Intellectual Property: Artificial Intelligence

Alison Hume Excerpts

Wednesday 23rd April 2025 Westminster Hall

[Alison Hume (Scarborough and Whitby) (Lab)]

It is a pleasure to serve under your chairship, Ms McVey. I congratulate my hon. Friend the Member for Bury North (Mr Frith) on securing this timely and important debate. I would like to draw Members’ attention to my membership of the Writers’ Guild of Great Britain.

I hope Members had a restful Easter break. Many writers particularly look forward to Easter every year, not least because of the eggs, but towards the end of March we see the payment from the Authors’ Licensing and Collecting Society land in our bank accounts. For writers who depend on payments for secondary uses of their work, that money is a vital income stream in what is a harsh freelance existence. I love seeing where my television dramas that I wrote many years ago have been shown; this year I learned that Swedish children had watched my UK-based science fiction series set in a world without adults. Creativity knows no boundaries but neither, it seems, does generative AI.

Collection societies such as the ALCS and those representing other creative working people ensure that we receive fair payment, and that our rights are respected. The ALCS has paid out £700 million to writers since 1977. The point that I rise to make is that many scripts end up on the internet, along with novels, books and other published work. The Government have proposed the introduction of a text and data mining copyright exception that would allow AI developers to use copyrighted works without explicit prior consent. One of the arguments put forward for that exception is that we need it because licensing does not work—but licensing does work. Rights-holders have been licensing their works to commercial users for over a century, adapting to emerging technologies and meeting the demand for multi-territorial licensing. Moreover, licensing is proven to provide commercial users with the legal certainty required for investment, while also protecting creators and rights-holders from unauthorised exploitation.

We cannot allow a lifetime of human creative endeavour to be gobbled up for free by the bots. This is the opportunity for the UK Government to lead from the front by ensuring that the Data (Use and Access) Bill includes granular transparency requirements so that AI companies must disclose what they use for free, and to put a stop to the unregulated scraping of creative content online. Freelancers are looking to this Labour Government to ensure that they are fairly rewarded for their work. We must protect our creative working people and ensure that their work pays, too.