Arts and Creative Industries: Freelancers and Self-employed Workers

Baroness McIntosh of Hudnall Excerpts

Thursday 15th June 2023 Lords Chamber

[Baroness McIntosh of Hudnall (Lab)]

My Lords, this is indeed an important issue and I am grateful to colleagues at Freelancers Make Theatre Work for their excellent research and briefing, which I recommend to the Minister.

Freelancing in the live performing arts is a deeply precarious existence, as we have heard. Pay is typically low and conditions often poor. The pandemic had a terrible effect on the freelance workforce: many could not access any financial support and consequently left the industry or went, if they could, to the slightly safer and better paid haven of film and television. We now have a skills shortage which is already having a serious impact on organisations of every scale, but particularly on small producing companies such as OperaUpClose, newly included in Arts Council England’s national portfolio and of which my daughter—with long experience as a freelance opera singer—is artistic director and chief executive.

Companies such as OperaUpClose are where much of our most innovative and exciting work is happening and they are entirely dependent on freelancers to deliver that work. OperaUpClose, with a wide-ranging and ambitious programme, has just three permanent employees, who between them carry all creative, managerial and administrative responsibilities, including for fundraising and for all the onerous reporting requirements—far too onerous, in my view—that go with being an Arts Council England client. They operate with small budgets and compete for the services of performers, directors, designers, stage managers, writers and others in a market where those people need either to take the best-paid work or to take far too much work just to survive. This is an existential threat to the whole performing arts sector.

My question for the Minister, which I make no apology for stealing directly from my friends at Freelancers Make Theatre Work, is: what have His Majesty’s Government done, and what more will they now do, to address the serious challenges facing freelancers in the performing arts? Without them, there is no performing arts industry.