Economy: Culture and the Arts

Lord Maclennan of Rogart Excerpts

Thursday 13th June 2013 Lords Chamber

[Lord Maclennan of Rogart]

My Lords, this has been a powerful debate, delivered by those who are highly expert and experienced in the field. I very much hope that what has been said will be taken to heart—as well as into the heads—of those in the Treasury who are no doubt considering future public expenditure problems. Although my vocation has been politics, my passion has always been for the arts. Even year when I played Hamlet and Cinderella at school and had to consider where my future lay, I did not have the guts to pursue what really made me tick. I thank the noble Baroness, Lady Wheatcroft, for her most insightful opening to this debate.

Before I develop my thoughts, I want to draw attention to one or two people who have, through their life’s work and what they are doing now, contributed to a transformation of the possibilities of the arts. Although the field is under pressure at the moment, I agree with those who have said that we are unrivalled in our contributions and in the creative industries. We have been and we have the basis to continue that, but a big change has come about in my lifetime.

I would like particularly to pay tribute to Denis Vaughan, the former conductor-assistant to Thomas Beecham. He was one of those who powerfully advocated that the lottery should be set up and he is still making the case that the money should go more to the arts. I was glad to hear several contributions, including those from the noble Lords, Lord Puttnam and Lord Grade, making that point, which certainly needs to be considered at this time. Another current contributor to the debate is the present lord mayor of the City of London, Alderman Roger Gifford, who decided to make arts and culture one of the central themes of his mayoralty. He has been talking not about the threat to the City from the European Union but about building on what we have. He has committed to establishing the City music foundation, a new charity to support musicians in the early stages of their careers through mentoring and opportunities to perform. It has been claimed on his behalf that the benefits derived from the City’s arts and culture clusters generate a net contribution of £225 million in gross value added and support 6,700 full-time equivalent jobs in the City.

Speaking for myself, in the past I represented a community which could scarcely be more different. It is the least populated part of the United Kingdom: the constituency of Caithness and Sutherland. I am currently presiding over a charity called North Highland connections, which enjoys the patronage of His Royal Highness the Prince of Wales. We set it up with a very clear view of bringing to that remote part of the country the opportunities for individuals to experience and enjoy the arts themselves, to promote tourism and to encourage young artists from all around the country to have the opportunity to display and develop their talents. All these things have come on rather well, although we decided to do it at a difficult time—namely, 2008. We have subsequently demonstrated that it is difficult even for the philanthropic trusts, which are under pressure at this time. Local and central government have been clamping down on the arts but the benefit of such a development is, to my mind, patently clear. I believe that this kind of effort should be given every encouragement to grow all around our country.

Another area of the arts with which I have been involved was as chairman of the European Cultural Foundation, when there was a national branch of that Dutch-based organisation. That also, it seems to me, provided for the modern world a huge benefit in bringing to the attention of all our citizenry, and right across Europe, the cultural identities of people who are sometimes developing very differently. However, it enhances the whole and I hope very much that the Government will recognise that that is an important part of being European.

Finally, I pay tribute to PRS for Music which, since 2000, has given more than £16 million to over 14,000 new music initiatives by awarding grants and leading partnership programmes that support music-sector directives. It has been invited by Arts Council England to deliver the new Momentum Music Fund which will inject more than £0.5 million into the music industry over the next two years by a seed-funding investment for emerging acts to help develop the careers of talented artists and bands. I am also impressed by the work of UK Music which is launching Skills Academy. It has drawn my attention to a matter of detail and, as an acknowledgement of the work that has been done by such organisations, I would like to draw attention to what a number of bodies have said is vital at this time and that is copyright. Government plans to modernise copyright could have a detrimental impact on creators, potentially jeopardising the income of British songwriters and composers. There needs to be an exception to copyright for private copying, but there should be a requirement for fair compensation. As it stands, in most EU member states, private copying is legal and any loss of income is reimbursed by systems of compensation. We must bear that in mind and I hope that it will be brought into consideration in the various other forums which are considering these matters.

There is a vital report which was commissioned by the Arts Council and published in May which we should all read. I had hoped, had we had longer, to be able to read some of its conclusions into our debate. This report by the Centre for Economics and Business Research has shown that the generalities that we have expressed in this debate about the contribution to industry and the economy are absolutely justified and I hope it will be studied and read with care by the Treasury.

[Baroness Northover]

My Lords, I remind noble Lords that we are in a time-limited debate and we obviously want to make sure that we have time enough for the Minister at the end and also for the noble Baroness, Lady Wheatcroft, to respond.