All 4 Baroness Bull contributions to the Media Act 2024

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Baroness Bull Excerpts
Baroness Bull Portrait Baroness Bull (CB)
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My Lords, it is a great pleasure to follow the noble Lord, Lord Dunlop, and, given what I intend to cover in the second half of my speech, it is something of a coincidence, too. I refer the House to my registered interests. I note that those relevant to this Bill have now ceased, but I retain many friends in the production sector.

Like others, I broadly welcome this overdue Bill but will highlight today two areas in which I hope we might see some improvement during the later stages. The first is the reduction in the public service remit for television, with news and current affairs the only genres named, and Ofcom required only to monitor whether content reflects the lives and concerns of different communities, cultural interests, traditions and localities.

I share the concerns of other noble Lords about the missing genres, but my point is slightly different. It is that the phrase “content that reflects” is a poor substitute for the more detailed text it has replaced. It does not inspire or demand the innovative approaches, techniques and formats that the UK’s production sector has developed in fulfilment of PSB requirements over decades and in which it now leads the world. Gone are references to high quality, to educative value, to professional skill or editorial integrity, or to the “supporting and stimulating” of diverse cultural activity through the treatment of visual and performing arts. The obligations in Clause 1(5)(b) of this Bill could arguably be met by a series of talking heads in a locked-off shot—as long as that included heads that talked from time to time in a recognised regional or minority language.

In his opening remarks, the Minister celebrated the success of the creative industries and their impact on jobs and the economy. However, as my noble friend Lord Colville set out, the sector is going through what the Film and TV Charity has called

“one of the most sustained periods of financial uncertainty in its 100-year history”.

BECTU reports 68% of film and TV workers currently out of work, with 30% reporting no work at all over the last three months. In this context, the changes give rise to concerns. Without a clear requirement for PSBs to invest in programmes that are more than “reflective of” but genuinely innovative in approach, content and format, how will government protect the future viability of a sector that it expects to drive growth in the economy and in the workforce?

I now join the right reverend Prelate the Bishop of Newcastle and the noble Lord, Lord Dunlop, in high- lighting the missed potential for this legislation to cement the future of Gaelic language broadcasting. I have no interests to declare in this regard other than my enjoyment of BBC Alba, whose programmes range from a celebration of rich cultural history, language and people to the innovative, the quirky, and sometimes the brilliantly off the wall.

The 2022 White Paper recognised

“the hugely valuable contribution that MG ALBA makes to the lives and wellbeing of Gaelic speakers across Scotland and the UK”,

the importance of the language to the protection of Gaelic culture and the need for “certainty of future funding”. Yet the Bill fails to convey that there is, and must be, a Gaelic TV service with a PSB function and continues an uneven approach to the Welsh and Gaelic languages. Both have television services, in fulfilment of UK obligations under Article 11 of the European Charter for Regional or Minority Languages, but only one is provided for by Parliament, with Gaelic language television nestled under the BBC’s portfolio.

The Bill gives Ofcom the decision on what level of Gaelic language content is sufficient, while offering no clarity on what “sufficient” means. However, as we have heard, the responsibility to provide funding to MG Alba—one half of the joint venture that is BBC Alba—is devolved to Scottish Government Ministers, who are not answerable to Ofcom. Given that sufficiency —of both quantity and quality—is directly related to funding levels, it is hard to see how this circle gets squared.

The Heath Robinson-like structure of the funding and accountability flows is hardly the future certainty the White Paper said is needed, and it is not surprising that MG Alba is concerned about sustainability. Yet, despite this precarity, much has been achieved: in 2022-23, £9.8 million was spent directly with 24 production companies on the creation of 407 hours of programming, and £9.1 million of that went to the independent production sector, nurturing talent and skills in the Gaelic language and creative sector. MG Alba has created over 340 jobs, nearly 200 of them in the highlands and the Western Isles.

In the other place, Sir John Whittingdale linked the greater support for S4C and Welsh language broadcasting to the fact that there are 1 million Welsh speakers in the UK, compared with 100,000 Gaelic speakers in Scotland. However, as we have heard, the two services enjoy similar reach. In 2023, S4C’s reach increased to 324,000, while BBC Alba enjoys a reach of 300,000 adult viewers each week in Scotland.

In pressing the importance of Gaelic language services, I am not arguing for any diminution of support for S4C—far from it. There is very good evidence that language and culture is kept alive through representation. A 2017 S4C report said that the channel had been

“instrumental in stabilising the Welsh language since the 1980s”,

giving the language

“status and prominence”

and allowing Wales and its people

“regardless of background, to portray, express and see themselves represented on screen”.

The recently published Welsh language strategy action plan continues to highlight S4C as a key mechanism for growing the number of Welsh speakers. Broadcasting clearly has an important role to play in the preservation and advancement of language, identity and traditions. The omission of specific references to a Gaelic PSB in the Media Bill risks perpetuating historical marginalisation and fails to acknowledge historical disparities in political recognition and funding, compared with other language initiatives. Crucially, it undermines efforts to preserve and promote Gaelic language and culture, which are such precious and integral parts of our collective heritage.

I look forward to working with other noble Lords from across the House to see how these two concerns might, in future stages of this Bill, be redressed.

Media Bill

Baroness Bull Excerpts
Moved by
1: Clause 1, page 2, line 14, at end insert—
“(c) which maintains the high general standards with respect to the programmes included in them, and in particular with respect to—(i) the contents of the programmes,(ii) the quality of programme making, and(iii) the professional skill and editorial integrity applied in the making of the programmes.”Member’s explanatory statement
This amendment seeks to reinstate the requirement in the Communications Act (2003) for public service broadcasters to maintain high standards in terms of content, programming making and professional skills in order to fulfil the public service remit.
Baroness Bull Portrait Baroness Bull (CB)
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My Lords, I shall speak also to Amendments 2, 3 and 7 in my name. I declare any relevant interests in the register, noting that while my own media interests have ceased, I retain many friends in the creative industries. I am grateful for the cross-House support of my cosignatories and to the Citizens’ Forum for Public Service Media and UK Music for supporting my amendments.

The Minister noted at Second Reading that PS broadcasters are governed by laws written over two decades ago. Clause 1 aims to update and simplify the framework by amending Section 264 of the Communications Act 2003 and replacing what the Minister described as

“14 overlapping purposes and objectives … with a new, modernised remit … intended to provide a much clearer sense of our public service broadcasters’ distinctive role ”.—[Official Report, 28/2/24; col. 1119.]

My four amendments share a common purpose, which is to reinstate some of the wording from the 2003 Act, precisely in order to protect the distinctiveness of our PSB content and the qualities that make it, to quote the Secretary of State, attractive to national and global audiences as well as a key driver of our creative economy.

I am not opposed to modernisation; indeed, it would be odd if something written 20 years ago could not benefit from a little updating. My concern is that the process has gone too far, stripping out obligations that are the essence of our public service broadcasting. Section 264(5) and (6) of the Communications Act is replaced by Clause 1(5) of the Media Bill, but aside from Clause 1(5)(a), which protects news and current affairs and references production quotas, very little survives. One paragraph is left to act as a near “catch-all” for what has gone, requiring

“content that reflects the lives and concerns of different communities and cultural interests and traditions within the United Kingdom, and locally in different parts of the United Kingdom”.

This is fine in itself, but reflecting “the lives and concerns” does not equate to the nuanced, if overlapping, requirements of the older Act. What we lose are vital obligations, covering quality, the Reithian principle, PSBs’ fundamental role in the success of the UK’s creative industries as well as the educative value of public service broadcasting—in essence, the very things that distinguish and define PSB.

Amendment 1 would reinstate the requirement to maintain high standards in content, quality of production and

“the professional skill and editorial integrity applied in the making of the programmes”.

These high standards have driven quality products, innovative formats and original programming, under- pinning the domestic success and, in turn, the global popularity of British media productions. The terms of trade paved the way for this success, but it is widely acknowledged that it is the high quality characterising the products of British PSBs that has made a difference in this story. Yet the Bill strips out a requirement for standards, quality and skills. The obligation that remains, to reflect

“the lives and concerns of different communities … interests and traditions”

could be adequately met by a locked-off shot of a talking head, as long as that head talked about a diverse range of subjects and, occasionally, in Gaelic or Welsh.

Removing requirements for standards risks diminishing the experience for audiences and impacting public perception of PSBs. It also risks their global competitiveness and economic value. Of course, reducing production quality reduces the need for skilled creatives, thus further undermining a sector already under threat. It is directly counter to the intention of the Bill.

My Amendment 2 goes to the heart of public service broadcasting, reinstating the Reithian mission, to “inform, educate and entertain”. These three foundational elements are absent from the Bill, in effect limiting the definition of the public service remit to a narrow focus on news and current affairs, regional and children’s content, and original, regional and independent productions. By focusing on “market failure” content that commercial providers need not bother with, it fails to uphold the fundamental principle that the purpose of PSBs is to serve society in its broadest sense with culturally, democratically and socially valuable content across a wide range of subjects.

The Reithian principles have served for almost a century and they represent far more than an outdated belief that “Auntie knows best”. In the words of Professor David Hendy, the Reithian philosophy is a view of broadcasting

“as something that should strive to do more than simply reflect the present state of affairs: it was something that needed to imagine other ways of being in the world”.

Reith’s three little words are vital because they encompass the important possibility of television expanding the interests of audiences beyond their own lives and concerns and into those of others. This is education in its widest sense and, over the life course, it is what many people value about public service broadcasting. In this age of misinformation and disinformation, “inform” and “educate” are surely more relevant than ever.

I jump next to Amendment 7, as it leads directly from this point in that it would reinstate a requirement for PSBs to provide programmes on educational matters, of an educational nature and of educative value. Clause 1(5)(c) of the Bill replaces references to education with the same catch-all, referring to a range of content that

“reflects the lives and concerns of children and young people in the United Kingdom, and … helps them to understand the world around them”.

That is another laudable aim, but it is not the same as content intended to educate or have inherent educative value. The wording in my amendment, which is again lifted directly from the 2003 Act, is important for three reasons. First, it makes a distinction between programmes that reflect the lives and concerns of children and educational programming which might teach them something outside their life experience and beyond their concerns. Secondly, it encompasses the role of public service broadcasting in lifelong learning. Thirdly, it recognises the broader concept of educative value—sometimes concealed in entertainment—which is perhaps a defining feature of PSB content.

GK Chesterton famously noted:

“Humor can get in under the door while seriousness is still fumbling at the handle”.


The same is true of education in the hands of skilled programme makers, insightful commissioners and public service broadcasters. Let us think of Channel 4’s “It’s a Sin”, the “I Am” series, ITV’s “Mr Bates vs The Post Office”, and seminal dramas such as “Cathy Come Home” or “I, Daniel Blake”. I would even point to the educative value of the gossip in soap opera pubs and cafés. When Sonia discussed Section 28 in the Albert Square caff all those years ago, we knew that the issue had moved into a different kind of mainstream. None of those programmes originated in an education department, but they have each been educative, shaping public discourse, dispelling myths, fostering intercultural understanding, changing attitudes and offering us new ways to consider the world and ourselves.

Of course, the responsibility for educational and educative content is distributed across the PSB landscape, with different channels assuming different responsibilities, as agreed in their operating licences. The amendment does not seek to mandate all PSBs to deliver “educational programmes” in any narrow sense, but it seeks to reinstate the fundamental educational purpose and educative value of PSB content. I find it hard to believe that the Government intended to remove any use of “educate” from this clause, and I hope the Minister might be able to reassure us when he speaks to this group.

Finally, Amendment 3 would reinstate the requirement for public service broadcasting to reflect, support and stimulate cultural activity, in all its diversity, in the UK. Since its inception, public service broadcasting has enjoyed a symbiotic relationship with the cultural and creative industries, supporting—and being supported by—a thriving creative sector. This amendment, again lifted from the 2003 Act, enables three societal and sector impacts.

First, it ensures wider and more equitable access to the rich diversity of UK arts and culture by presenting drama, comedy, music, visual and performing arts on screen—a point articulated by UK Music, which supports this amendment. Secondly, it inspires active engagement in arts and culture, stimulating people from all backgrounds and across all ages to get involved as participants, audiences or as a career choice—I look forward to hearing the noble Baroness, Lady Bonham-Carter, whose Amendment 33 addresses the important issue of workforce diversity in the sector.

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I take what my noble friend Lord Vaizey of Didcot says about the difference between strategies and action and, indeed, the need for Ministers to be engaged, although I remind him that, in this instance, it is a case of the Minister taking action herself, whether that is my honourable friend Julia Lopez or my right honourable friend the Secretary of State. He asked about project Diamond. We welcome that and other broadcaster-led initiatives in this area. Given that there are already well-established processes in place to collect diversity data across our public service broadcasters, and a clear statutory role for Ofcom to monitor and track progress against that, while I welcome the sentiment behind the noble Baroness’s amendment and thank those who have spoken in favour of it, I do not think it is necessary and invite her not to press it.
Baroness Bull Portrait Baroness Bull (CB)
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My Lords, I am grateful to the Minister for his, as ever, thoughtful and considered response. I am not sure that I completely share his view that broadcaster-specific agreements are the place to house such fundamental principles; I would imagine that they should be there in an overarching sense. He says that the current regime demonstrates the challenges of measuring, but it also demonstrates the opportunities of succeeding, because it is indeed the high quality and innovation of UK productions that has led to global success, as has been well evidenced over the last two decades. It is a long evening ahead for the Minister, so I will not dally, but I will certainly accept his invitation to ponder and reflect, and take that as an opening to continue to discuss some of these amendments.

If I may, I will say very briefly that the point of Amendment 3 in my name is absolutely not to reinsert a list of activities; it is that cultural activity is stimulated, supported and reflected. That is a slightly different point; it is achieved by presenting those services, but that is not the end in itself. I know that my noble friend here will be talking a lot about that in a moment.

So, in accepting the Minister’s invitation to ponder and reflect together, I beg leave to withdraw my amendment.

Amendment 1 withdrawn.
Baroness Bloomfield of Hinton Waldrist Portrait Baroness Bloomfield of Hinton Waldrist (Con)
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I support all three amendments in this group, particularly Amendment 54 in the name of the noble Lord, Lord Wigley, and agree with almost all that has been said already. I apologise to the Committee for having been unable to speak at Second Reading, so I shall be brief.

This amendment seeks to ensure that production companies which claim to have a base in Northern Ireland, Scotland—and of course Wales—in order to win their share of out-of-London commission, do genuinely have a base in wherever they claim to be. Naturally, the focus of my concern is for the impressive TV and film production sector in Wales, although my comments could apply equally to the other devolved nations.

There are some 50 TV production companies in Wales active at any one time, making shows for all the UK public service broadcasters, including the Welsh language channel, S4C, so very useful for us Welsh learners, with or without its subtitles. Some are also involved in international coproduction and commissions. Indeed, Cardiff is the third-largest production base in the UK.

Indigenous TV production companies invest heavily in the Welsh sector, spending in the local economy, training and developing staff as well as investing in facilities. For example, Rondo Media recently partnered with S4C and Creative Wales to set up the Aria Film Studios in north Wales. We also have Wolf, Dragon, Swansea’s Bay Studios and Gorilla—there is a theme here—Wales’s largest post-production company, based in Cardiff Bay. This makes it all the more the important that brass-plating—that is, as we have heard, companies setting up a small satellite presence specifically to win a PSB commission—is prevented.

Although Ofcom already publishes guidelines which set out three criteria, any two of which should be met to qualify, it is felt that although the letter of the guidelines might be being followed, perhaps the spirit of them not so much. This amendment is not intended in any way to inhibit inward investment. It is more designed to ensure that there is a clearer guideline as to what constitutes a substantive base in terms of the company being well established in Wales. This means not only that more talent can be homegrown, but that the profits from Welsh productions may flow back into the sector in Wales, providing a virtuous circle. It might also have the additional benefit of ensuring that mistakes are not made in relation to Welsh culture, nor stereotypes reinforced. I wholeheartedly support all these amendments.

Baroness Bull Portrait Baroness Bull (CB)
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My Lords, I support Amendments 16 and 17 in the name of the noble Baroness, Lady Fraser of Craigmaddie. I will not repeat the excellent arguments that she and her co-signatories and indeed others around the Committee have already made. I would like to briefly underscore one important aspect of her amendments: the importance of regional production and commissioning in levelling up opportunities for creatives and communities.

On the first day in Committee, I spoke to my Amendment 2, which aimed to recognise and enshrine the symbiotic relationship between public service broadcasting and the broader stimulation of a thriving creative economy across the UK. What gets shown on screen is a very important part of that, and Amendments 16 and 17 would help to ensure that programmes indeed reflected the lives and concerns of communities across the UK, as the first clause requires.

The impact of the amendments goes beyond what is seen on screen; they would also impact what we see on the ground—marked regional inequality in the creative industries, which has worsened since the pandemic. The policy and evidence centre’s 2023 report, Geographies of Creativity, revealed that the concentration of the UK’s creative industries in London and the south-east remained unvaried throughout the pandemic. The same cannot be said about the creative industries outside that area. The north-east presents a particularly worrying picture, as it experienced a growth rate of 81% between 2011 and 2019, the highest across the country, but the most severe decline during the pandemic. The region’s share of the UK’s creative economy was 1.9% in 2011, rising to 2.7% in 2019 but falling back to 2% in 2022. The pictures in other regions outside London and the south-east are not dissimilar. That data tells us something compelling: while the creative industries hold immense economic potential across the UK, that economic potential is at risk without adequate support and protection.

Media Bill

Baroness Bull Excerpts
Report stage & 3rd reading
Thursday 23rd May 2024

(8 months, 1 week ago)

Lords Chamber
Read Full debate Media Act 2024 Read Hansard Text Watch Debate Read Debate Ministerial Extracts Amendment Paper: HL Bill 89-I Marshalled list for Report - (23 May 2024)
Moved by
1: Clause 1, page 2, line 29, after “(taken together)” insert “comprises a public service for the dissemination of information and for the provision of education and entertainment, which”
Member’s explanatory statement
This amendment reinstates the fundamental Reithian ethos of public service broadcasting (including the important contribution of public service broadcasting to life long learning), the vital role of public service broadcasting in increasing understanding in issues of civic importance, and the relationship between public service broadcasting and a thriving cultural and creative economy.
Baroness Bull Portrait Baroness Bull (CB)
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My Lords, I will also speak to Amendments 2 and 4 in my name. I am grateful to my co-signatories, to other noble Lords around the House and to the Citizens’ Forum for Public Service Media for supporting these amendments, particularly given the pace at which all this has come together. I am also very grateful to the Minister and the Bill team, who found time on very busy days for a helpful meeting earlier this week on these amendments. At the time, we thought we were talking about a discussion we would have in June; it turns out that we are talking about it today, but I am very grateful to him and his team for finding time for that.

These amendments are all about the underpinning ethos, values and distinctive purpose of our PSBs. In tabling them today, I have tried to respect the Government’s intention to streamline and update the overlapping requirements in the 2003 Act, to which the Minister has referred previously. I have tried to do that while addressing the very strong feelings of this House and the sector that, in the process of modernisation, too much of value has been lost.

Amendment 1 would reinstate the principle that public service broadcasting content, taken together, should inform, educate and entertain. This three-legged stool is the foundational principle on which public service broadcasting was built and on which its global and economic success stands. Removing the Reithian principle from the Bill effectively limits the definition of the public service remit to a narrow focus on market failure. It fails to uphold the fundamental principle that PSBs exist to serve society in its broadest sense, with content that is culturally, democratically and socially valuable. Its removal also means that there is no longer any mention of the word “education” in Clause 1, and that the vital role of public service broadcasting in providing content of educative value for citizens across the life-course is no longer protected. Amendment 1 would restore the underpinning philosophy that broadcasting should do more than just reflect. It should help us to imagine other ways of being; to learn about things of which we never expected to know nor care about; and to expand our interests beyond our own lives and concerns and into the lives and concerns of others. It is a principle that has never lost its currency and, in an age when misinformation and disinformation threaten our democratic processes and civic cohesion, it is a principle we cannot afford to lose.

Amendment 2 goes a little further and would clarify what Parliament believes to be content of civic, social and cultural importance, thus protecting the type of content that can so easily be under threat in the face of economic challenge and ruthless competition. Without this clear guidance on what Parliament expects to see in return for public service broadcasting status, and indeed what viewers want, I struggle to see how Ofcom can fulfil its role in holding broadcasters to account. My noble friend Lord Colville championed this point in Committee, and I am grateful to him for working with me on this streamlined amendment. Amendment 2 would also retain the requirement that public service broadcasting should stimulate and support a thriving cultural and creative sector—the very sector on which it depends for its own survival. This modest addition to the Bill enshrines the symbiotic relationship between public service broadcasting and the health and success of the creative industries—a sector that this Government have identified as key to growth and that is currently, unfortunately, at serious risk. I know that the Minister and the Secretary of State are genuinely committed to the future success of this sector. I hope that he can accept this amendment today so that the protections afforded by the 2003 Act remain in place at the time that they are most needed.

Amendment 4, my final amendment, is even more modest. It would add no more than six words requiring public service broadcasters to make available content for children and young people that is educational in nature. I have no problem with the stated ambition of the Bill that content reflect young people’s lives and concerns and help them better understand the world around them, but this is not the same as content that is educational. As I argued in Committee, education is one of the aspects of public service broadcasting that parents value most. Amendment 4 would not require all broadcasters to move into the same space as BBC Bitesize, for example—the specific detail of PSBs’ educational content would still be determined at the level of operating licences—but it would enshrine in legislation the importance of educational content for children and young people in opening up and equalising life chances, which is an aspect of PS broadcasting that licence fee payers deeply care about.

The overall aim of these amendments is to address the concerns so clearly expressed in Committee and by audiences and citizens’ groups that a better balance needs to be found between the intention to streamline and the retention of what makes our public service broadcasting so distinctive. My amendments would reinstate and protect the foundational ethos and core principles and purposes that have long defined our public service broadcasters and underpin their domestic success and the global leadership position they currently enjoy. I very much hope that the Minister might be persuaded by our arguments and be able to accept these amendments at the Dispatch Box. I beg to move.

Baroness Fraser of Craigmaddie Portrait Baroness Fraser of Craigmaddie (Con)
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My Lords, I support Amendments 1, 2 and 4 from the noble Baroness, Lady Bull, and will speak to Amendments 3, 5 and 6 in my name.

I thank the noble Lord, Lord McNally, and the noble Viscount, Lord Colville of Culross, for their support for my Amendment 6 and the Minister for our rushed discussions as we try to pull all this together. My amendment extends the same nations and regions quotas that apply to the BBC to Channel 4—the only other publicly owned public service broadcaster. It includes a two-year timeframe from the passage of the Bill for these quotas to apply.

In Committee the debate on the nations and regions production quotas attracted the largest number of speakers and support from around your Lordships’ House, for which I was very grateful. This amendment is supported by devolved Governments and industry bodies across Scotland, Wales and Northern Ireland. In Committee the Minister reassured us that he and his colleagues in DCMS had heard the strength of feeling on this issue from the sector, particularly in relation to Channel 4’s “out of England” quota, which is currently set at 9% of eligible programmes and expenditure. He noted that Channel 4 has said that it would support a managed increase in its programme-making commitments in the other home nations. He also offered a further meeting with Ofcom to discuss this in detail.

I am sorry that this will clearly be one of the casualties of wash-up, but I had hoped that this revised amendment, restricted to Channel 4 and giving it two years to enable a managed increase, might have found favour with all parties. If the Government are not minded to accept my amendment, I trust that Ofcom will take note of the strong feelings expressed that the current Channel 4 quota of 9% just will not wash.

I turn to Amendments 3 and 5, which were previously tabled in Committee by my noble friend Lord Dunlop, who cannot be here today and sends his apologies. The issue is that the responsibility for Gaelic broadcasting is split. The Gaelic Media Service, MG Alba, is established under UK legislation while Ofcom is the arbiter of whether there is sufficient Gaelic language broadcasting. The funding of the Gaelic Media Service was devolved in 1998 to Scottish Ministers, who have, for the past 10 years, frozen funding to MG Alba. The SNP is posing as great supporters of Gaelic and Gaelic broadcasting. However, as ever, the support is all for show. They are all talk and no action.

I have tabled modest amendments to the Bill that would make MG Alba a PSB for the limited purpose of guiding Ofcom in the discharge of its responsibility to assess whether there is, taken together in the round, sufficient broadcasting of minority languages. It would have to look specifically at the sufficiency of Gaelic broadcasting. If it was found that there was insufficient Gaelic broadcasting, the responsibility for responding to this would fall on the BBC—it is happy to accept that as it supports these amendments—MG Alba and, by extension, its funder, the Scottish Government.

These amendments are narrowly focused to be discrete and not upset the overall balance of the Bill. For example, they do not add any new responsibilities regarding prominence requirements. They would, as we head into an election campaign, be a powerful demonstration of a unionist government’s care for all parts of the UK, including its most peripheral in the Highlands and Islands.

Turning to the amendments tabled by the noble Baroness, Lady Bull, which I am pleased to support, the Minister accepted in Committee that we need to strike the right balance with a remit that gets to the heart of what it is to be a public service broadcaster. We must not dilute that. He also stated in Committee that he did not object to any of the specific genres mentioned in the revised Amendment 2, tabled by the noble Baroness. I hope he can accept that not having this in the Bill really would be a glaring omission.

I am grateful to the Minister for his engagement. I am sorry that we have not had the time to explore some of these issues further with him and his team at DCMS, but I support him in his efforts to see that this Bill passes. I thank him and all noble Lords from across the House who have been so supportive of my efforts to ensure that the nations and regions have the best possible Bill.

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Baroness Bull Portrait Baroness Bull (CB)
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My Lords, I thank all noble Lords for their support, and the sector organisations that have campaigned and briefed us all. I am disappointed that the Minister is unable to accept Amendment 2, particularly given that it aims to support the sector for which his department is responsible. It is sad to hear him say that, if we were not rushing this through, we would surely have been able to arrive at a consensus, as I really believe that he understands our concerns and would have invested his considerable skills and energies into finding a shared solution.

However, I am delighted that the Government will accept Amendments 1 and 4. This will restore the Reithian principle to its rightful place, and it will enshrine education, for children as well as adults, as integral to public service broadcasting. I thank the Minister for his time on these amendments and for the work I can imagine he has had to put in to get them accepted at the 11th hour. I am very grateful.

Given that this may be my last chance to address the Minister on the record in this role, I take this opportunity to thank him for all he has done in it. I, like others, have found him approachable, fair and effective. He has the best role in government, in some ways, because he works with a sector that is creative, vibrant and endlessly varied. However, it may also be the worst role, because the sector is not shy in saying what it thinks and is creative in getting its message across. But, across the sector, he is widely respected for the hard work he puts in, for his active engagement and for his knowledgeability across such a broad sector.

Again, I am grateful for the concessions that the Minister has been able to make, and I am sorry that the specific circumstances have not allowed us to find alignment on that important Amendment 2. I note what he said about options to investigate performance on specific genres in due course, so my noble friend Lord Colville and I put on notice whoever is in this seat in months to come—we will keep an eye on this. For now, it is a great pleasure to commend Amendment 1 to the House.

Amendment 1 agreed.
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Moved by
4: Clause 1, page 2, line 44, insert—
“(ia) is of an educational nature, and”Member’s explanatory statement
This amendment clarifies the importance of educational programming for children and young people as distinct from programming that reflects their lives and concerns.