Charity Giving

Baroness Bull Excerpts

Monday 20th April 2026 Lords Chamber

[Baroness Twycross (Lab)]

The first time I was asked to volunteer was through school, so I know that the noble Baroness makes a valuable point. Volunteers are critical to civil society. We are committed to enabling more people to get involved in working with the voluntary sector and to modernising volunteering through the civil society covenant, which will promote flexible working for modern work-life commitments. The noble Baroness focused on children and young people, and I thought the CAF report made an interesting point. Through our youth strategy, which intersects with this and, helpfully, is led by the same Minister, we are looking at ways to get more young people involved.

[Baroness Bull (CB)]

My Lords, I am sure the Minister will recognise the role of trustees, not just in helping to raise funds but in undertaking the statutory and regulatory functions within charities—all unpaid and in the spirit of public service. An NCVO report found that 85% of charities are struggling to recruit high-quality trustees. Can the Minister say what the Government can do to support charities in recruiting, training and retaining high-quality trustees? Will she join me in acknowledging the important role of trustees in running charities? I declare an interest as, like many of us, I am a trustee of charities.

[Baroness Twycross (Lab)]

Unfortunately, when those of us on the Front Bench took up our roles, we had to give up our trustee roles. I know that noble Lords across the House are committed to working directly with charities and giving their expertise. One of the first things that the Government committed to was the civil society covenant. The civil society council, to be chaired by the NCVO’s chief executive, will meet quarterly in Downing Street to drive forward the covenant’s implementation. I have no doubt that this will be one of the big issues it discusses, but, like everyone in your Lordships’ House, I encourage more people to get involved where they can.

Arts and Creative Industries: Social Mobility

Baroness Bull Excerpts

Wednesday 3rd December 2025 Lords Chamber

[Baroness Twycross (Lab)]

The Government are making good progress on the national centre for arts and music education, which will lead the music hubs programme from September next year. As my noble friend rightly identifies, this is a DfE programme, so I will offer to write to her with the details she asks for.

[Baroness Bull (CB)]

My Lords, alongside internships, work experience programmes are a very effective gateway for young people who are considering a career in the creative industries. Will the Minister ensure that all taxpayer-funded creative organisations offer a fair and transparent work experience programme that is widely advertised and available to all, whatever their background?

[Baroness Twycross (Lab)]

One of the key barriers to social mobility is opportunity. We are keen for those programmes not to be overly informal because, as soon as they are, they become very dependent on networks and exclusive entry routes. We are clear that we need to make sure that the roles filled through personal networks, including work experience, are open to everyone. This is an issue that the Minister of State in DCMS is keen to explore further, but I will write to the noble Baroness with specific details.

Arts Sector

Baroness Bull Excerpts

Monday 30th June 2025 Lords Chamber

[Baroness Twycross (Lab)]

My noble friend makes an important point. Participation in publicly funded arts programmes is associated with improved mental health and well-being, as well as the impact on social capital and social cohesion to which my noble friend pointed. Research already commissioned by DCMS reveals that cultural engagement contributes approximately £8 billion annually in health and well-being benefits. Engagement with the arts shows improved quality of life, reduced use of health and social care services, and increased productivity. It has a huge public benefit—one that we seek to protect.

[Baroness Bull (CB)]

My Lords, the Minister has rightly highlighted the multiple benefits of investment in arts and culture, but is she aware of the role that arts and cultural organisations play in the wider economy, both as a generator of product innovations that are then adopted for mainstream use, and, indeed, through the demands that artists make on tech firms to create new products that will deliver their artistic vision? The recent sector plan, as we have heard, understandably exploits the commercial elements of the creative industries. Can the Minister say what work is under way to better understand and leverage the value of the arts and cultural sector in driving innovation and, therefore, financial value across the wider UK economy?

[Baroness Twycross (Lab)]

Research shows that, where young people explore creative subjects, their overall attainment improves. The same is the case throughout people’s lives—creativity is so important. For us in DCMS, it was hugely exciting to have the creative industries recognised as part of the industrial strategy. As part of the creative ecosystem, the sector will benefit from the cross-cutting measures in the sector plan and industrial strategy, including greater access to finance. Over the spending review period, DCMS is committing significant funding to safeguard and modernise much-loved arts and cultural institutions across England as part of this creative ecosystem.

Live Music Industry: Support

Baroness Bull Excerpts

Monday 23rd June 2025 Lords Chamber

[Baroness Twycross (Lab)]

I think that many local authorities recognise the significance of grass-roots music venues, not least as a way of attracting people to live in their areas. The Government are also of the view of my noble friend that supporting grass-roots music is vital. To that end, we are providing £2.5 million for Arts Council England’s Supporting Grassroots Music fund for the coming year.

[Baroness Bull (CB)]

My Lords, one way in which the next generation of talent develops its skills and craft is through international touring, which has been so important in building fan bases and growing skills. The mention of artists touring in the post-Brexit UK-EU summit was very welcome, but it is not clear what next steps are being taken to resolve the absence of touring arrangements in the post-Brexit agreements.

[Baroness Twycross (Lab)]

The noble Baroness is correct that it is a positive sign that it was mentioned in the announcement following the UK-EU summit on 19 May. Both the UK and the European Commission are committed to supporting travel and cultural exchange, including the activities of touring artists. We are continuing to engage constructively with the European Commission to address the challenges that touring artists and their support staff face, while respecting regulatory frameworks on both sides. My colleague, Sir Chris Bryant, has held a number of bilateral meetings with other countries and the Commission to try to move this forward.