National Museums and Galleries

Baroness Bonham-Carter of Yarnbury Excerpts

Monday 27th April 2026 Lords Chamber

[Baroness Twycross (Lab)]

We are making sure that we work with the museums on this, not in isolation from them. Last week, for example, officials at DCMS sat down with representatives from all the national museums to talk through how the process might work, in terms of having a working group with the national museums. We are clear that it is a complex matter. It is not, “It’s right to, or it’s wrong to, or we should do this as a point of principle”: we just want to work through the issues with the museums. At the moment, we have been working through the terms of reference for what that working group would be looking at, and we are not planning to come to any conclusions before the autumn.

[Baroness Bonham-Carter of Yarnbury (LD)]

My Lords, the much-anticipated return of the Bayeux Tapestry to the UK, to be exhibited at the British Museum, reminds us of the value of sponsorship, philanthropy, cultural diplomacy, soft power and, on a more practical level, the need for conservation skills, and indeed curatorial ones. How do the Government intend to support such skills going forward? We welcome their curriculum review, but when are we going to see actual action that reverses the years of arts education and these skills being marginalised?

[Baroness Twycross (Lab)]

I am delighted, as I know the noble Baroness is, that the UK has been able to agree the loan with France of the Bayeux Tapestry. The noble Baroness correctly identified that skills are at the heart of any future policy. Every single conversation I have at every single institution I visit focuses on skills, and I have done a number of round tables around this. This particular area of curatorial skills is one that I know the museums are keen to explore. Getting our young children into museums is the first step in them stepping off on the journey of a career in the sector.