BBC Investment (East and West Midlands) Debate

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Baroness Stuart of Edgbaston

Main Page: Baroness Stuart of Edgbaston (Crossbench - Life peer)

BBC Investment (East and West Midlands)

Baroness Stuart of Edgbaston Excerpts
Tuesday 23rd June 2015

(9 years, 5 months ago)

Westminster Hall
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Julian Knight Portrait Julian Knight
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That is an interesting idea and I would hope that the BBC would play such a role; it would if it were doing its job properly. It is ridiculous that the Mailbox seems to be full of the HR department, rather than of people making programming for our enjoyment. If the BBC were to do its job properly and to be genuinely representative of the strength of the east and west midlands, we would be seeing greater programming and a real hub—the broadcast hub that we are talking about.

I am wondering how we got into the situation that we are in, with a bipolar organisation between London and Manchester—a carve-up, perhaps. The last time the charter came in, after the sad demise of Dr David Kelly, the Hutton report and all those things were going on, as well as the falling out between the Government and the BBC. The then director-general, Mark Thompson, decided to have what I call a “Jim Hacker” moment—as in the “Yes, Minister” and “Yes, Prime Minister” programmes. Suddenly the idea was to move lots of people from one part of the country to another and to call it regional diversity. The initiative was sold to the Government in good faith as extending regional programming and as the creation of a new hub in Manchester.

Looking at the output of the BBC these days, I question the purpose of moving thousands of staff to Salford from west London to produce the same programming in a different studio. The BBC has no regional character. When I was growing up in Chester and the west midlands—Biddulph, to be precise—we used to enjoy a lot of regionality in our programming; there were many more programmes and outside broadcasts specific to our region than there are today. Many of the studios established throughout the east and west midlands have now gone, and we are left with a skeleton staff in our region.

Baroness Stuart of Edgbaston Portrait Ms Gisela Stuart (Birmingham, Edgbaston) (Lab)
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In that context, would the hon. Gentleman question the BBC’s figure that more than 50% of its output is produced outside London? All it has done is increase regional commuting, with people travelling from London to various hubs across the nation. It has not really changed anything.

Julian Knight Portrait Julian Knight
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The hon. Lady is spot on. The BBC has created a bipolar organisation that transports people from London to Manchester. There is no real regional diversity to its broadcasting. I am horrified to learn of the BBC Asian Network’s being moved from Leicester to London, a prime example of that. I commend the campaign by Trinity Mirror and The Birmingham Post, and in particular the journalist Graeme Brown, who is highlighting an important matter that has brought many parties together.

We are in a bit of a dead zone for the national broadcaster in the west and east midlands. The BBC has perhaps seen regional diversity as something to be endured rather than embraced. If the BBC is to reconnect with the public at a time of mass digital communication, when we have many different ways of viewing and listening to content, it should consider drilling right down into the regions and offering something more regionally-based.

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Baroness Stuart of Edgbaston Portrait Ms Gisela Stuart (Birmingham, Edgbaston) (Lab)
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I must declare a narrow interest: my moment of glory was on 7 May 1997, when Pat Archer was heard to say from Pebble Mill, which was in my constituency, that when Edgbaston was won, we would know we had a Labour Government. I was disappointed when the BBC moved out of Pebble Mill and I was no longer the MP for “The Archers”.

I am going to do something that may seem slightly counter-intuitive: I will partly defend the BBC, because we have to be careful what we wish for. If we want a public service broadcaster—most of the rest of the world would give their eye-teeth for the BBC and the World Service—we should realise that our desire for it has consequences. That does not mean that I agree with everything the BBC has done, but the Government do not get off scot-free. If we wish the BBC to be a public service broadcaster that can survive in the modern age, the funding structure and stream must be protected as well. What that means for the midlands is quite significant.

First, we must acknowledge that when he saw those empty offices in the Mailbox, Tony Hall was horrified. The BBC has tried to fill them, so far only with human resources staff, and it has moved its academy there. At least the BBC is moving that way. It has appointed a regional director.

For me, the bottom line is that if we do not start commissioning programmes from the midlands, nothing will flow from the midlands. We may become a production area, but for the west midlands to reflect its own culture and output, we have to commission programmes in the midlands and have commissioners there. We come across the issue on a daily basis. Turn on “Woman’s Hour”, and it will have vox pops from Manchester’s Oxford Road. The BBC is not asking people in the Bullring. The whole culture is just the wrong way.

What that means for us as MPs in the region is that we have to stress a number of things. If the BBC wants to survive in the future, we in Birmingham are the future: 40% of Birmingham’s population is under the age of 25, and 30% is under the age of 15. The ethnic diversity of the stable population in that region is enormous. It is not just the Asian Network, which started 40 years ago in the midlands, but the whole cultural production that is happening there. Frankly, if the BBC does not reflect the culture of that significant area—the chunk in the middle of England that is so easy to overlook, and it seems to be overlooked—then the BBC, as a public service broadcaster, will not fulfil its function for the whole of the country.

I say to colleagues that we have to keep up the pressure and say to the BBC, “Step by step, you are trying to move in the right direction, but you aren’t there yet.” I also say that we must be clear that if we do away with the licence fee, that will also have consequences. Let us just think for a moment. Those of us who think that the Union—the United Kingdom—is important should remember that the British Broadcasting Corporation is one of the very few British institutions that still embraces the entire British Isles and the nation.

Julian Knight Portrait Julian Knight
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The hon. Lady said that the BBC “embraces” the nation. However, we noted during the referendum campaign that the Scottish National party was very angry with the BBC, and claimed bias in that respect. Given that the modern BBC does not embrace regional broadcasting, as we are discussing today, is it fulfilling that true national broadcaster remit?

Baroness Stuart of Edgbaston Portrait Ms Stuart
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That is a really important point at which we should pause. The SNP would like a national broadcaster; I would like a public sector broadcaster—and there is a very important distinction between the two, which we must not lose. The BBC must fulfil its duty to the regions—for example, in the political output in radio broadcasting, which it is neglecting.

What happens in the midlands is extremely important for northern Wales, because it looks to output from the midlands more than to that of the south of Wales. To be a proper public sector broadcaster, the BBC has to represent the regions and be more than just the national broadcaster: it also needs to commission programmes in the region.

The challenge for us is to be clear about the ask to the BBC; the challenge for the BBC is that unless it starts commissioning programmes in the whole of the midlands, they will not reflect us. That takes us back to the challenge for the Government in the charter review. A public sector broadcaster requires certain funding streams that will allow the BBC to fulfil that function.

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Richard Burden Portrait Richard Burden (Birmingham, Northfield) (Lab)
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I congratulate the hon. Member for Sherwood (Mark Spencer) on securing this debate. The Minister will understand that feeling on this issue runs deep across both the east and west midlands. The feeling is cross-party, and it will not go away. It is vital that something happens on regional broadcasting in the Government’s negotiations on charter renewal; it must not be something that is simply written in the right words in the right documents. The Government have a role to play in pushing the BBC quite hard on that in the coming period.

Members have talked about the figures, which are stark. They have talked about the contribution that licence fee payers in the east and west midlands make to the BBC and what comes back to the region. Many of us feel that we have been around this track so many times before, particularly my hon. Friends the Members for Birmingham, Selly Oak (Steve McCabe) and for Birmingham, Edgbaston (Ms Stuart) and me. I have lost count of the meetings we have attended. I can just about count the directors-general and acting directors-general to whom we have put these points, and each of them has said that they agree. It might have been easier if one of them had said, “No, you are wrong. We think that the east and west midlands are a bit of a backwater and are not where the action is. We need to do what we are doing.” But every time they told us that they agreed with us and that things were going to change.

The situation was not entirely the BBC’s fault in the early phases. When Mark Thompson was director-general, a memorandum of understanding was agreed between the BBC and Birmingham City Council. At the time, the lack of ambition to put the memorandum of understanding into practice was equal on both sides. The words were all there but, when we asked afterwards what was being done to follow it up, not much was going on at all.

Baroness Stuart of Edgbaston Portrait Ms Gisela Stuart
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If I recall the moment correctly, it was obvious that neither the leader of the city council nor Mark Thompson had actually read the memorandum of understanding or could tell us what it contained.

Richard Burden Portrait Richard Burden
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As somebody is meant to have said in this place, my hon. Friend may say that; I couldn’t possibly comment. [Laughter.] I will comment: she is right.

Mark Thompson was followed by a couple of other directors-general, and they both said that things were going to change. My hon. Friend is right about Tony Hall. In October 2013, a cross-party group of midlands MPs presented a petition that had been put together by the Campaign for Regional Broadcasting—I pay tribute to that group for keeping this issue in the public eye and putting up in lights the inequity in funding. In November 2013—this was significant—the BBC committed itself to a new vision for Birmingham and the midlands as a whole, with a pledge to invest £23.5 million; Birmingham is to become a new centre for digital excellence for skills, recruitment and talent, creating hundreds of jobs. That was a change—some action was taken and I like to believe that Tony Hall is serious about that.

However, I am worried that, since the announcement, everything has ground to a halt again. My hon. Friend the Member for Birmingham, Selly Oak mentioned the briefing we received from the BBC. It basically says, “It’s okay, we’re doing it,” and runs through the kinds of things we have been told before—the kinds of programmes that were announced some time ago. At the end, the briefing simply says, “The BBC is committed to providing audiences with programmes and services to reflect the many communities across—”

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Lord Vaizey of Didcot Portrait Mr Vaizey
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I will not take the hon. Gentleman’s intervention yet; I will make a bit of progress and then see if I have time for more interventions.

However, I will make a point that I think plays to the concerns that have been set out in Westminster Hall this afternoon. First, the BBC has a strong regional presence in many other parts of the country. If people go to Glasgow, they will see a fantastic BBC presence; in Belfast, of course; in Cardiff, where the BBC now films “Dr Who”; we know about the move to Salford and we can say whether or not that is a good or bad thing, but it has happened, although I hear the point about the BBC making a real move rather than simply a commuting move; in London; and of course in Bristol, which is the centre of the BBC’s wildlife programming.

Has Birmingham missed out? The BBC would say that it is doing what it can. For example, it points to the fact that it is making the Mailbox, which was referred to earlier by the hon. Member for Birmingham, Edgbaston as the base for the BBC academy, the diversity unit and internal communications. The BBC is also increasing jobs there; I understand that investment will go up from £80 million this year to £89 million next year, and up to £125 million the year after. There is also a training remit, with the establishment of the drama village in Selly Oak and the digital innovation unit, too. Of course, there is drama itself, such as the highly successful “Peaky Blinders”, and the BBC has just finished filming Lenny Henry’s semi-autobiographical drama, “Danny and the Human Zoo”, which may indeed take place in my much-loved Dudley zoo.

However, the point that I think is being made here today is about much more than those things. Obviously, we should welcome what the BBC is doing to invest in Birmingham and the east and west midlands, but what I think hon. Members are calling for is much greater cultural representation, if I can put it in those terms.

Baroness Stuart of Edgbaston Portrait Ms Gisela Stuart
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I have just one example. There is a brilliant radio broadcasting series that follows world war one, day by day, in 15-minute slots. It is great, and recorded in Birmingham, but not a single storyline involves the midlands. That is the point—production on its own is not sufficient. We need commissioning that recognises the input of the midlands.

Lord Vaizey of Didcot Portrait Mr Vaizey
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That is exactly the point. To a certain extent, where the BBC makes its programmes matters, because it effectively acts as an anchor for a creative cluster. Nobody would argue that “Dr Who” reflects Welsh culture, but people could certainly argue that it supports the Welsh creative industries, just as the BBC’s investment in S4C does. However, one would perhaps argue that the transmission of some programmes from different cities helps to reflect the wider cultural aspects of the United Kingdom.