Access to Musical Education in School

Baroness McIntosh of Hudnall Excerpts

Wednesday 18th October 2023 Lords Chamber

[Baroness McIntosh of Hudnall (Lab)]

My Lords, the way that this debate is evolving, and I suspect it will go on in the same way, is already demonstrating that everyone—in this Room, anyway, and I include the Minister in that, no matter that I may not entirely agree with what she is going to say in the end—is not only convinced by the importance of music education but trying in their own way, to the best of their individual ability, to promote it. It is just that there are an awful lot of different ways of doing that, and they are not terribly joined up. I pay great tribute to my noble friend Lord Boateng who has set out the agenda very clearly, to the noble Baroness, Lady Fleet, for the work that she is doing, and to everything that we have heard about so far that demonstrates how much is actually going on.

So I hate to start with a “but”, but there is one: there are inequalities, and they are deeply rooted. There are inequalities within the maintained sector because, as we have heard, some schools do very well and choose to give special emphasis to music and effectively make themselves specialists, but others choose not to or feel they cannot. The point is that it is a choice that any school is free to make about music but which no school is free to make about maths, English or science. I do not want to repeat all the evidence and stats about how music has been deprioritised in many state schools, but we have evidence that it has, and that has consequences, many of which have already been mentioned.

I wonder if the Minister has had time to listen to a series of instructive programmes that are currently being rebroadcast on Radio 4 called “Rethinking Music”. She is nodding her head, so I suspect she knows what it is about. I want to make a point about this: one of the key contributors to those programmes is Jamie Njoku-Goodwin, who used to be CEO of UK Music. What does he do now? He is the Prime Minister’s director of strategy. Let us hope that his evident concern about the decline in engagement with music education, which he makes very clear in the programme, will lead him to use his considerable influence within government to help to halt that decline.

I shall make one more point, which is about the inequality between the state sector and the independent sector. My daughter, as I have mentioned before, is a professional musician. Alongside her life as a performer, she provided individual tuition for many years at an independent London day school, which had dozens of music staff. There was virtually no musical skill or genre that students attending that school could not access—at a price, of course. By contrast, her own children, educated in the maintained sector, got music tuition but not at school; they got it because their parents knew it was valuable and were prepared to pay for it. Not everyone can do that.

I know what the Minister will say, and we will all nod along because a lot of what she will want to say is entirely admirable. By the way, I hope she will mention and acknowledge the excellent work being done by arts organisations large and small, charities and indeed churches in providing opportunities for young people to experience and participate in music. Sadly, however, these initiatives, worthy and significant as they are, are no substitute for the proper reinstatement of music into a forward-thinking, broadly based school curriculum from early years to A-level. That is what we need before it is too late.