Channel 4 Relocation Debate
Full Debate: Read Full DebateAlison Thewliss
Main Page: Alison Thewliss (Scottish National Party - Glasgow Central)Department Debates - View all Alison Thewliss's debates with the Department for Digital, Culture, Media & Sport
(6 years, 3 months ago)
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I am delighted to be able to speak in support of the proposal that Channel 4 come to Glasgow, the city that I represent. I express my solidarity with Team Glasgow, who are heading down on the train from Glasgow just now. To my council colleagues, Stuart Cosgrove and the rest of the team who are on the train on their way down here with the bid document, I say that I look forward to their safe arrival in the city. I like to think that we are playing for the away team and they are the home team, coming down to do their very best for us.
Glasgow is very much the right city for Channel 4, because like Glasgow, Channel 4 is pure gallus, and it has been from the start. It offers something that challenges, that is different and that is unusual, and it seeks to find the stories that we do not get in other places; that is certainly the story of Glasgow.
Already, as other hon. Members have said, there are production companies that are based in Glasgow and going about the business of telling the stories of the people. Firecrest Films specialises in documentaries, such as “Breadline Kids”, which brought the story of people who were in severe poverty to our screens. Nicole Kleeman says that basing Channel 4 in Glasgow would be an “enormous opportunity in Scotland”. It is currently telling the story of the cancer hospital, the Beatson, which many of my constituents have found very moving. They can see their own stories reflected in those documentaries.
Matchlight, which is also based in Glasgow, says:
“Glasgow is inherently diverse in all measures. It would be a great home for the channel. TV must represent all of the UK if it is to be relevant to the audience.”
Matchlight also works in Gaelic. It does production for BBC Alba as well as for Channel 4, where it works for “Dispatches”, which, as we all know, tells really deep and important stories and brings them to light.
Raise the Roof is the UK’s sixth fastest growing indie producer and is also based in Scotland. It is the biggest Channel 4 supplier from Scotland, and very proudly so. Not only does it do work here, but its very successful production company, which was built through Channel 4’s programmes, exports to 37 countries around the world, so this activity is not just of benefit to Glasgow, Scotland or the UK; we are growing the ability of our native producers to export to the world. Chris Young of Young Films, who is best known for “The Inbetweeners” and is based in Skye in Scotland, also says that basing the channel in Glasgow would be a game changer for Scotland.
I could not agree more with the hon. Lady’s advocacy of the strength of the Glasgow bid. Two “Star Wars” actors, including Ewan McGregor, came from my constituency of Ochil and South Perthshire. Does she agree that locating Channel 4 in Glasgow will provide opportunities and inspiration not only to the city, but to the counties and regions that surround it?
I very much agree. One frustration that I picked up in meeting some of the production companies and Channel 4 at a meeting that it hosted with me in Glasgow, at its West George Street base, was that of always having to look at things through a London lens. The creative decision makers at Channel 4 are often based down here, so basing Channel 4 in Glasgow would be a radical decision that would re-tilt the axis of the media in the UK. I feel that it would also bring benefits to Northern Ireland, which is within close travelling distance of Glasgow, and to the north of England. It would fundamentally change the way in which the media work in the UK.
Glasgow is many things, but it is also very closely bound together. It is a very cohesive city; we cannot ignore one another in the street. As my hon. Friend the Member for Glasgow South (Stewart Malcolm McDonald) and the hon. Member for Glasgow North East (Mr Sweeney) mentioned, it has diversity. It has people who have lived in Glasgow all their lives; interlopers like me, from Lanarkshire; and people from Somalia, Pakistan, Eritrea, China and Afghanistan. They have all come together and live cheek by jowl—not across boundaries, but cheek by jowl with one another in one of the friendliest cities in the world.
I would like to tell a wee anecdote to exemplify just how friendly Glasgow is. At an event that Radiant and Brighter—an organisation that helps to support people who come to the city from other countries—held at the city chambers in Glasgow, a doctor who was speaking at the meeting said, “My experience of coming to Glasgow was that I came out of Central station and was a bit lost. I didn’t know where I was going, so I asked somebody. That person not only told me where to go; he took me to where I was going. He took time out of his day to take me along the street and around the corner to the place that I needed to get to.” That typifies Glasgow for me: people are so friendly that they will go out of their way to help others and make them feel at home.
Channel 4 would be very welcome in the city as a large employer, but also as part of the creative culture of the city. We have in the city the Royal Conservatoire of Scotland, bringing through great, wonderful arts graduates. There is also the Glasgow School of Art, which is a beacon of art and design. There are also other universities and colleges within the city, all of which produce great talent that would be very well employed at Channel 4.
I would like close with an anecdote from a member of my office staff, Alexander Belic, who had cause to leave the city for a brief period earlier on today. He told me what he saw when he came back in:
“There is a busker performing ‘No Diggity’ on a guitar and a leprechaun releasing torrents of bubbles down Buchanan street—what a town.”
I think Channel 4 would fit well within Glasgow. I welcome it to choose Glasgow and back our bid.
We now have three Front-Bench wind-ups and a moment or two at the end for Mr McDonald to wind up, too.
I am not one to blow my own trumpet, so I will not comment further on that, and I do not want to endanger my relationship with my hon. Friends by saying anything further about Cardiff’s bid.
May I take this opportunity to wish my hon. Friend the Member for Batley and Spen (Tracy Brabin) a happy birthday? She was seen celebrating last night, and she is looking remarkably fresh today. I will say no more. She eloquently made an important point about the need to ensure that our creative industries serve our towns as well as our cities. She also pointed out that our creative industries often rely on locations out of cities in the countryside—our heritage locations—which hon. Members have celebrated here and in other debates on tourism and the creative industries. We should remember how important that is to channels such as Channel 4. In particular, I praise her efforts last year, and the efforts of the commission she worked on, to open up opportunities for working-class children in the creative industries. I strongly commend her for that, and she made a very good speech today.
I am sorry to admit that I have known my hon. Friend the Member for Keighley (John Grogan) for more than 35 years, which is a long time. He made a strong case for the Leeds city region. He rightly pointed out that we have reached a consensus about Channel 4 being in the public sector that is to be welcomed above all. For many years, the uncertainty about its status and the threat of privatisation undermined the sort of process that we are talking about, which gives clarity to Channel 4’s future in its role as a public service broadcaster. He said that we have two great public service broadcasters, but we actually have more than that. As well as the BBC, we have ITV, Channel 5, S4C—the Welsh fourth channel—and STV, which remains an independent channel in the ITV family, as was mentioned.
My hon. Friend the Member for Glasgow North East (Mr Sweeney) rightly pointed out Glasgow’s history, the origin of television and the great John Logie Baird’s contribution. He described the commission of “Mrs Brown’s Boys” as a cultural risk. I had not thought that it was that much of a risk, but it is a fine programme. He pointed out that the lack of studios at Horseferry Road should be about spreading capacity across the country.
My hon. Friend the Member for York Central (Rachael Maskell) mentioned a third Yorkshire city—York itself. She described a brownfield site near York station and its excellent connectivity, and made a powerful case.
The hon. Member for Glasgow Central (Alison Thewliss) listed all the production companies—
Well, not all of them; some of them—a small smidgen of the production companies based in the city of Glasgow. Again, she made a powerful case on Glasgow’s behalf.
I will say a word or two about Channel 4. We welcome the fact that Channel 4’s status in the public sector has been confirmed and that the Government have decided that they will not pursue its privatisation, which was under consideration. We welcome the process that Channel 4 has begun, because it is important that our creative industries are spread around the country and not just based in the city of London. Talent is everywhere in the UK, as we have heard, but the opportunity to exploit that talent or to work in the creative industries is not always equally spread.
This is an important moment. Hon. Members may guess my private thoughts on the matter, but whoever wins the bid, it will be a major step forward in ensuring that that opportunity is spread around the country so that talent from all sorts of backgrounds and all parts of the United Kingdom has a chance to prosper in our wonderful creative industries.