Creative Professionals: EU Tours

Baroness McIntosh of Hudnall Excerpts

Monday 21st February 2022 Lords Chamber

[Lord Parkinson of Whitley Bay (Con)]

The case is not as gloomy as the noble Lord puts it. As I said, 21 of the 27 member states have already clarified their offer, and the UK’s offer to the rest of the world is very generous. We made a similar offer to the one that was rejected by the EU to the EFTA nations, which was agreed, showing that our proposals were not just possible but can be agreed and made to work. Regrettably, the EU did not offer a visa waiver for paid activities during the TCA negotiations and no major G7 economy has agreed to lock in its visa systems with the EU, which was the proposal that was on the table.

[Baroness McIntosh of Hudnall (Lab)]

My Lords, the Minister will be well aware that the music industry, particularly the classical music industry, is predominantly freelance and very much depends on international reputations being built. What assessment have the Government made of the impact on individual UK performers of the restrictions that they now face when they are likely to be offered work in the European Union? My information is that they are far less likely now to be offered work than they used to be. Can the Minister confirm that? Does he have any information?

[Lord Parkinson of Whitley Bay (Con)]

The noble Baroness is right to point to the importance of freelancers in these sectors. Through my discussions personally with representatives of the music industry, including classical music organisations and orchestras, we have discussed the challenges faced by freelancers and the support that many organisations were able to give them, thanks to what went to them from the Culture Recovery Fund. As I say, GOV.UK makes clear the rules for travelling to each member state. Our own approach is very welcoming: we want people from around the world to come to the UK and perform here. The information that the noble Baroness seeks is on GOV.UK, listed by individual country.