culture 2021: Swansea Bid

Debate between Chris Davies and Stephen Kinnock

Tuesday 5th December 2017 Westminster Hall

[Chris Davies]

Just as we are only partway through the Brexit negotiations, we are only partway through the football season, so let us see what happens.

[Stephen Kinnock (Aberavon) (Lab)]

And it could not get much worse.

[Chris Davies]

If the hon. Gentleman means the football, that is a fair comment.

The Liberty stadium has a capacity of 30,000 when used as a music or event venue. There is also the Great Hall and Taliesin Arts Centre, which are owned and managed by Swansea University. The venue hosts a broad programme of events, including cinema screenings, an average of 10 visiting exhibitions per year and a variety of live performances, from dance and drama to jazz and world music.

Of course, there is also the rugby, the football, the churches and chapels and the great food and drink. There are the places of learning—the schools and the colleges and, of course, the University of Swansea, with its outstanding new Jersey Marine campus. Then there is the Welsh language, which is renowned throughout the world. Who could fail to be moved by Welsh song and dance, including by our many Welsh male voice choirs, which lead the world?

[Stephen Kinnock]

The hon. Gentleman is making a passionate speech. He mentioned the Swansea bay campus. One important thing for the record is that that campus is actually located in the great constituency of Aberavon—I hope that has been noted by Hansard. On the internet coast proposal, to which we very much hope the Government will give their full support, does he agree that city of culture status would be a fantastic force multiplier for that investment in the Swansea bay city region?

[Chris Davies]

I am delighted that the hon. Gentleman is supportive of that scheme. Of course, Aberavon looks on to Swansea, and anything that benefits Swansea, or, indeed, Aberavon, will be of great benefit to Wales as a whole.

Swansea has produced many great sons and daughters who have turned into cultural icons of today and of yesteryear. Household names include, from broadcasting, Huw Edwards, Ian Hislop and Wynford Vaughan-Thomas, and musicians such as Sir Karl Jenkins, Bonnie Tyler and Dire Straits’ Terry Williams. They also include rugby players and footballers including John and Mel Charles, Dean Saunders, Dan Biggar and Shane Williams, actors including Sir Harry Secombe, Rob Brydon and Catherine Zeta-Jones, and writers such as Dylan Thomas and Iris Gower. From the law—from the upper Chamber in this place—they include Lord Thomas of Cwmgiedd, the former Lord Chief Justice, and from the Church, of course, Rowan Williams, the former Archbishop of Canterbury. Many great politicians have come from Swansea—legends every one of them—but I shall save their modesty and not name anyone directly.

Swansea is now ready for the next chapter in its varied existence. It has the infrastructure in place to provide high-quality cultural services to its communities and to host a world-class product, but co-operation, collaboration and skills development across the sector, accessible to all its diverse communities, have not yet been realised. Swansea can build its reputation as a place of culture, learning and innovation. Although the universities are making great strides on that, many of Swansea’s communities have low confidence and a tendency to look inwards rather than outwards. I strongly believe that becoming UK city of culture could help to overcome that in ways that would be otherwise unachievable. I am confident not only that Swansea can deliver an exemplary year artistically and logistically, but that the social and economic impacts will be strongly and widely felt. As the hon. Member for East Londonderry (Mr Campbell) mentioned, legacy and sustainability are key, and the bid committee are agreeing the structures and delivery partners to secure that through long-term engagement, skills development and employment opportunities, alongside the continuation of audience development and funding partnerships.

Having the opportunity to share that, to tell a new story about Swansea and to enable its communities to see themselves and their city through a new lens will build connectivity, cohesion, confidence and aspiration that will secure a better future for the city. A better future for Swansea supports a much wider hinterland, Wales as a nation and, ultimately, its relations with the UK and its global profile, as it stands side by side on an international platform, celebrating and broadcasting world-class productions.

I congratulate the team, led by the City and County of Swansea Council, in putting together the excellent bid, as well as the partner organisations for their continued and enthusiastic support. I hope that the city of Swansea, so described by the poet Dylan Thomas as the

“ugly, lovely town…crawling, sprawling…by the side of a long and splendid curving shore”,

becomes the 2021 city of culture.