First World War: Commemorations

Baroness Thornton Excerpts

Wednesday 26th November 2014 Grand Committee

[Baroness Thornton (Lab)]

My Lords, I congratulate the noble Lord, Lord Black, and other noble Lords who have contributed to this very moving debate. When I think of World War I art and literature, I remember two things from my youth. The first is the film “Oh! What a Lovely War”, which I saw aged 16 as a committed anti-war activist, as I was then, and I thought was amazing. I saw it again more recently at the Stratford East Theatre, and it still holds firm and is as powerful now as it was then. The second is Vera Brittain’s Testament of Youth, which I read when I was 17 years old. It had a profound impact on me and I have reread it many times since.

That book—and my father, it has to be said—led me to the World War I poets mentioned by many noble Lords. Unfortunately, though, I have no recollection of studying World War I in any depth in history or English literature in my school when I was growing up, unlike my own children, who, at their excellent Camden comprehensive, are both familiar with the history and the poetic and dramatic outputs of World War I. Like many noble Lords, I congratulate the Government, and I particularly congratulate the BBC and other public service broadcasters on their great output and programming throughout this year, particularly the recognition of many of their programmes of those who made the great sacrifice from all over the world from what was then the Empire, particularly the Indian subcontinent.

I want to mention three matters. First, I commend and congratulate Yorkshire’s museums on holding wonderful exhibitions and activities, led by the York Museum. I particularly mention my home town, Bradford, where there has been a huge programme of World War I exhibitions and activity. A great son of our city, JB Priestley, served for five years in the British Army during the First World War in the Duke of Wellington’s Regiment and as an officer in the Devonshires. His powerful first-hand account was published 50 years later in the memoir Margin Released, and his letters home, other archived documents and his uniform are in the JB Priestley archive at the library of the University of Bradford and have been on show at Bradford Industrial Museum this spring and summer.

Secondly, Bradford WW1 is online and will run from 2014 to 2018. It is a social history research project exploring the daily life of those at home in Bradford during World War I, investigating a wide range of issues from recruiting, construction and the impact on trade to food rationing and increased industrial unrest. Bradford’s MP at the time said:

“This will be the greatest war the world has ever seen, and I hope Great Britain will not be drawn into such a crime against civilisation … It is all very well for those who make their money producing armaments—that filthy gang which makes profits by creating jealousies and bad blood between nations. The high prices which will immediately follow will not cause any hardship to the capitalists. The working classes have to pay now, and I wonder how long it is going to continue”.

So said Fred Jowett, Labour MP for Bradford West, two days before Britain declared war on Germany. With the outbreak of hostilities and the patriotic fervour that was then generated, it became increasingly controversial to take an openly anti-war stance, at least for many years.

I turn to the role of women, mentioned by several noble Lords. While Wilfred Owen wrote powerful poetry that has lasted through the generations, he was, as the noble Lord, Lord Black, said, one of 2,225 men and women from Britain and Ireland who had poems published during that war. Indeed, he wrote his anti-jingoistic poems as part of his therapy to overcome shell shock. His was a very personal, very powerful reaction to war. Other verses submitted to trench magazines reveal how soldiers also used humour and anti-German feeling to cope with the conflict. Much poetry was written on the front line by such poets as Padre Woodbine Willie that was about everyday concerns—such as when the next rum ration was coming. As the contemporary verse in “Oh! What a Lovely War” goes:

“Up to your waist in water,

Up to your eyes in slush,

Using the kind of language

That makes the sergeant blush.

Who wouldn’t join the Army?

That’s what we all inquire;

Don't we pity the poor civilian,

Sitting beside the fire”.

Women on the home front battled against the fear and terror that they felt for the safety of their fathers, husbands and sons far away. Evelyn Underhill wrote:

“Theirs be the hard, but ours the lonely bed”.

Millions of women knew that they would face a future possibly without their loved ones; indeed, as Vera Brittain said, they did so. Although women were portrayed by some soldier poets as innocent and idealistic, the literature from the time suggests that that was unfair. There were some 500 women writing and publishing poetry during World War I, among them Teresa Hooley, Jessie Pope, Mary Henderson and Charlotte Mew. Women’s poetry and songs also reflected the new roles that they took on. Women were in the munitions factories and were proud to be there. They sang “We’re the Girls from Arsenal”—I will not quote that song because I am almost out of time.

The third thing that I want to ask the Minister concerns the Imperial War Museum, which has been at the centre of the activities to mark the centenary of the outbreak of the First World War. At the opening of the First World War galleries this summer, the Prime Minister praised the museum for creating,

“something fitting and lasting–something of which we can all be proud”.

So I ask the Minister what comment he has to make about the proposed £4 million cut to the budget of the museum, which puts in jeopardy its library and educational facilities. I really hope that the Minister can assure the Committee that that is not the case.